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America's Neighborhood Bats
Understanding and Learning to Live in Harmony with Them
By Merlin D. Tuttle
University of Texas Press, 2005

Since its first publication in 1988, America's Neighborhood Bats has changed the way we look at bats by underscoring their harmless and beneficial nature. In this second revised edition, Merlin Tuttle offers bat aficionados the most up-to-date bat facts, including a wealth of new information on bat house design and current threats to bat survival.

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Facets of a Harmony
The Roma and Their Locatedness in Eastern Slovakia
Jan Ort
Karolinum Press, 2022
A crucial contribution to Romani studies focuses on a single Slovak village to explore universal issues of belonging.
 
In this important contribution to contemporary Romani studies, Jan Ort focuses his anthropological research on a village in eastern Slovakia reputed for the ostensibly seamless coexistence of its ethnically and linguistically heterogeneous inhabitants. Ort offers an ethnographic critique of this idyllic view, showing how historical shifts, as well as the naturalization of inequality and hierarchies, have led to the present situation between the village’s Roma inhabitants and other ethnic populations. However, he also shows examples and methods of subversion and resistance to the village’s current power dynamics. Based primarily on participant observation within Roma families, Ort’s long-term research results in a fascinating book replete with ethnographic descriptions that allow readers to understand local experiences, contexts, and divisions. These insights about the village lead to the key question of the book: Who actually is a local?
 
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The Gloss of Harmony
The Politics of Policy-Making in Multilateral Organisations
Birgit Muller
Pluto Press, 2013

The Gloss of Harmony focuses on agencies of the United Nations, examining the paradox of entrusting relatively powerless and underfunded organisations with the responsibility of tackling some of the essential problems of our time. The book shows how international organisations shape the world in often unexpected and unpredictable ways.

The authors of this collection look not only at the official objectives and unintended consequences of international governance but also at how international organisations involve collective and individual actors in policy making, absorb critique, attempt to neutralise political conflict and create new political fields with local actors and national governments.

The Gloss of Harmony identifies the micro-social processes and complexities within multilateral organisations which have, up to now, been largely invisible. This book will have wide appeal not only to students and academics in anthropology, business studies and sociology but also to all practitioners concerned with international governance.

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Harmonic Function in Chromatic Music
A Renewed Dualist Theory and an Account of Its Precedents
Daniel Harrison
University of Chicago Press, 1994
The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. Yet until now, the harmonic complexity of this repertory has resisted the analytic techniques available to music theorists and historians. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music.

One of Harrison's central innovations is his reconstruction of the notion of harmony. Harrison understands harmonic power to flow not from chords as such but from the constituents of chords, reckoned for the most part as scale degrees of a key. This insight proves especially useful in analyzing the unusual progressions and key relations that characterize chromatic music.

Complementing the theoretical ideas is a critical history of nineteenth-century German harmonic theory in which Harrison traces the development of Hugo Riemann's ideas on dualism and harmonic function and examines aspects of Riemannian theory in the work of later theorists. Combining theoretical innovations with a sound historical understanding of those innovations, Harmonic Function in Chromatic Music will aid anyone studying this pivotal period of Western music history.
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Harmony
Heinrich Schenker
University of Chicago Press, 1954
Harmony, Heinrich Schenker's first published work, originally appeared in German in 1906 as "New Musical Theories and Phantasies, by an Artist." Its unusual title indicates what was to be the rationale of Schenker's lifework, that artistic problems call for artistic solutions. Schenker's dedication to the formulation of a complete musical theory above the commonplace theoretical discussions was, in essence, his quest for a pattern in nature for music as art. Schenker's theory draws upon a profound understanding of the works of the masters and every proposition is illustrated by a living musical example.
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Harmony and the Balance
An Intellectual History of Seventeenth-Century English Economic Thought
Andrea Finkelstein
University of Michigan Press, 2000
Frequently the achievements of pioneering economic writers are assessed by imposing contemporary theories of markets, economics, politics, and history. At last, here is a book that appraises the work of the leading English economic writers of the seventeenth century using intellectual concepts of the time, rather than present-day analytical models, in order to place their economic theories in context. In an analysis that tracks the Stuart century, Andrea Finkelstein traces the progress of such figures as Gerard de Malynes, William Petty, John Locke, and Charles Davenant by inviting us into the great trading companies and halls of parliament where we relive the debates over the coinage, the interest rate, and the nature of money. Furthermore, we see them model their works on the latest developments in physiology, borrow ideas from bookkeeping, and argue over the nature of numbers in an effort to construct a market theory grounded in objective moral value. This comprehensive approach clarifies the relationship between the century's economic ideas and its intellectual thought so that, in the end, readers will be able to judge for themselves whether this really was the age of the Capitalist Geist.
 
Finkelstein has crafted her book to be both inclusive and interdisciplinary by skillfully integrating biography, political history, economic history, and intellectual theory as well as the economic heritage of its subjects. While the concepts are far from simple, Finkelstein's adroit style presents her analysis in an extremely accessible manner.

Andrea Finkelstein is Assistant Professor of History, City University of New York.
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The Harmony of Reason
A Study of Kant’s Aesthetics
Francis X. J. Coleman
University of Pittsburgh Press, 1974
The Harmony of Reason is the first book-length critical study of Kant's Critique of Judgement, shedding new light on this often-overlooked work and Kant's other writings on aesthetics. Francis X. J. Coleman's deep analysis of Kant is intended for readers interested in philosophy, fine arts and literary criticism.
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Hearing Harmony
Toward a Tonal Theory for the Rock Era
Christopher Doll
University of Michigan Press, 2017
Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory’s typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.

