BiblioVault - Books about Korea

Mahan and Baekje

The Complex Origins of Korean Kingdoms

Rory Walsh

Michigan Publishing Services, 2020

Mahan and Baekje is a pioneering study of the Korean past from the perspective of everyday objects: ceramics made, used, and left behind by ancient Koreans themselves. Focusing on the third to fifth centuries CE in southwestern Korea, this book reexamines the social, political, and economic construction of the interconnected societies known as Mahan and the kingdom of Baekje. Pottery, which played central roles in Mahan’s and Baekje’s culinary practices, community gatherings, trade, and ritual, now sheds new light on the origins of Korean civilization.

Using advanced archaeological and geochemical techniques, this book traces the production, exchange, and use of pottery from Mahan and Baekje. The patterns reveal the shared underpinnings of Mahan and Baekje political economy, showing that the Baekje kingdom developed locally and not as the result of outside forces. Long-distance trade in Mahan and Baekje suggest a cosmopolitan ethos with roots in the deep past, while smaller scale exchanges hint at the complex web of social interactions that typified early Korean societies. Mahan and Baekje provides exciting new details of life at an epochal moment in ancient Korea.

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Making History Matter

Kuroita Katsumi and the Construction of Imperial Japan

Lisa Yoshikawa

Harvard University Press, 2017

Making History Matter explores the role history and historians played in imperial Japan’s nation and empire building from the 1890s to the 1930s. As ideological architects of this process, leading historians wrote and rewrote narratives that justified the expanding realm. Learning from their Prussian counterparts, they highlighted their empiricist methodology and their scholarly standpoint, to authenticate their perspective and to distinguish themselves from competing discourses. Simultaneously, historians affirmed imperial myths that helped bolster statist authoritarianism domestically and aggressive expansionism abroad. In so doing, they aligned politically with illiberal national leaders who provided funding and other support necessary to nurture the modern discipline of history. By the 1930s, the field was thriving and historians were crucial actors in nationwide commemorations and historical enterprises.

Through a close reading of vast, multilingual sources, with a focus on Kuroita Katsumi, Yoshikawa argues that scholarship and politics were inseparable as Japan’s historical profession developed. In the process of making history matter, historians constructed a national past to counter growing interwar liberalism. This outlook—which continues as the historical perspective that the Liberal Democratic Party leadership embraces—ultimately justified the Japanese aggressions during the Asia-Pacific Wars.

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Mediating Gender in Post-Authoritarian South Korea

Michelle Cho and Jesook Song

University of Michigan Press, 2024

Mediating Gender in Post-Authoritarian South Korea focuses on the relationship between media representation and gender politics in South Korea. Its chapters feature notable voices of South Korea’s burgeoning sphere of gender critique enabled by social media, doing what no other academic volume has yet accomplished in the sphere of Anglophone studies on this topic. Seeking to interrogate the role of popular media in establishing and shaping gendered common sense, this volume fosters cross-disciplinary conversations linked by the central thesis that gender discourse and representation are central to the politics, aesthetics, and economics of contemporary South Korea. In the post-authoritarian period (the late 1980s to the #MeToo present), media representation and popular discourse changed the gender conventions that are found at the core of civic, political, and cultural debates.

Mediating Gender in Post-Authoritarian South Korea maps the ways in which popular media and public discourse make the social dynamics of gender visible and open them up for debate and dismantling. In presenting innovative new research on the ways in which popular ideas about gender gain concrete form and political substance through mass mediation, the book’s contributors investigate the discursive production of gender in contemporary South Korea through trends, tropes, and thematics, as popular media become the domain in which new gendered subjectivities and relations transpire. The essays in this volume present cases and media objects that span multiple media and platforms, introducing new ways of thinking about gender as a platform and a conceptual infrastructure in the post-authoritarian era.

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Mediating the South Korean Other

Representations and Discourses of Difference in the Post/Neocolonial Nation-State

David C. Oh, Editor

University of Michigan Press, 2022

Multiculturalism in Korea formed in the context of its neoliberal, global aspirations, its postcolonial legacy with Japan, and its subordinated neocolonial relationship with the United States. The Korean ethnoscape and mediascape produce a complex understanding of difference that cannot be easily reduced to racism or ethnocentrism. Indeed the Korean word, injongchabyeol, often translated as racism, refers to discrimination based on any kind of “human category.” Explaining Korea’s relationship to difference and its practices of othering, including in media culture, requires new language and nuance in English-language scholarship.

This collection brings together leading and emerging scholars of multiculturalism in Korean media culture to examine mediated constructions of the “other,” taking into account the nation’s postcolonial and neocolonial relationships and its mediated construction of self. “Anthrocategorism ,” a more nuanced translation of injongchabyeol, is proffered as a new framework for understanding difference in ways that are locally meaningful in a society and media system in which racial or even ethnic differences are not the most salient. The collection points to the construction of racial others that elevates, tolerates, and incorporates difference; the construction of valued and devalued ethnic others, and the ambivalent construction of co-ethnic others as sympathetic victims or marginalized threats.

