John Rawls never published anything about his own religious beliefs, but after his death two texts were discovered which shed extraordinary light on the subject. A Brief Inquiry into the Meaning of Sin and Faith is Rawls’s undergraduate senior thesis, submitted in December 1942, just before he entered the army. At that time Rawls was deeply religious; the thesis is a significant work of theological ethics, of interest both in itself and because of its relation to his mature writings. “On My Religion,” a short statement drafted in 1997, describes the history of his religious beliefs and attitudes toward religion, including his abandonment of orthodoxy during World War II.

The present volume includes these two texts, together with an Introduction by Joshua Cohen and Thomas Nagel, which discusses their relation to Rawls’s published work, and an essay by Robert Merrihew Adams, which places the thesis in its theological context.

The texts display the profound engagement with religion that forms the background of Rawls’s later views on the importance of separating religion and politics. Moreover, the moral and social convictions that the thesis expresses in religious form are related in illuminating ways to the central ideas of Rawls’s later writings. His notions of sin, faith, and community are simultaneously moral and theological, and prefigure the moral outlook found in Theory of Justice.

Divine Providence is one of the major works of the Enlightenment scientist and religious seer Emanuel Swedenborg. It provides a coherent and satisfying solution to what has been called “the problem of evil”: How are God’s goodness and power reconcilable with evil’s presences in the larger world and in the human mind and heart? By tackling an array of issues that commonly undermine belief in God, including war, suffering, and inequality—and by revealing the wise and loving laws that lie hidden behind these seemingly senseless phenomena—Divine Providence aims to restore our faith in the meaningfulness of the world. Despite its universal focus, Divine Providence is also a highly practical book on the personal level, demonstrating how we can put aside negative attitudes and behaviors and grow into positive thought and action.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe editions.

Divine Providence is one of the major works of the Enlightenment scientist and religious seer Emanuel Swedenborg. It provides a coherent and satisfying solution to what has been called “the problem of evil”: How are God’s goodness and power reconcilable with evil’s presences in the larger world and in the human mind and heart? By tackling an array of issues that commonly undermine belief in God, including war, suffering, and inequality—and by revealing the wise and loving laws that lie hidden behind these seemingly senseless phenomena—Divine Providence aims to restore our faith in the meaningfulness of the world. Despite its universal focus, Divine Providence is also a highly practical book on the personal level, demonstrating how we can put aside negative attitudes and behaviors and grow into positive thought and action.

The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life.

This portable edition contains the text of the New Century Edition translation, but not the introduction, annotations, or other supplementary materials found in the deluxe editions.

Paradise haunts the Biblical West. At once the place of origin and exile, utopia and final destination, it has shaped our poetic and religious imagination and informed literary and theological accounts of man’s relation with his creator, with language and history. For Kant, Paradise was the inaugural moment for the rise and progress of reason as the agency of human history, slowly but certainly driving humanity away from error and superstition. Nietzsche described it more somberly as the very embodiment of the conflict between humanity and its beliefs.

In Earthly Paradise, Milad Doueihi contemplates key moments in the philosophical reception and uses of Paradise, marked by the rise of critical and historical methods in the Early Modern period. How do modern debates around the nature of evil, free will, and the origin of language grow out of the philosophical interpretations of Paradise as the site of human history? How do the reflections of Spinoza, Pierre Bayle, Leibniz, and their contemporaries inform our current ideas about the Biblical narrative of the Fall? Is Paradise the source of human error or an utopian vision of humanity itself?

A Washington Post Notable Work of Nonfiction
A Chronicle of Higher Education Best Scholarly Book

“Imagining the End suggests, in a sober yet hopeful spirit, how mourning, rightly understood, can give meaning to our lives in the disenchanted times in which we find ourselves. In exploring the hopes that have failed us, the projects that have run into the sand, the loves we have lost, the attachments that have come to an end—a work of what amounts to creative mourning—we can develop a stance in the here and how from which the psyche can look outward and flourish. ”—J. M. Coetzee

“Lear is a lovely and subtle writer, someone who has a rare capacity to introduce ways of seeing and interrogating the world that dignify our confusion and pain while also opening up new possibilities for moving forward.”–Daniel Oppenheimer, Washington Post

Jonathan Lear is one of the most distinctive intellectual voices in America, a philosopher and psychoanalyst who draws from ancient and modern thought, personal history, and everyday experience to help us think about how we can flourish, or fail to, in a world of flux and finitude that we only weakly control. His range is on full display in Imagining the End as he explores seemingly disparate concerns to challenge how we respond to loss, crisis, and hope.

He considers our bewilderment in the face of planetary catastrophe. He examines the role of the humanities in expanding our imaginative and emotional repertoire. He asks how we might live with the realization that cultures, to which we traditionally turn for solace, are themselves vulnerable. He explores how mourning can help us thrive, the role of moral exemplars in shaping our sense of the good, and the place of gratitude in human life. Along the way, he touches on figures as diverse as Aristotle, Abraham Lincoln, Sigmund Freud, and the British royals Harry and Meghan.

