front cover of East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
Isabelle Tillerot
J. Paul Getty Trust, The, 2024
An insightful look at how East Asian notions of space transformed Western painting.

This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art.

This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.
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East India Company at Home, 1757-1857
Edited by Margot Finn and Kate Smith
University College London, 2018
In the century between 1757 and 1857, The East India Company brought both sizeable affluence and fresh perspective back home to Britain from the Indian subcontinent. During this period, the Company shifted its activities and increasingly employed civil servants, army officers, surveyors, and doctors, many of whom returned to Britain with newly acquired wealth, tastes, and identities. This new volume moves beyond conventional academic narratives by drawing on wider research, exploring how the empire in Asia shaped British country houses, thus contributing to the ongoing conversation on imperial culture and its British legacies. 
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Governors' Mansions of the South
Ann Liberman, Photographs by Alise O'Brien, Foreward by Governor Jeb Bush
University of Missouri Press, 2008
From the Greek Revival architecture found in Mississippi to the Queen Anne style of North Carolina, governors’ mansions in the American South convey a passion for antiquity, as well as a regional elegance. Ann Liberman, author of Governors’ Mansions of the Midwest, spent much of her life in Texas and admires the remarkable architecture of the antebellum South—a respect that she now brings to her newest book.
            Governors’ Mansions of the South is devoted to the eleven states of the old Confederacy, plus Kentucky and West Virginia, and offers a brick-and-mortar reflection of the region’s rich history. It includes the country’s oldest governor’s mansion in continuous use, in Virginia, plus two built as recently as the 1960s, in Louisiana and Georgia. These mansions reflect an architectural cohesiveness found throughout the South, as Georgian, Federal, and Greek Revival styles imbue antebellum houses with a classical aura, while others built in the first quarter of the twentieth century reflect the monumental eclectic styles of the Beaux Arts era.
            Liberman provides readers with a room-by-room guided tour of each of the buildings as she comments on their architecture, symbolism, and lore. She places the mansions in historical context, describing how their locations were chosen, how they were designed and decorated, and how they have been preserved, lost, or transformed over the years. While focusing primarily on the buildings themselves, she also highlights those governors and their wives who played significant roles in the mansions’ maintenance or renovation. Alise O’Brien’s accompanying color photographs capture the lavish interiors and furnishings as well as the dignified exteriors and landscapes.
            “Living in the Governor’s Mansion is a remarkable honor,” writes former governor of Florida Jeb Bush in his foreword, “but it is also a constant, humbling reminder that the people who occupy the mansions are, indeed, the public’s servants.” For site visitors or architecture buffs, Governors’ Mansions of the South is an enlightening introduction to these historic executive homes, reminding us that, however opulent, they provide a personal connection between the public and its government—and connect past generations to the present.
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In Julia's Kitchen
Practical and Convivial Kitchen Design Inspired by Julia Child
Pamela Heyne and Jim Scherer
University Press of New England, 2016
“Most architects I know don’t know anything about cooking, and their designs are not practical for cooks!” Julia Child wrote to architect Pamela Heyne. Indeed, our contemporary kitchens are showplaces with islands, hidden appliances, and cold stone surfaces. They resemble laboratories more than the heart of the home, and they are neither cook friendly nor family friendly. American culinary icon Julia Child embraced the significance of the family meal and was devoted to sharing delicious food with friends and family at the comfortable dining table in her kitchen, a place where conversation was as important as cuisine. Pamela Heyne and Julia’s long-time food photographer Jim Scherer collaborate to share Julia’s kitchen design and lifestyle concepts in this book, which examines the kitchens in her Cambridge, Massachusetts, home; at la Pitchoune, the Childs’ French vacation retreat; and in her television studio. The authors reveal which materials, layouts, and equipment Julia preferred and why, providing practical advice interspersed with Julia’s inimitable, wry humor. They bring Julia’s wisdom into the contemporary kitchen, exploring current trends, including modern green sensibilities, and varied styles of kitchens, featuring architectural designs by Heyne, Jacques Pepin’s kitchen, a renovation Julia Child consulted on for PBS’s This Old House, several celebrity home kitchens, and more.
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Josef Frank
Life and Work
Christopher Long
University of Chicago Press, 2002
Architect, designer, and theorist Josef Frank (1885-1967) was known throughout Europe in the 1920s as one of the continent's leading modernists. Yet despite his important contributions to the development of modernism, Frank has been largely excluded from histories of the movement. Josef Frank: Life and Work is the first study that comprehensively explores the life, ideas, and designs of this complex and controversial figure.

Educated in Vienna just after the turn of the century, Frank became the leader of the younger generation of architects in Austria after the First World War. But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences. He was able to put these ideas into practice when, in 1933, he was forced to leave Vienna for Sweden. There his work came to define Swedish (or Scandinavian) modern design. For more than thirty years he was the chief designer for the Stockholm furnishings firm Svenskt Tenn, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s.

In this sensitive study of one of the twentieth century's seminal architects and thinkers, Christopher Long offers new insight into Josef Frank's work and ideas and provides an important contribution to the understanding of modernist culture and its history.
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front cover of The Modern Interior
The Modern Interior
Penny Sparke
Reaktion Books, 2008
Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home.

            The shift from Victorian to modern style, The Modern Interior reveals, was not as simple and smooth as it is often perceived and the book probes the complicated history behind that transition. Sparke examines the work of such designers as Marcel Breuer, Frank Lloyd Wright, Charles and Ray Eames, and Mies van der Rohe, and draws upon design examples from the United States and Europe to reveal that, unlike the designed exteriors of buildings and institutions, the idea of the “interior” has been a largely abstract conception promoted through exhibitions, retail stores, and mass media.

            A comprehensive and in-depth investigation of the design environments we live and play in, The Modern Interior will be essential reading for all scholars and interested observers of architecture and modern design culture.
 
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front cover of Roman Art in the Private Sphere
Roman Art in the Private Sphere
New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula
Elaine K. Gazda, Editor
University of Michigan Press, 2010
"This is a stimulating book and should be compulsory reading for all students of Roman art."
---Classical Review
 
"[A] model exploration into the ways private décor can be used to facilitate a larger understanding of Roman art and society."
---Classical World
 
Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century BCE to the fourth century CE, and from the Italian peninsula to the Eastern Empire and North African provinces, treating works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats. This new edition includes a fresh contribution by editor Elaine Gazda, tracing the developments in the treatment of private Roman art since the publication of the original edition of Roman Art in the Private Sphere.
 
Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.
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Roman Art in the Private Sphere
New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula
Elaine K. Gazda, Editor
University of Michigan Press, 1991
"This is a stimulating book and should be compulsory reading for all students of Roman art."
---Classical Review
 
"For all the authors, attention to the ensemble, a sense of the relation between the formal and the iconographic, and the desire to historicize their material contribute to making this anthology unusual in its rigorous and creative attention to the way that art and architecture participate in the construction of the image of the Roman elite."
---Art Bulletin
 
Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century B.C.E. to the fourth century C.E., and from the Italian peninsula to the Eastern Empire and North African provinces.

The essays treat works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats.

In a complementary fashion the essays consider domestic art in relation to questions of decorum, status, wealth, social privilege, and obligation. Patrons emerge as actively interested in the character of their surroundings; artists appear as responsive to the desire of their patrons. The evidence in private art of homosexual conduct in high society is also set forth.

Originality of subject matter, sophisticated appreciation of stylistic and compositional nuance, and philosophical perceptions of the relationship of humanity and nature are among the themes that the essays explore. Together they demonstrate that Roman domestic art must be viewed on its own terms.

Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.

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