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Memory Construction and the Politics of Time in Neoliberal South Korea

Namhee Lee

Duke University Press, 2022

In Memory Construction and the Politics of Time in Neoliberal South Korea Namhee Lee explores memory construction and history writing in post-1987 South Korea. The massive neoliberal reconstruction of all aspects of society shifted public discourse from minjung (people) to simin (citizen), from political to cultural, from collective to individual. This shift reconstituted people as Homo economicus, rights-bearing and rights-claiming individuals, even in social movements. Lee explains this shift in the context of simultaneous historical developments: South Korea’s transition to democracy, the end of the Cold War, and neoliberal reconstruction understood as synonymous with democratization. By examining memoirs, biographies, novels, and revisionist conservative historical scholarship, Lee shows how the dominant discourse of a “complete break with the past” erases the critical ethos of previous emancipatory movements foundational to South Korean democracy.

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Migration and Diaspora

Exegetical Voices of Women in Northeast Asian Countries

Hisako Kinukawa

SBL Press, 2014

Engage and explore readings from a multi-religious, globalized, multicultural region

The papers in this collection were presented at the third meeting of the Society of Asian Biblical Studies held at the Sabah Theological Seminary, Malaysia in 2012. The essays represent the work of women/feminist scholars in biblical hermeneutics in this region who have raised questions against traditional, male-centered interpretations, offering distinct perspectives based on their experiences of pain, subjugation, and a forced sacrificial philosophy of life.

Features:

Articles focused on finding justice for women through dialogue with biblical texts
Reflections on migration, diaspora, displacement, discrimination, and conditions generated by poverty and systemic oppression
Five essays from women in China, Japan, and Korea

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Militarized Modernity and Gendered Citizenship in South Korea

Seungsook Moon

Duke University Press, 2005

This pathbreaking study presents a feminist analysis of the politics of membership in the South Korean nation over the past four decades. Seungsook Moon examines the ambitious effort by which South Korea transformed itself into a modern industrial and militarized nation. She demonstrates that the pursuit of modernity in South Korea involved the construction of the anticommunist national identity and a massive effort to mold the populace into useful, docile members of the state. This process, which she terms “militarized modernity,” treated men and women differently. Men were mobilized for mandatory military service and then, as conscripts, utilized as workers and researchers in the industrializing economy. Women were consigned to lesser factory jobs, and their roles as members of the modern nation were defined largely in terms of biological reproduction and household management.

Moon situates militarized modernity in the historical context of colonialism and nationalism in the twentieth century. She follows the course of militarized modernity in South Korea from its development in the early 1960s through its peak in the 1970s and its decline after rule by military dictatorship ceased in 1987. She highlights the crucial role of the Cold War in South Korea’s militarization and the continuities in the disciplinary tactics used by the Japanese colonial rulers and the postcolonial military regimes. Moon reveals how, in the years since 1987, various social movements—particularly the women’s and labor movements—began the still-ongoing process of revitalizing South Korean civil society and forging citizenship as a new form of membership in the democratizing nation.

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Minor Salvage

The Korean War and Korean American Life Writings

Stephen Hong Sohn

University of Michigan Press, 2022

The Korean War, often invoked in American culture as “the forgotten war,” remains ongoing. Though active fighting only occurred between 1950 and 1953, the signing of an armistice resulted in an infamous stalemate and the construction of the Korean Peninsula’s Demilitarized Zone. Minor Salvage reads early Korean American life writings in order to explore the admittedly partial ways in which those made precarious by war seek to rebuild their lives. The titular phrase “minor salvage,” draws on different valences of the word salvage which, while initially associated with naval recovery efforts, can also be used to describe the rescue of waste material. Spurred by the stories told and retold to him by his parents Soon Ho and Yunpyo, Sohn enacts minor salvage by reading overlooked early Korean American life writings penned by Induk Pahk, Taiwon Koh, Joseph Anthony, and Kim Yong-ik alongside a later generation of life writings authored by Sunny Che and K. Connie Kang. In the context of the Korean War, Sohn argues, life writings take on a crucial political orientation precisely because of the fragility attached to refugees, civilians, children, women, and divided family members. To depict the possibility of life is to acknowledge simultaneously the threat of death, violence, and brutality, and in this regard, such life writings are part of a longer genealogy in which marginalized communities find representational power through the creative process.

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A Morning in June

Defending Outpost Harry

James W. Evans, with a foreword by John S. D. Eisenhower

University of Alabama Press, 2010

A first-hand account of the defense of Outpost Harry, a strategic position in Korea’s Chorwon Valley brutally contested by the US and Chinese armies as they jockeyed for advantageous positions in anticipation of peace negotiations in Panmunjom. Evans recounts these last days of the war and savage battles for control of important local terrain features against a determined Chinese assault.

By June 1953 the Korean War, marked at the outset by extremely fluid advances and retreats up and down the peninsula, had settled into position warfare very near the original pre-war demarcation line between North and South Korea. At this point both sides were fighting to win a peace, to achieve incremental advantages that could be translated into gains at the peace negotiations in Panmunjom. The battle at Outpost Harry devolved into hand-to-hand combat during a period of constant, intense fighting that lasted two days. The author, although seriously wounded that night, refused evacuation and remained on the hill to successfully lead his company in defense of the outpost. It wasn’t romantic; it wasn’t chivalrous; and many died or were badly wounded. Some of the survivors never fully overcame the mental and physical damage they suffered during the nightmare.

With this book, one of those scarred by that experience recounts the events of the battle and his lifelong efforts to deal with the residual horrors. The Korean Conflict may be called "the forgotten war" by some, but not by those who were on the front lines.

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Movie Migrations

Transnational Genre Flows and South Korean Cinema

Hye Seung Chung and David Scott Diffrient

Rutgers University Press, 2015

As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood.

Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos.

Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.

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