front cover of Power and Performance
Power and Performance
Ethnographic Explorations through Proverbial Wisdom and Theater in Shaba, Zaire
Johannes Fabian
University of Wisconsin Press, 1990

In 1985 Johannes Fabian, while engaged in fieldwork in the Shaba province of Zaire, first encountered this saying. Its implications—for the charismatic religious movements Fabian was examining, for the highly charged political atmosphere of Zaire, and for the cultures of the Luba peoples—continued to intrigue him, though its meaning remained elusive.  On a later visit, he mentioned the saying to a company of popular actors, and triggered an ethnographic brainstorm.  “Spontaneously, they decided it would be just the right topic for their next play.  On the spot they began planning—suggestions for a plot were made, problems of translating the French term ‘pouvoir’ were debated, several actors cited sayings and customs from their home villages. . . .” 

Power and Performance examines traditional proverbs about power as it illustrates how the performance of Le pouvoir se mange entier was created, rehearsed, and performed. The play deals with the issue of power through a series of conflicts between villagers and their chief. Both rehearsal and performance versions of the text of this drama are included, in Swahili and in English translation.

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front cover of Religious Entanglements
Religious Entanglements
Central African Pentecostalism, the Creation of Cultural Knowledge, and the Making of the Luba Katanga
David Maxwell
University of Wisconsin Press, 2023
Under the leadership of William F. P. Burton and James Salter, the Congo Evangelistic Mission (CEM) grew from a simple faith movement founded in 1915 into one of the most successful classical Pentecostal missions in Africa, today boasting more than one million members in the Democratic Republic of the Congo. Drawing on artifacts, images, documents, and interviews, David Maxwell examines the roles of missionaries and their African collaborators—the Luba-speaking peoples of southeast Katanga—in producing knowledge about Africa.
 
Through the careful reconstruction of knowledge pathways, Maxwell brings into focus the role of Africans in shaping texts, collections, and images as well as in challenging and adapting Western-imported presuppositions and prejudices. Ultimately, Maxwell illustrates the mutually constitutive nature of discourses of identity in colonial Africa and reveals not only how the Luba shaped missionary research but also how these coproducers of knowledge constructed and critiqued custom and convened new ethnic communities.

Making a significant intervention in the study of both the history of African Christianity and the cultural transformations effected by missionary encounters across the globe, Religious Entanglements excavates the subculture of African Pentecostalism, revealing its potentiality for radical sociocultural change.
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