International interest in the work of Avital Ronell has expressed itself in reviews, articles, essays, and dissertations. For Fighting Theory, psychoanalyst and philosopher Anne Dufourmantelle conducted twelve interviews with Ronell, each focused on a key topic in one of Ronell's books or on a set of issues that run throughout her work.

What do philosophy and literary studies have to learn from each other? How does Ronell place her work within gender studies? What does psychoanalysis have to contribute to contemporary thought? What propels one in our day to Nietzsche, Derrida, Nancy, Bataille, and other philosophical writers? How important are courage and revolt? Ronell's discussions of such issues are candid, thoughtful, and often personal, bringing together elements from several texts, illuminating hints about them, and providing her up-to-date reflections on what she had written earlier.

Intense and often ironic, Fighting Theory is a poignant self-reflection of the worlds and walls against which Avital Ronell crashed.

Filipino Americans are now the second largest group of Asian Americans as well as the second largest immigrant group in the United States. As reflected in this collection, their lives represent the diversity of the immigrant experience and their narratives are a way to understand ethnic identity and Filipino American history.

Men and women, old and young, middle and working class, first and second generation, all openly discuss their changing sense of identity, the effects of generational and cultural differences on their families, and the role of community involvement in their lives. Pre- and post-1965 immigrants share their experiences, from the working students who came before WWII, to the manongs in the field, to the stewards and officers in the U.S. Navy, to the "brain drain" professionals, to the Filipinos born and raised in the United States.

As Yen Le Espiritu writes in the Introduction, "each of the narratives reveals ways in which Filipino American identity has been and continues to be shaped by a colonial history and a white-dominated culture. It is through recognizing how profoundly race has affected their lives that Filipino Americans forge their ethnic identities—identities that challenge stereotypes and undermine practices of cultural domination."

In the series Asian American History and Culture, edited by Sucheng Chan, David Palumbo-Liu, Michael Omi, K. Scott Wong, and Linda Trinh Võ.

Film and Genocide brings together scholars of film and of genocide to discuss film representations, both fictional and documentary, of the Holocaust, the Armenian genocide, and genocides in Chile, Australia, Rwanda, and the United States. Since 1955, when Alain Resnais created his experimental documentary Night and Fog about the Nazis’ mass killings of Jews and other ostracized groups, filmmakers have struggled with using this medium to tell such difficult stories, to re-create the sociopolitical contexts of genocide, and to urge awareness and action among viewers. This volume looks at such issues as realism versus fiction, the challenge of depicting atrocities in a manner palatable to spectators and film distributors, the Holocaust film as a model for films about other genocides, and the role of new technologies in disseminating films about genocide.
    Film and Genocide also includes interviews with three film directors, who discuss their experiences in working with deeply disturbing images and bringing hidden stories to life: Irek Dobrowolski, director of The Portraitist (2005) a documentary about Wilhelm Brasse, an Auschwitz-Birkenau prisoner ordered to take more than 40,000 photos at the camp; Nick Hughes, director of 100 Days (2005) a dramatic film about the Rwandan mass killings; and Greg Barker, director of Ghosts of Rwanda (2004), a television documentary for Frontline.

Small-scale fishing, a house-hold based enterprise in Puerto Rico, rarely provides sufficient income for a family, but it anchors their culture and sense of themselves within that culture. Even when family members must engage in wage work to supplement house-hold income, they think of themselves as fishers. Liche typifies these wage workers: "When he was quite young, he left the island to struggle in other lands, to work, to raise a family, to send home the money he earned. Ten, twenty, thirty years passed...during which he did not once fish or even see the ocean. But in a boat-building factory in New Jersey, in a bakery in the Bronx, on the production line of a chemical factory, on dozens of construction sites, every single day he made a mental review of the waters, the isles and cays ...and entertained no thought that was not related to his return."

Fishers at Work, Workers at Sea describes Puerto Rican fishing families as they negotiate homeland and diaspora. It considers how wage work affects their livelihoods and identities at home and how these independent producers move in and out of global commodity markets. Drawing on some 100 life histories and years of fieldwork, David Griffith and Manuel Valdés Pizzini have developed a complex, often moving portrait of the men and women who fiercely struggle to hang onto the coastal landscapes and cultural heritage tied to the Caribbean Sea.

For nearly twenty years, the much-beloved music magazine Roctober has featured work by some of the best underground cartoonists, exhaustive examinations of made-up genres such as “robot rock,” and an ongoing exploration of everything Sammy Davis Jr. ever sang, said, or did. But the heart of the magazine has always been the lengthy conversations with overlooked or forgotten artists. Flying Saucers Rock ’n’ Roll gathers the most compelling of these interviews. Eccentric, important artists—including the rockabilly icon Billy Lee Riley, the jazz musician and activist Oscar Brown Jr., the “Outlaw Country” singer David Allan Coe, and the pioneer rock ’n’ roll group the Treniers—give the most in-depth interviews of their lengthy careers. Obscure musicians, such as the Armenian-language novelty artist Guy Chookoorian and the frustrated interstellar glam act Zolar X, reveal fascinating lives lived at rock’s margins. Roctober’s legendarily dedicated writers convey telling anecdotes in the fervent, captivating prose that has long been appreciated by music enthusiasts. Along with the entertaining interviews, Flying Saucers Rock ’n’ Roll features more than sixty images from the pages of Roctober and ten illustrations created for the book by the underground rock ’n’ roll artist King Merinuk.

