This first critical appreciation of T Bone Burnett reveals how the proponent of Americana music and producer of artists ranging from Robert Plant and Alison Krauss to B. B. King and Elvis Costello has profoundly influenced American music and culture.
T Bone Burnett is a unique, astonishingly prolific music producer, singer-songwriter, guitarist, and soundtrack visionary. Renowned as a studio maven with a Midas touch, Burnett is known for lifting artists to their greatest heights, as he did with Raising Sand, the multiple Grammy Award–winning album by Robert Plant and Alison Krauss, as well as acclaimed albums by Los Lobos, the Wallflowers, B. B. King, and Elvis Costello. Burnett virtually invented “Americana” with his hugely successful roots-based soundtrack for the Coen Brothers film, O Brother, Where Art Thou? Outspoken in his contempt for the entertainment industry, Burnett has nevertheless received many of its highest honors, including Grammy Awards and an Academy Award.
T Bone Burnett offers the first critical appreciation of Burnett’s wide-ranging contributions to American music, his passionate advocacy for analog sound, and the striking contradictions that define his maverick artistry. Lloyd Sachs highlights all the important aspects of Burnett’s musical pursuits, from his early days as a member of Bob Dylan’s Rolling Thunder Revue and his collaboration with the playwright Sam Shepard to the music he recently composed for the TV shows Nashville and True Detective and his production of the all-star album Lost on the River: The New Basement Tapes. Sachs also underscores Burnett’s brilliance as a singer-songwriter in his own right. Going well beyond the labels “legendary” or “visionary” that usually accompany his name, T Bone Burnett reveals how this consummate music maker has exerted a powerful influence on American music and culture across four decades.
In Take My Land, Take My Life, Mitchell concludes the story of the 134-year history of the U.S. government's relations with Alaska's Native people begun in Sold American:The Story of Alaska Natives and Their Land, 1867-1959. The culmination of that tale occurred in 1971 when Congress enacted the Alaska Native Claims Settlement Act. ANCSA authorized Alaska Natives to be paid $962.5 million and to be conveyed title to 44 million acres of land. Though highly controversial, ANCSA remains the most generous settlement of aboriginal land claims in the nation's history. Mitchell's insightful, exhaustively researched work also describes the political history during the first decade of Alaska statehood, from the rise of Native organizations such as the Alaska Federation of Natives to the battles for power in the subcommittees of Congress.
Insightful and drawn from years of painstaking research of primary source materials, Sold American and Take My Land, Take My Life are an indispensable resource for readers who are interested in the history of the nation's largest state and of the federal government's involvement with Alaska's indigenous peoples.
In the quarter century since the landmark Karen Ann Quinlan case, an ethical, legal, and societal consensus supporting patients' rights to refuse life-sustaining treatment has become a cornerstone of bioethics. Patients now legally can write advance directives to govern their treatment decisions at a time of future incapacity, yet in clinical practice their wishes often are ignored.
Examining the tension between incompetent patients' prior wishes and their current best interests as well as other challenges to advance directives, Robert S. Olick offers a comprehensive argument for favoring advance instructions during the dying process. He clarifies widespread confusion about the moral and legal weight of advance directives, and he prescribes changes in law, policy, and practice that would not only ensure that directives count in the care of the dying but also would define narrow instances when directives should not be followed. Olick also presents and develops an original theory of prospective autonomy that recasts and strengthens patient and family control.
While focusing largely on philosophical issues the book devotes substantial attention to legal and policy questions and includes case studies throughout. An important resource for medical ethicists, lawyers, physicians, nurses, health care professionals, and patients' rights advocates, it champions the practical, ethical, and humane duty of taking advance directives seriously where it matters most-at the bedside of dying patients.
Perhaps the best way to sharpen one's power's of observation is to be a stranger in a strange land. Julia Meyerson was one such stranger during a year in the village of 'Tambo, Peru, where her husband was conducting anthropological fieldwork. Though sometimes overwhelmed by the differences between Quechua and North American culture, she still sought eagerly to understand the lifeways of 'Tambo and to find her place in the village. Her vivid observations, recorded in this field journal, admirably follow Henry James's advice: "Try to be one of the people upon whom nothing is lost."
