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Blessings for the Hands
Matthew Schwartz
University of Chicago Press, 2008
From The Sky Inside the Shaking Tree

What you feel
reveals you.
 
Watch
for the sustenance
inclined to a source,
 
enamored of singularity,
quickly here and quickly
 
gone, shadow from which
the body's courage comes.
 
Fireflies
apparently stumbling.
 
I slapped one on my leg.
Its blood glowed.
 
Blessings for the Hands follows various speakers—often disabled speakers, who never once figure themselves as objects of complaint or self-pity—through the haunted dreamscape of “normalcy.” Indeed, dreams are continuous presences in this unusually subtle and elegant debut collection that juxtaposes physical circumstances with the vast interior life of the imagination. The subjects of Blessings for the Hands are real and imagined confrontations—and reconciliations—between family members, friends, strangers, and animals. Matthew Schwartz’s quasi-autobiographical verse complicates and clarifies the emotions waiting just underneath the patterns and expectations of the speakers’ daylight lives, where anger, joy, corporeality, and mortality all seem to collide. For Schwartz, poetry is a sleight of hand that keeps the reader guessing through nearly imperceptible shifts between present vision and absent reality. Blessings for the Hands is a lyric reckoning of the tension between the life we are given and the life we are determined to lead.
 
Blessings for the Hands is emotionally strong and imaginatively wild, distinctive, deeply moving, without an ort of self-pity, and pervaded by ‘compassion down to your fingertips’ (which Chekhov said is ‘the only method’ both to write and to live). This angle of vision is sharp enough to unify much disparate material. The poems are clear and musical and consequently a pleasure to read and reread despite their gravity. I think this may be lasting work.”—Michael Ryan
 
 
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Ears, Eyes, and Hands
Reflections on Language, Literacy, and Linguistics
Deborah L. Wolter
Gallaudet University Press, 2018
Ears, Eyes, and Hands presents the author’s reflections on language, literacy, and linguistics that have been shaped by her deafness and by her work as an educator. In short, engaging narratives, Deborah L. Wolter exposes deeply entrenched attitudes and stereotypes regarding language, bringing to bear her own experiences as a deaf person as well as her interactions with children from varying backgrounds.
​​      Wolter reveals and rectifies the impact of deficit mindsets in the educational system regarding race, ethnicity, economic status, gender, and disability. As a literacy specialist, she works with students who fall through the cracks in a system that strives to embrace the diverse backgrounds and abilities found in the classroom. Her passion for engaging students and cultivating literacy shines in the stories she tells, which serve as parables that allow readers to evaluate their own attitudes and assumptions. Educators, parents, and community members will benefit from Wolter’s examination of sociolinguistics and language privilege as she identifies how ethnocentrism and ableism are contributing to negative educational outcomes for some students. With humor and warmth, she offers a path toward approaching language and listening as a gateway to connection and understanding, both inside the classroom and beyond.
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Hands on Film
Actants, Aesthetics, Affects
Barry Monahan
Amsterdam University Press, 2022
Hands on Film is a comprehensive study of the representations and uses of that human limb from the birth of cinema to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. The book offers insights into how films have created meaning by focusing on that part of the anatomy and, in turn, proposes a variety of ways in which its on-screen appearances might shed light on what it means to be sentient, cultured, and creative beings in the world.
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Hands on the Freedom Plow
Personal Accounts by Women in SNCC
Faith S. Holsaert
University of Illinois Press, 2012
In Hands on the Freedom Plow, fifty-two women--northern and southern, young and old, urban and rural, black, white, and Latina--share their courageous personal stories of working for the Student Nonviolent Coordinating Committee (SNCC) on the front lines of the Civil Rights Movement.
 
The testimonies gathered here present a sweeping personal history of SNCC: early sit-ins, voter registration campaigns, and freedom rides; the 1963 March on Washington, the Mississippi Freedom Summer, and the movements in Alabama and Maryland; and Black Power and antiwar activism. Since the women spent time in the Deep South, many also describe risking their lives through beatings and arrests and witnessing unspeakable violence. These intense stories depict women, many very young, dealing with extreme fear and finding the remarkable strength to survive.
 
