Nadia moves between the competing perspectives of two survivors of the 1990s Balkan Wars who have escaped to London, only to discover that the war has followed them there. Nadia is a young refugee who just wants to forget the past—until Iggy starts temping at her London office. Afraid he may be a sniper from the war she fled, Nadia starts seeing threats everywhere, alongside unsettling visions of her lost girlfriend, Sanja. As her volatile connection with Iggy unravels, Nadia is forced to face the ethically shaky choices she made to escape the war, her survivor guilt, and her disavowed queer sexuality.
Christine Evans's novel takes us to the recent past of a war that broke apart a European country and that presciently foreshadowed the rise of ethno-nationalism in the West. Tense, suspenseful, and mordantly funny, Nadia tracks the complex ways in which a past marked by political violence can shadow and disrupt the present.
Winner of the J. Russell Major Prize, American Historical Association
Best Book on the First Empire by a Foreigner, Napoleon Foundation
“Englund has written a most distinguished book recounting Bonaparte’s life with clarity and ease…This magnificent book tells us much that we did not know and gives us a great deal to think about.”—Douglas Johnson, Los Angeles Times Book Review
“Englund, in his lively biography…seeks less to rehabilitate Napoleon’s reputation and legacy than to provide readers with a fuller view of the man and his actions.”—Paula Friedman, New York Times
“Napoleon: A Political Life is a veritable tour de force: the general reader will enjoy it immensely, and learn a great deal from it. But the book also has much to offer historians of modern France.”—Sudhir Hazareesingh, Times Literary Supplement
“Englund’s incisive forays into political theory don’t diminish the force of his narrative, which impressively conveys the epochal changes confronting both France and Europe…A strikingly argued biography.”—Matthew Price, Washington Post
This sophisticated and masterful biography brings new and remarkable analysis to the study of modern history’s most famous general and statesman. As Englund charts Napoleon’s dramatic rise and fall—from his Corsican boyhood, his French education, his astonishing military victories and no less astonishing acts of reform as First Consul (1799–1804) to his controversial record as Emperor and, finally, to his exile and death—he explores the unprecedented power Napoleon maintains over the popular imagination.
An Australian Book Review Best Book of the Year
One of France’s most famous historians compares two exemplars of political and military leadership to make the unfashionable case that individuals, for better and worse, matter in history.
Historians have taught us that the past is not just a tale of heroes and wars. The anonymous millions matter and are active agents of change. But in democratizing history, we have lost track of the outsized role that individual will and charisma can play in shaping the world, especially in moments of extreme tumult. Patrice Gueniffey provides a compelling reminder in this powerful dual biography of two transformative leaders, Napoleon Bonaparte and Charles de Gaulle.
Both became national figures at times of crisis and war. They were hailed as saviors and were eager to embrace the label. They were also animated by quests for personal and national greatness, by the desire to raise France above itself and lead it on a mission to enlighten the world. Both united an embattled nation, returned it to dignity, and left a permanent political legacy—in Napoleon’s case, a form of administration and a body of civil law; in de Gaulle’s case, new political institutions. Gueniffey compares Napoleon’s and de Gaulle’s journeys to power; their methods; their ideas and writings, notably about war; and their postmortem reputations. He also contrasts their weaknesses: Napoleon’s limitless ambitions and appetite for war and de Gaulle’s capacity for cruelty, manifested most clearly in Algeria.
They were men of genuine talent and achievement, with flaws almost as pronounced as their strengths. As many nations, not least France, struggle to find their soul in a rapidly changing world, Gueniffey shows us what a difference an extraordinary leader can make.
Alcibiades was one of the most dazzling figures of the Golden Age of Athens. A ward of Pericles and a friend of Socrates, he was spectacularly rich, bewitchingly handsome and charismatic, a skilled general, and a ruthless politician. He was also a serial traitor, infamous for his dizzying changes of loyalty in the Peloponnesian War. Nemesis tells the story of this extraordinary life and the turbulent world that Alcibiades set out to conquer.
David Stuttard recreates ancient Athens at the height of its glory as he follows Alcibiades from childhood to political power. Outraged by Alcibiades’ celebrity lifestyle, his enemies sought every chance to undermine him. Eventually, facing a capital charge of impiety, Alcibiades escaped to the enemy, Sparta. There he traded military intelligence for safety until, suspected of seducing a Spartan queen, he was forced to flee again—this time to Greece’s long-term foes, the Persians. Miraculously, though, he engineered a recall to Athens as Supreme Commander, but—suffering a reversal—he took flight to Thrace, where he lived as a warlord. At last in Anatolia, tracked by his enemies, he died naked and alone in a hail of arrows.
As he follows Alcibiades’ journeys crisscrossing the Mediterranean from mainland Greece to Syracuse, Sardis, and Byzantium, Stuttard weaves together the threads of Alcibiades’ adventures against a backdrop of cultural splendor and international chaos. Navigating often contradictory evidence, Nemesis provides a coherent and spellbinding account of a life that has gripped historians, storytellers, and artists for more than two thousand years.