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Living in Harmony
A Legacy of Love
Sue Cato Gennings
Parkhurst Brothers, Inc., 2017

Sue Cato Gennings’ first novel traces two young immigrant brothers from early adulthood in Tidewater Virginia to successful entrepreneurship in northern Georgia during the late Nineteenth and early Twentieth Centuries. Penniless but energetic, the brothers struggle to refine and realize their dreams of family and business success. Their paths explore themes of family, ambition, honor, and maturation, finding resolutions as distinct as their characters.

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Myths of Harmony
Race and Republicanism during the Age of Revolution, Colombia, 1795-1831
Marixa Lasso
University of Pittsburgh Press, 2007

This book centers on a foundational moment for Latin American racial constructs.  While most contemporary scholarship has focused the explanation for racial tolerance-or its lack-in the colonial period, Marixa Lasso argues that the key to understanding the origins of modern race relations are to be found later, in the Age of Revolution.

Lasso rejects the common assumption that subalterns were passive and alienated from Creole-led patriot movements, and instead demonstrates that during Colombia's revolution, free blacks and mulattos (pardos) actively joined and occasionally even led the cause to overthrow the Spanish colonial government. As part of their platform, patriots declared legal racial equality for all citizens, and promulgated an ideology of harmony and fraternity for Colombians of all colors. The fact that blacks were mentioned as equals in the discourse of the revolution and later served in republican government posts was a radical political departure.  These factors were instrumental in constructing a powerful myth of racial equality-a myth that would fuel revolutionary activity throughout Latin America.

Thus emerged a historical paradox central to Latin American nation-building: the coexistence of the principle of racial equality with actual racism at the very inception of the republic.  Ironically, the discourse of equality meant that grievances of racial discrimination were construed as unpatriotic and divisive acts-in its most extreme form, blacks were accused of preparing a race war.  Lasso's work brings much-needed attention to the important role of the anticolonial struggles in shaping the nature of contemporary race relations and racial identities in Latin America.

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The Pursuit of Harmony
Kepler on Cosmos, Confession, and Community
Aviva Rothman
University of Chicago Press, 2017
A committed Lutheran excommunicated from his own church, a friend to Catholics and Calvinists alike, a layman who called himself a “priest of God,” a Copernican in a world where Ptolemy still reigned, a man who argued at the same time for the superiority of one truth and the need for many truths to coexist—German astronomer Johannes Kepler was, to say the least, a complicated figure. With The Pursuit of Harmony, Aviva Rothman offers a new view of him and his achievements, one that presents them as a story of Kepler’s attempts to bring different, even opposing ideas and circumstances into harmony.
 
Harmony, Rothman shows, was both the intellectual bedrock for and the primary goal of Kepler’s disparate endeavors. But it was also an elusive goal amid the deteriorating conditions of his world, as the political order crumbled and religious war raged. In the face of that devastation, Kepler’s hopes for his theories changed: whereas he had originally looked for a unifying approach to truth, he began instead to emphasize harmony as the peaceful coexistence of different views, one that could be fueled by the fundamentally nonpartisan discipline of mathematics. 
 
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Remaking the Past
Musical Modernism and the Influence of the Tonal Tradition
Joseph N. Straus
Harvard University Press, 1990

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Rimsky-Korsakov's Harmonic Theory
Practical Manual of Harmony, Its Sources, History, and Traditions
Larisa P. Jackson
University of North Texas Press, 2022

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Tracing Paradise
Two Years in Harmony with John Milton
Dawn Potter
University of Massachusetts Press, 2009
One winter morning, poet Dawn Potter sat down at her desk in Harmony, Maine, and began copying out the opening lines of John Milton's Paradise Lost. Her intent was to spend half an hour with a poem she had never liked, her goal to transcribe a page or two. Maybe she would begin to appreciate the poet's art, though she had no real expectations that the exercise would change her mind about the poem. Yet what began as a whim turned rapidly into an obsession, and soon Potter was immersed in a strange and unexpected project: she found herself copying out every single word of Milton's immense, convoluted epic.

Tracing Paradise: Two Years in Harmony with John Milton is her memoir of that long task. Over the course of twelve chapters, Potter explores her very personal response to Milton and Paradise Lost, tracing the surprising intersections between a seventeenth-century biblical epic and the routine joys and tragedies of domestic life in contemporary rural Maine. Curious, opinionated, and eager, she engages with the canon on mutable, individual terms. Though she writes perceptively about the details and techniques of Milton's art, always her reactions are linked to her present-tense experiences as a poet, small-time farmer, family member, and citizen of a poor and beleaguered north-country town.

A skilled and entertaining writer, Potter is also a wide-ranging and sophisticated reader. Yet her memoir is not a scholarly treatise: her enthusiasms and misgivings about both Milton and Paradise Lost ebb and flow with the days. Tracing Paradise reminds us that close engagement with another artist's task may itself be a form of creation. Above all, Potter's memoir celebrates one reader's difficult yet transformative love affair with Milton's glorious, irritating, inscrutable masterpiece.
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