The women in SNCC acquired new skills, experienced personal growth, sustained one another, and even had fun in the midst of serious struggle. Readers are privy to their analyses of the Movement, its tactics, strategies, and underlying philosophies. The contributors revisit central debates of the struggle including the role of nonviolence and self-defense, the role of white people in a black-led movement, and the role of women within the Movement and the society at large.  
 
Each story reveals how the struggle for social change was formed, supported, and maintained by the women who kept their "hands on the freedom plow." As the editors write in the introduction, "Though the voices are different, they all tell the same story--of women bursting out of constraints, leaving school, leaving their hometowns, meeting new people, talking into the night, laughing, going to jail, being afraid, teaching in Freedom Schools, working in the field, dancing at the Elks Hall, working the WATS line to relay horror story after horror story, telling the press, telling the story, telling the word. And making a difference in this world."
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Hands
Physical Labor, Class, and Cultural Work
Zandy, Janet
Rutgers University Press, 2004
 What are two hands worth?

In linking forms of cultural expression to labor, occupational injuries, and deaths, Hands: Physical Labor, Class, and Cultural Work centers what is usually decentered--the complex culture of working-class people. Janet Zandy begins by examining the literal loss of lives to unsafe jobs and occupational hazards. She asks critical and timely questions about worker representation--who speaks for employees when the mills, mines, factories, and even white-collar cubicles shut down? She presents the voices of working-class writers and artists, and discusses their contribution to knowledge and culture.

This innovative study reveals the flesh and bone beneath the abstractions of labor, class, and culture. It is an essential contribution to the emerging field of working-class studies, offering a hybrid model for bridging communities and non-academic workers to scholars and institutions of knowledge.
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A History of Hands
A Novel
Rod Moore
University of Massachusetts Press, 2014
This powerful novel begins with the ambiguities of illness and moves on to explore both the reasonable and the absurd actions of those who suffer and those who exploit suffering. The setting is a failed farm on the Central California coast during a time of rural isolation and decline. Virge, the protagonist, is an awkwardly introspective young man living with his parents, suffering from lingering effects of an accidental childhood poisoning, including a lack of coordination and the possibility of mental weakness. Within the first few pages, Virge trips, falls, and finds that his hands have become paralyzed—a potential disaster for someone unable to afford a doctor's visit.

Soon, however, an elderly and possibly criminal doctor, offering free therapy, moves in, much to the dismay of bedridden Virge. While the physician endeavors to restore the patient's hands with a series of highly suspect injections, Virge recovers his sense of autonomy and an urge to escape the suffocating domestic circumstances that have perhaps caused his illnesses in the first place.

A History of Hands is a novel that invites the reader into a richly and eccentrically detailed world where fevered imaginations and dark comedy prevail, but where the determination to escape the ambiguities of illness leads to the equal ambiguities of health and freedom.
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In the Hands of a Happy God
The "No-Hellers" of Central Appalachia
Howard Dorgan
University of Tennessee Press, 1997
The investigation of Primitive Baptist Universalists -- Calvinist 'No-Hellers, ' which sounds for all the world like an oxymoron -- requires the exact type of seasoned and comprehensive field experience which Dorgan has brought to it with meticulous care and insight. -- Deborah Vansau McCauley, author of Appalachian Mountain ReligionAmong the many forms of religious practice found in the ridges and hollows of Central Appalachia, one of the most intriguing -- and least understood -- is that of the Primitive Baptist Universalists (PBUs). Popularly known as the No-Hellers, this small Baptist sub-denomination rejects the notion of an angry God bent on punishment and retribution and instead embraces the concept of a happy God who consigns no one to eternal damnation. This book is the first in-depth study of the PBUs and their beliefs.As Howard Dorgan points out, the designation No-Heller is something of a misnomer. Primitive Baptist Universalists, he notes, believe in hell -- but they see it as something that exists in this life, in the temporal world, rather than in an afterlife. For a PBU, sinfulness is the given state of natural man, and hell a reality of earthly life -- the absence-from-God's-blessing torment that sin generates. PBUs further believe that, at the moment of Resurrection, all temporal existence will end as all human-kind joins in a wholly egalitarian heaven, the culmination of Christ's universal atonement.In researching this book, Dorgan spent considerable time with PBU congregations, interviewing their members and observing their emotionally charged and joyous worship services. He deftly combines lucid descriptions of PBU beliefs with richly texturedvignettes portraying the people and how they live their faith on a daily basis. He also explores a fascinating possibility concerning PBU origins: that a strain of early- nineteenth-century American Universalism reached the mountains of Appalachia and there fused with Primitive Baptist theology to form this subdenomination, which barely exists outside a handful of counties in Tennessee, Virginia, Kentucky, and West Virginia.Like Dorgan's earlier books, In the Hands of a Happy God offers an insightful blend of ethnography, history, and theological analysis that will appeal to both Appalachian scholars and all students of American religion.
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The Religion of Hands
Prose Poems and Flash Fictions
Ray Gonzalez
University of Arizona Press, 2005
"A man doesn’t sleep with the moon. He sleeps with his hunger, gathers bowls of avocados and wipes his lips with his sins."