The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience.
Nero murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. He mounted the public stage to act a hero driven mad or a woman giving birth, and raced a ten-horse chariot in the Olympic games. He probably instigated the burning of Rome, for which he then ordered the spectacular punishment of Christians, many of whom were burned as human torches to light up his gardens at night. Without seeking to rehabilitate the historical monster, Champlin renders Nero more vividly intelligible by illuminating the motives behind his theatrical gestures, and revealing the artist who thought of himself as a heroic figure.
Nero is a brilliant reconception of a historical account that extends back to Tacitus, Suetonius, and Cassius Dio. The effortless style and artful construction of the book will engage any reader drawn to its intrinsically fascinating subject.
The Nightinghouls of Paris is a thinly fictionalized memoir of the darker side of expatriate life in Paris. Beginning in 1928, the story follows the changes undergone by Canadian youths John Glassco and his friend Graeme Taylor during their (mis)adventures in Paris while trying to become writers. There they meet Robert McAlmon, who guides them through the city’s cafes, bistros, and nightclubs, where they find writers and artists including Kay Boyle (with whom Glassco has a fling), Bill Bird, Djuna Barnes, Claude McKay, Hilaire Hiler, Peggy Guggenheim, and Ernest Hemingway.
Fleeing France in late 1940, Robert McAlmon lost his notebook manuscripts and draftedFleeing the Nazis in the months before World War II, the Korman family scattered from a Polish refugee camp with the hope of reuniting in America. The father sailed to Cuba on the ill-fated St. Louis; the mother left for the United States after sending her two sons on a Kindertransport. One of the sons was Gerd Korman, whose memoir follows his own path—from the family’s deportation from Hamburg, through his time with an Anglican family in rural England, to the family’s reunited life in New York City. His memoir plumbs the depths of twentieth-century history to rescue the remarkable life story of one of its survivors.
Conventional portraits of Neo-Confucianism in China are built on studies of scholars active in the south, yet Xue Xuan (1389–1464), the first Ming Neo-Confucian to be enshrined in the Temple to Confucius, was a northerner. Why has Xue been so overlooked in the history of Neo-Confucianism? In this first systematic study in English of the highly influential thinker, author Khee Heong Koh seeks to redress Xue’s marginalization while showing how a study interested mainly in “ideas” can integrate social and intellectual history to offer a broader picture of history.
Significant in its attention to Xue as well as its approach, the book situates the ideas of Xue and his Hedong School in comparative perspective. Koh first provides in-depth analysis of Xue’s philosophy, as well as his ideas on kinship organizations, educational institutions, and intellectual networks, and then places them in the context of Xue’s life and the actual practices of his descendants and students. Through this new approach to intellectual history, Koh demonstrates the complexity of the Neo-Confucian tradition and gives voice to a group of northern scholars who identified themselves as Neo-Confucians but had a vision that was distinctly different from their southern counterparts.
Between 1890 and 1893, Ignaty Potapenko published a number of works in which he presented the Russian intelligentsia with a new role model, the “mediocre, but common-sensical man,” whose diligence and steady devotion to the improvement of society are depicted as being more productive than the reckless heroism of the regime’s most outspoken, and sometimes violent, intellectual opponents. Not a Hero introduces the twenty-first-century reader to an important debate of the prerevolutionary period, a debate that is still relevant today: how to bring about social change within an oppressive and ossified political system without resorting to violence.
Vividly revealing the challenges faced by a group of migrant workers who eventually formed the multiracial town of Randolph, Arizona, Not All Okies Are White is a brilliant, spellbinding celebration of the resilience and adaptability of people too often ignored by history texts.
Recognizing the black exodus to the American West as an overlooked but integral chapter in American history, Geta LeSeur fills the void by extending her research beyond the Mississippi River and the Mason-Dixon line, examining close-up the personal lives of third- and fourth-generation descendants of pre-Emancipation blacks. In this first full-length study to explore the migrant life of any nonwhite group within the United States and the first to focus specifically on a primarily black town in the Southwest, LeSeur deftly uncovers the stepping-stone pattern of black movement west of the Mississippi into Arkansas, Oklahoma, and Texas, and consequent migrations to Arizona and California imposed by economic and social conditions.
Not All Okies Are White recaptures the ways of life for black migrant workers, as well as Hispanics and Native Americans, in the first half of the century through richly detailed interviews of the families of Randolph's founders. Through the words of each narrator, these personal stories recount work experiences and survival strategies, offering new insights into the people's relationship to the land. The narratives reveal a creative tension between place and identity, movement and migration. LeSeur provides a historical, cultural, and literary context for the oral histories by incorporating news articles, information culled from historical society archives, analyses of films and novels, advertisements, and photographs.
An innovative blend of history telling and literary analysis, Not All Okies Are White describes LeSeur's acquaintance with and growing involvement in the lives of the residents of Randolph and surrounding farm communities. The result is a highly accessible cross-disciplinary study that will appeal to scholars and general readers interested in oral history, African American history, multicultural studies, and women's studies.
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