With an artist's eye, Meyerson records the daily life of 'Tambo—the cycles of planting and harvest, the round of religious and cultural festivals, her tentative beginnings of friendship and understanding with the Tambinos. The journal charts her progress from tolerated outsider to accepted friend as she and her husband learn and earn, the roles of daughter and son in their adopted family.
With its wealth of ethnographic detail, especially concerning the lives of Andean women, 'Tambo will have great value for students of Latin American anthropology. In addition, scholars preparing to do fieldwork anywhere will find it a realistic account of both the hardships and the rewards of such study.
In the 1980s, conflicts between the Miskito people of Nicaragua's eastern coast and the Sandinistas drew international attention. Indeed, the Miskitos' struggle to defend their cultural autonomy and land rights points out a curious historical anomaly. This native group has long had closer ties to British and American culture than to Hispanic Nicaraguan culture. C. Napier Bell, son of a British trader, grew up on the Miskito Coast in the nineteenth century and spoke the Miskito language fluently.
Tangweera, first published in 1899, is Bell's autobiographical account of his boyhood experiences. Rich in ethnographic detail, the book records an idyllic life of hunting, fishing, and trading. Bell describes the social customs and beliefs of the various Indian peoples he knew, as well as the relations among the coastal Miskito, the black creole population, and the tribes of the interior—the latter a subject of continuing importance. Although Bell shared common nineteenth-century ideas about the inferiority of “savage” races, his affection for the Miskito people and his love of their land fill Tangweera. Anthropologists, historians, naturalists, and travelers in the region will find this fascinating reading.
The introduction by Philip A. Dennis, Professor of Anthropology at Texas Tech University, provides a modern observer's view of Miskito culture and discusses important changes and continuities since Bell's time.
Insightful, good-humored essays on the possibilities of alien life and the uses of space exploration, based on an astrobiologist’s everyday conversations with his fellow humans—taxi drivers, to be precise.
If you’ve ever sat in the back seat of a taxi, you know that cabbies like to talk. Sports or politics, your job or theirs, taxi drivers are fine conversationalists on just about any topic. And when the passenger is astrobiologist Charles Cockell, that topic is usually space and what, if anything, lives out there.
Inspired by conversations with drivers all over the world, Taxi from Another Planet tackles the questions that everyday people have about the cosmos and our place in it. Will we understand aliens? What if there isn’t life out in the universe? Is Mars our Plan B? And why is the government spending tax dollars on space programs anyway? Each essay in this genial collection takes questions like these as a starting point on the way to a range of insightful, even poignant, observations. Cockell delves into debates over the inevitability of life and looks to both human history and scientific knowledge to consider what first contact will be like and what we can expect from spacefaring societies. He also offers a forceful argument for the sympathies between space exploration and environmentalism.
A shrewd and entertaining foray into the most fundamental mysteries, Taxi from Another Planet brings together the wisdom of scientific experts and their fellow citizens of Earth, the better to understand how life might unfold elsewhere.
Teaching Black: The Craft of Teaching on Black Life and Literature presents the experiences and voices of Black creative writers who are also teachers. The authors in this collection engage poetry, fiction, experimental literature, playwriting, and literary criticism. They provide historical and theoretical interventions and practical advice for teachers and students of literature and craft. Contributors work in high schools, colleges, and community settings and draw from these rich contexts in their essays. This book is an invaluable tool for teachers, practitioners, change agents, and presses. Teaching Black is for any and all who are interested in incorporating Black literature and conversations on Black literary craft into their own work.
"One of the finest examples of the genre of the community survey. . . The book is remarkably free of special pleading. And every chapter is paced with fascinating data and insights. The University of Alabama Prss is to be congratulated for reissuing this splendid community study; the volume fits the description of a classic. And Clarence L. Mohr's introduction alone is worth the price of the volume."
—Journal of Southwest Georgia History
The forty-nine recollections gathered in Thoreau in His Own Time demonstrate that it was those who knew him personally, rather than his contemporary literati, who most prized Thoreau’s message, but even those who disparaged him respected his unabashed example of an unconventional life. Included are comments by Ralph Waldo Emerson—friend, mentor, Walden landlord, and progenitor of the spin on Thoreau’s posthumous reputation; Nathaniel Hawthorne, who could not compliment Thoreau without simultaneously denigrating him; and John Weiss, whose extended commentary on Thoreau’s spirituality reflects unusual tolerance. Selections from the correspondence of Caroline Healey Dall, Maria Thoreau, Sophia Hawthorne, Sarah Alden Bradford Ripley, and Amanda Mather amplify our understanding of the ways in which nineteenth-century women viewed Thoreau. An excerpt by John Burroughs, who alternately honored and condemned Thoreau, asserts his view that Thoreau was ever searching for the unattainable.