The Religion of Hands does not foster sleep. Look quickly and you will catch the hint of a fox streaking in front of your car’s headlights at night. Look more carefully out your bedroom window and you may see your life going by, lost loved ones waving hello.

"Who were you when the stars were misinterpreted as the fingertips of God?"

Ray Gonzalez blends symbolic play with lyrical beauty as he works from a vast and complex palette to infuse popular culture with myth. The Religion of Hands is imbued with magical realism: a suffocating dream of tamales, mysterious reptilian allusions, a man who "finds God walking down the stairs to hand him an old, tattered phonebook from the year he was born." It offers strange prophecies: "A steady vegetation will grow across the empire as more homeboys are killed in drive-bys. . . . Microscopic scratches on an old vinyl record will form a message discovered in twenty more years when the album is bought at a garage sale." And in 14 flash fictions, it tells of a tiny old man kept in a glass jar, an accordion stored in an old family trunk, tales of sharks and bandits. The religion of hands has its own unspoken sacraments. "The fingers take over, teaching whoever holds the moment that the rapid weight of the open hands is a dangerous way to live."

Seamlessly, effortlessly, multi-dexterously, Ray Gonzalez spins words that speak our very dreams.
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A Rush of Hands
Juan Delgado
University of Arizona Press, 2003
The whispers of buried lives. The silence of a growing resistance. The stigma of poverty. In haunting images, Juan Delgado explores the boundaries we cross daily.

These poems deal honestly with the realities of urban life, whether dramatizing the effects of drive-by shootings, unfolding a labor protest that "spreads across the city like a prayer," or summoning a ghostlike immigrant damned to retrace his journey across the border. Daily and historical struggles are elevated to the level of myth. Yet, amid these poems there are images of life and love: a girl leaving hickeys rich as chocolate, a boy pledging to rescue his mother from poverty, a man studying the desert ground for tracks signaling immigrants in distress.

Delgado is unflinching in showing us the harshness surrounding the lives he cherishes, and with resonant details and lyrical language he urges us to examine those lives-and ultimately our own. A Rush of Hands is a spellbinding book that will captivate both the ear and the heart.

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Show of Hands
A Natural History of Sign Language
David F. Armstrong
Gallaudet University Press, 2011

Most scholarly speculation on the origin of human language has centered around speech. However, the growing understanding of sign languages on human development has transformed the debate on language evolution. David F. Armstrong’s new book Show of Hands: A Natural History of Sign Language casts a wide net in history and geography to explain how these visible languages have enriched human culture in general and how their study has expanded knowledge of the human condition.

Armstrong addresses the major theories of language evolution, including Noam Chomsky’s thesis of an innate human “organ” for language and Steven Pinker’s contention that there is language and not-language without any gradations between gesture and language. This engrossing survey proceeds with William C. Stokoe’s revival of the early anthropological cognitive-linguistic model of gradual development through the iconicity of sign languages. Armstrong ranges far to reveal the nature of sign languages, from the anatomy of early human ancestors to telling passages by Shakespeare, Dickens, and Pound, to the astute observations of Socrates, Lucretius, and Abbé de l’Epée on sign communication among deaf people. Show of Hands illustrates the remarkable development of sign languages in isolated Bedouin communities and among Australian indigenous peoples. It also explores the ubiquitous benefits of “Deaf Gain” and visual communication as they dovetail with the Internet and its mushrooming potential for the future.

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