Contributors
Steve Albini
Ben Austen
Jake Austen
John Battles
Bosco
Ken Burke
Mike Maltese
King Merinuk
Ken Mottet
Jonathan Poletti
James Porter
"Colonel" Dan Sorenson
Jacqueline Stewart

During the nineteenth century, upstream diversions from the Gila River decreased the arable land on the Gila River Indian Reservation to only a few thousand acres. As a result the Pima Indians, primarily an agricultural people, fell into poverty. Many Pima farmers and leaders lamented this suffering and in 1914 the United States Indian Irrigation Service assigned a 33-year-old engineer named Clay “Charles” Southworth to oversee the Gila River adjudication. As part of that process, Southworth interviewed 34 Pima elders, thus putting a face on the depth of hardships facing many Indians in the late nineteenth century.

The philosopher Patrick Suppes has developed a unique and influential approach to studying the foundations of science—he combines an understanding of the main principles of scientific theories in axiomatic terms and formal models with a hands-on approach. While moving the study of the philosophy of science out of the parlor and into the lab, he often comes up with original results from the psychology of learning to the theory of measurement and quantum mechanics. This book searches for a common thread in Suppes’s multifaceted work through a series of conversations with the man himself and illuminates many of the more challenging aspects of his philosophy.

From Publishers Weekly
A vivid picture of Germany under the Nazis emerges from this collection of unsettling interviews conducted by freelance TV writer Owings with 29 women of diverse backgrounds, both Aryan and Jewish. Among the women whose lives in Germany's war-torn homefront are chronicled are the widow of a resistance leader and the wife of an SS guard, who refers to her husband's work in the Ravensbrook and Buchenwald "manufacturing plants." Not only did Hitler attract the young but, according to one supporter, "he understood how to fascinate women." Some of these women claim that they privately protested mistreatment of Jews and prisoners and risked their lives to assist them. Only one non-Jewish woman, however, admits to "hearing" that Jews were gassed. 


From Library Journal
Owings, a freelance television writer who is neither a German nor a Jew, has compiled and edited a groundbreaking set of oral histories. She interviews women from many spectrums of the Third Reich: Germans, Jews, individuals of "mixed" parentage, a countess, a camp guard, women who hid Jews, Nazi supporters, Communists, and other women who witnessed and participated in everyday and extraordinary events. Owings has tried, as much as possible, to quote her interviewees directly yet still manages to create an even and engaging text. This volume is an excellent companion to Claudia Koonz's Mothers in the Fatherland: Women, Family Life, and Nazi Ideology , 1919-1945 ( LJ 11/1/86). Highly recommended.

Albert Coryer, the grandson of a fur trade voyageur-turned-farmer, had a gift for storytelling. Born in 1877, he grew up in Prairie du Chien hearing tales of days gone by from his parents, grandparents, and neighbors who lived in the Frenchtown area. Throughout his life, Albert soaked up the local oral traditions, including narratives about early residents, local landmarks, interesting and funny events, ethnic customs, myths, and folklore.

Late in life, this lively man who had worked as a farm laborer and janitor drew a detailed illustrated map of the Prairie du Chien area and began to write his stories out longhand, in addition to sharing them in an interview with a local historian and folklore scholar. The map, stories, and interview transcript provide a colorful account of Prairie du Chien in the late nineteenth century, when it was undergoing significant demographic, social, and economic change. With sharp historical context provided by editors Lucy Eldersveld Murphy and Mary Elise Antoine, Coryer’s tales offer an unparalleled window into the ethnic community comprised of the old fur trade families, Native Americans, French Canadian farmers, and their descendants.

 In one case a local judge declared a five-year-old sexual assault victim a "particularly promiscuous young lady." In another, an innocent black man died in police custody. In these cases and two others, outraged citizens banded together to protest and seek redress for the injustices.
    
Through in-depth interviews with activists, Laura Woliver examines these community actions, studying the groups involved and linking her conclusions to larger questions of political power and the impact of social movements. Her findings will make fascinating reading for those interested in the rise and fall of grass-roots interest groups, the nature of dissent, and
 the reasons why people volunteer countless hours, sometimes in the face
        of community opposition and isolation, to dedicate themselves to a cause.
      The ad hoc interest groups studied are the Committee to Recall Judge
        Archie Simonson (Madison), the Coalition for Justice for Ernest Lacy (Milwaukee),
        Concerned Citizens for Children (Grant County, Wisconsin), and Citizens
        Taking Action (Madison). Woliver relates the community responses in these
        cases to those in the Jeffrey Dahmer mass murder case and the beating
        by Los Angeles police of Rodney King.
      "A pioneering investigation of local, ad hoc interest groups that
        are launched by a blatant injustice. . . . Explores the impressive defensive
        capabilities against change of established social groups and portrays
        the complex consequences of 'sputtering interests' for attitudes (such
        as consciousness raising), for action, and for future policy. An important
        and innovative contribution."
        -- Mary Edelman, author of The Symbolic Uses of Politics
      "A truly humanistic piece of social science research, offering fascinating
        insights on grassroots participants, their feelings, and their fates."
        -- Janet K. Boles, author of American Feminism: New Issues for
        a Mature Movement