The dozens of primary sources in this crisply edited collection illustrate the complexity of Thoreau’s iconoclastic singularity in a way that no one biographer could. Each entry is introduced by a headnote that places the selection in historical and cultural context. Petrulionis’s comprehensive introduction and her detailed chronology of personal and literary events in Thoreau’s life provide a lively and informative gateway to the entries themselves. The collaborative biography that Petrulionis creates in Thoreau in His Own Time contextualizes the strikingly divergent views held by his contemporaries and highlights the reasons behind his profound legacy.
Professor Jay Ladin made headlines around the world when, after years of teaching literature at Yeshiva University, he returned to the Orthodox Jewish campus as a woman—Joy Ladin. In Through the Door of Life, Joy Ladin takes readers inside her transition as she changed genders and, in the process, created a new self.
With unsparing honesty and surprising humor, Ladin wrestles with both the practical problems of gender transition and the larger moral, spiritual, and philosophical questions that arise. Ladin recounts her struggle to reconcile the pain of her experience living as the “wrong” gender with the pain of her children in losing the father they love. We eavesdrop on her lifelong conversations with the God whom she sees both as the source of her agony and as her hope for transcending it. We look over her shoulder as she learns to walk and talk as a woman after forty-plus years of walking and talking as a man. We stare with her into the mirror as she asks herself how the new self she is creating will ever become real.
Ladin’s poignant memoir takes us from the death of living as the man she knew she wasn’t, to the shattering of family and career that accompanied her transition, to the new self, relationships, and love she finds when she opens the door of life.
2012 Finalist for the National Jewish Book Award for Biography, Autobiography, or Memoir
Contributors. Tito Alegría, Humberto Félix Berumen, Roberto Castillo Udiarte, Iain Chambers, Luis Humberto Crosthwaite, Teddy Cruz, Ejival, Tarek Elhaik, Guillermo Fadanelli, Néstor García Canclini, Ingrid Hernández, Jennifer Insley-Pruitt, Kathryn Kopinak, Josh Kun, Jesse Lerner, Fiamma Montezemolo, Rene Peralta, Rafa Saavedra, Lucía Sanromán, Santiago Vaquera-Vásquez, Heriberto Yépez
Who organizes our time? Who decides when we must be at work and at school, when we set back our clocks, and when retail stores will close? Todd Rakoff traces the law's effect on our use of time and discovers that the structure of our time is gradually changing. As Rakoff demonstrates, the law's influence is subtle, and so ubiquitous that we barely notice it. But its structure establishes the terms by which society allocates its efforts, coordinates its many players, establishes the rhythms of life, and indeed gives meaning to the time in which we live. Compulsory education law, overtime law, daylight-saving law, and Blue Laws are among the many rules government uses to shape our use of time.
More and more, however, society, and especially the workplace, has come to see time simply as a quantity whose value must be maximized. As lawmakers struggle to deal with accelerating market demands, the average citizen's ability to organize his or her time to accommodate all of life's activities is diminishing. Meanwhile, it is increasingly hard to differentiate weekdays from weekends, and ordinary days from holidays. The law of time, Rakoff argues, may need refashioning to meet modern circumstances, but we continue to need a stable legal structure of time if we are to attain the ancient goal of a balanced life: "A Time for Every Purpose."
Elmer Gertz has defended famous people—including Henry Miller, Nathan Leopold, and Jack Ruby—and he has become famous in his own right through his struggle for civil liberties and personal rights.
Gertz has taken on a lengthy list of cases and causes over the six decades of his legal career. He fought successfully against the censorship of Henry Miller’s book Tropic of Cancer,which had been banned in Chicago for obscenity. He got Nathan Leopold released from prison after Leopold had served 34 years for his part in the death of 14-year-old Bobby Franks. An ardent foe of the death penalty, Gertz labored for years as part of a national team of lawyers that was finally able to overturn Jack Ruby’s death sentence for the murder of Lee Harvey Oswald. Gertz’s cases have helped make libel law in the nation.