Written with Lear’s characteristic elegance, philosophical depth, and psychological perceptiveness, Imagining the End is a powerful meditation on persistence in an age of turbulence and anxiety.

"Every culture needs to appropriate the universal truth of human suffering," says Fernando Escalante, ". . . to give its own meaning to this suffering, so that human existence is bearable." Originally published in Spanish as La mirada de Dios: Estudios sobre la cultura del sufrimiento, this book is a remarkable study of the evolution of the culture of suffering and the different elements that constitute it, beginning with a reading of Rousseau and ending with the appearance of the Shoah in the Western consciousness—"The memory endures, and this constitutes a fundamental transition for the Western conscience: we have witnessed."

Drawing on writings from the Greeks to Cervantes, Voltaire to Nietzsche, and Freud to William James, Escalante combines his considerable knowledge of politics and political theory with a vast array of literary examples to arrive at an intellectual understanding of the history and meaning of suffering. His investigation encompasses the rise of popular politics, the role of messianism in modern nationalism, and the contemporary implications of the Shoah.

This book will appeal to a wide audience: students of political theory, humanism, and philosophy, as well as the general reader interested in a glimpse into the mind of a highly original Latin American thinker.

Shortlisted for the Nayef Al-Rodhan Book Prize.

A leading scholar explores what it means to dehumanize others—and how and why we do it.

“I wouldn’t have accepted that they were human beings. You would see an infant who’s just learning to smile, and it smiles at you, but you still kill it.” So a Hutu man explained to an incredulous researcher, when asked to recall how he felt slaughtering Tutsis in Rwanda in 1994. Such statements are shocking, yet we recognize them; we hear their echoes in accounts of genocides, massacres, and pogroms throughout history. How do some people come to believe that their enemies are monsters, and therefore easy to kill?

In Making Monsters David Livingstone Smith offers a poignant meditation on the philosophical and psychological roots of dehumanization. Drawing on harrowing accounts of lynchings, Smith establishes what dehumanization is and what it isn’t. When we dehumanize our enemy, we hold two incongruous beliefs at the same time: we believe our enemy is at once subhuman and fully human. To call someone a monster, then, is not merely a resort to metaphor—dehumanization really does happen in our minds. Turning to an abundance of historical examples, Smith explores the relationship between dehumanization and racism, the psychology of hierarchy, what it means to regard others as human beings, and why dehumanizing others transforms them into something so terrifying that they must be destroyed.

Meticulous but highly readable, Making Monsters suggests that the process of dehumanization is deeply seated in our psychology. It is precisely because we are all human that we are vulnerable to the manipulations of those trading in the politics of demonization and violence.

Leading Girardian theologian Scott Cowdell seeks to resolve a long-standing challenge to mimetic theory: that it entails a fundamental brutishness—an ontological violence. Girard’s account of scapegoating violence, seen as providing the initial stability for our species to emerge and consolidate, hardly seems compatible with Christian belief in God’s good creation, with violence only appearing after a subsequent Fall. The brilliant but controversial theologian John Milbank has long raised this concern about Girard, grounded in a remarkably sophisticated (though seldom fathomed) philosophical theology. Unpacking Milbank’s program, along with Girard’s recasting of Continental philosophy in light of mimetic theory, Cowdell finds a way between two apparently irreconcilable positions. With irenic spirit but analytic tenacity, he probes for ways through Milbank’s arguments while pressing on growth points in Girard’s. Cowdell’s proposals involve reframing divine creation in light of salvation history, reimagining divine participation by thinking Christ and evolution together, and developing a semiotic approach to mimetic theory that delivers ontological peace hermeneutically. Cowdell shows how Girard’s vision of human transformation through faith in Christ reveals a different world beyond ontological violence while preserving the divine participation that Milbank champions.

Transcendentalism never came to an end in America. It just went underground for a stretch, but is back in full force in Robert Brandom’s new book. Brandom takes up Kant and Hegel and explores their contemporary significance as if little time had expired since intellectuals gathered around Emerson in Concord to discuss reason and idealism, selves, freedom, and community. Brandom’s discussion belongs to a venerable tradition that distinguishes us as rational animals, and philosophy by its concern to understand, articulate, and explain the notion of reason that is thereby cast in that crucial demarcating role.

An emphasis on our capacity to reason, rather than merely to represent, has been growing in philosophy over the last thirty years, and Robert Brandom has been at the center of this development. Reason in Philosophy is the first book that gives a succinct overview of his understanding of the role of reason as the structure at once of our minds and our meanings—what constitutes us as free, responsible agents. The job of philosophy is to introduce concepts and develop expressive tools for expanding our self-consciousness as sapients: explicit awareness of our discursive activity of thinking and acting, in the sciences, politics, and the arts. This is a paradigmatic work of contemporary philosophy.