For this edition, Gertz adds an afterword that covers the 15 years since the book’s first publication. Gertz talks of Henry Miller’s last days and his travels to the USSR on behalf of the Refuseniks.
The authoritative biography of Henrietta Szold, founder of Hadassah, introduces a new generation to a remarkable leader who fought for women’s rights and the poor.
Born in Baltimore in 1860, Henrietta Szold was driven from a young age by the mission captured in the concept of tikkun olam, “repair of the world.” Herself the child of immigrants, she established a night school, open to all faiths, to teach English to Russian Jews in her hometown. She became the first woman to study at the Jewish Theological Seminary, and was the first editor for the Jewish Publication Society. In 1912 she founded Hadassah, the international women’s organization dedicated to humanitarian work and community building. A passionate Zionist, Szold was troubled by the Jewish–Arab conflict in Palestine, to which she sought a peaceful and equitable solution for all.
Noted Israeli historian Dvora Hacohen captures the dramatic life of this remarkable woman. Long before anyone had heard of intersectionality, Szold maintained that her many political commitments were inseparable. She fought relentlessly for women’s place in Judaism and for health and educational networks in Mandate Palestine. As a global citizen, she championed American pacifism. Hacohen also offers a penetrating look into Szold’s personal world, revealing for the first time the psychogenic blindness that afflicted her as the result of a harrowing breakup with a famous Talmudic scholar.
Based on letters and personal diaries, many previously unpublished, as well as thousands of archival documents scattered across three continents, To Repair a Broken World provides a wide-ranging portrait of a woman who devoted herself to helping the disadvantaged and building a future free of need.
“If Hasidism begins in the life-enhancing spirituality of the Baal Shem Tov, it concludes in the tortuous, elitist and utterly fascinating career of Nahman of Bratslav (1722–1810) whose biography and teaching Arthur Green has set forth in his comprehensive, moving, and subtle study, Tormented Master.
“Arthur Green has managed to lead us through the thickets of the Bratslaver discourse with a grace and facility thus far unequaled in the English language literature on Hasidism. Tormented Master is a model of clarity and percipience, balancing awed respect and honor for its subject with a ruthless pursuit of documented truth. . . . Tormented Master is sufficiently open to the agonies of religion in general and the issues of modern religion in particular to make Nahman a thinker utterly relevant to our time.
“Nahman of Bratslav is unique in the history of Judaism, Green emphasizes, for having made the individual’s quest for intimacy with God the center of the religious way. He was a Kierkegaard before his time, believing in the utter abandon of the life of faith and the risk of paradoxicality. . . . He was, more than all others, the predecessor of Kafka, whose tales, like Nahman’s, have no explicit key and rankle, flush and irritate the spirit, compelling us—even in our failure to understand—to acknowledge their potency and challenge.”
—New York Times
An in-depth, perceptive account of the unconventional life of the Moomins’ beloved creator, now available in the United States
Tove Jansson achieved fame as the creator of the Moomins, beloved by generations of readers around the world. Remarkably, the Moomins were only part of the prodigious creative output of this Finnish-Swedish writer and artist. Jansson’s work also includes short stories and five novels for adults, as well as paintings, murals, and book illustrations. In this acclaimed biography, Boel Westin relies on numerous conversations with Jansson and unprecedented access to her journals, letters, and personal archives to present an engrossing and comprehensive review of the life and world of Scandinavia’s best-loved author.
As Westin’s meticulous research makes clear, Jansson’s artistic and literary works reflected what was most important to her: the love of family and nature and the desire to pursue her art. Guided by her personal motto, “Love and work,” Jansson seized both with uncompromising joy. And while her romantic relationships with men proved unfulfilling, she found those with women—especially with her longtime partner, the artist Tuulikki Pietilä—both grounding and inspiring.
Westin weaves together the many threads of Jansson’s rich, complex life: an education interrupted to help her family; the bleak war years and her emergence as a painter; the decades of Moominmania across books, newspaper comic strips, merchandise, and adaptations; her later fictions, including her popular The Summer Book; and her time with Pietilä on the solitary island of Klovharu. Tove Jansson: Life, Art, Words offers fans and admirers around the world the most complete portrait of the writer Philip Pullman described as “a genius, a woman of profound wisdom and great artistry.”
In The Tragedy and Comedy of Life, Seth Benardete focuses on the idea of the good in what is widely regarded as one of Plato's most challenging and complex dialogues, the Philebus. Traditionally the Philebus is interpreted as affirming the doctrine that the good resides in thought and mind rather than in pleasure or the body. Benardete challenges this view, arguing that Socrates vindicates the life of the mind over the life of pleasure not by separating the two and advocating a strict asceticism, but by mixing pleasure and pain with mind in such a way that the philosophic life emerges as the only possible human life.
Benardete combines a probing and challenging commentary that subtly mirrors and illuminates the complexities of this dialogue with the finest English translation of the Philebus yet available. The result is a work that will be of great value to classicists, philosophers, and political theorists alike.
Prior to the First World War, more people learned of evolutionary theory from the voluminous writings of Charles Darwin’s foremost champion in Germany, Ernst Haeckel (1834–1919), than from any other source, including the writings of Darwin himself. But, with detractors ranging from paleontologist Stephen Jay Gould to modern-day creationists and advocates of intelligent design, Haeckel is better known as a divisive figure than as a pioneering biologist. Robert J. Richards’s intellectual biography rehabilitates Haeckel, providing the most accurate measure of his science and art yet written, as well as a moving account of Haeckel’s eventful life.
Did you know that you are more closely related to a mushroom than to a daisy? That crocodiles are closer to birds than to lizards? That dinosaurs are still among us? That the terms "fish," "reptiles," and "invertebrates" do not indicate scientific groupings? All this is the result of major changes in classification, whose methods have been totally revisited over the last thirty years.
Modern classification, based on phylogeny, no longer places humans at the center of nature. Groups of organisms are no longer defined by their general appearance, but by their different individual characteristics. Phylogeny, therefore, by showing common ancestry, outlines a tree of evolutionary relationships from which one can retrace the history of life.
This book diagrams the tree of life according to the most recent methods of classification. By showing how life forms arose and developed and how they are related, The Tree of Life presents a key to the living world in all its dazzling variety.,
The third volume in this powerful trilogy, The Cattle Cars Are Waiting follows the tragic fate of the inhabitants of the ghetto. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through every page.
Winner, Georges Bugnet Award for Best Novel, Writers Guild of Alberta
This volume describes the lives of the novel’s protagonists in the Lodz Ghetto at the beginning of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although horrendous experiences are depicted, the light of faith in the human spirit shines through this novel’s every page.
Drawing on his own experience, and on literature, philosophy, and medicine, Daniel Callahan offers great insight into how to deal with the rewards of modern medicine without upsetting our perception of death. He examines how we view death and the care of the critically ill or dying, and he suggests ways of understanding death that can lead to a peaceful acceptance. Callahan's thoughtful perspective notably enhances the legal and moral discussions about end-of-life issues.
Originally published in 1993 by Simon and Schuster.
Never one to suffer fools gladly, especially if they wore crinolines, Mark Twain lost as many friends as he made, and he targeted them all indiscriminately. The first major American writer born west of the Mississippi River, he enjoys a reputation unrivaled in American literary history, and from the beginning of his career he tried to control that reputation by fiercely protecting his public persona. Not a debunking account of Twain’s life but refreshingly immune from his relentless image making, Gary Scharnhorst’s Twain in His Own Time offers an anecdotal version of Twain’s life over which the master spin-doctor had virtually no control.
The ninety-four recollections gathered in Twain in His Own Time form an unsanitized, collaborative biography designed to provide a multitude of perspectives on the iconic author. Opening with an interview with his mother that has never been reprinted, it includes memoirs by his daughters and by men who knew him when he was roughing it in Nevada and California, an interview with the pilot who taught him to navigate the Mississippi River, reminiscences from his illustrators E. M. Kemble and Dan Beard and two of his so-called adolescent angelfish, contributions from politicians and from such literary figures as Dan De Quille and George Bernard Shaw, and one of the most damning assessments of his character—by the author Frank Harris—ever published.
Each entry is introduced by a brief explanation of its historical and cultural context; explanatory notes provide further information about people and places; and Scharnhorst’s introduction and chronology of Twain’s eventful life are comprehensive and detailed. Dozens of lively primary sources published incrementally over more than eighty years, most recorded after his death, illustrate the complexities of this flamboyant, outspoken personality in a way that no single biographer could.
Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver who scored sixteen number-one hits and two Grammy awards. Yet even with fame and fortune, Marty Robbins always yearned for more.
Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver.
For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.
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