Ghada Samman’s first full-length novel, originally published in Arabic in 1974, is a creative and daring work prophetically depicting the social and political causes of the Lebanese civil war in 1975. The story opens in a taxi in which we meet the five central characters, each seeking something to give life meaning: security, fame, wealth, dignity, recognition, freedom from fear and from tradition-sanctioned, dehumanizing practices. Once they reach the capital city of Beirut, on which they’ve pinned their hopes, they all discover, man and woman alike, that they are victims of forces either partially or completely beyond their control, such as political corruption, class discrimination, economic and sexual exploitation, destruction of the natural environment, and blind allegiance to tradition.
Beirut ’75 addresses struggles of Arab society, particularly the Lebanese, but the message is one of the universal human condition. Thus, in addition to this superb English-language presentation, Samman’s novel has already appeared in German (two editions), French, and Italian versions.
Winner of The University of Arkansas Press Award for Arabic Literature in Translation.
Awaiting a TV talk show appearance, John Townley is quaking with dread. He has published a best-selling memoir about the Iraq War, a page-turner climaxing in atrocity. In a green room beyond the soundstage, he braces himself to confront the charismatic soldier at the violent heart of it. But John has never actually seen the man before—nor served in Iraq, nor the military. Even so, and despite the deception, he knows his fabricated memoir contains stunning truths.
By turns comic, suspenseful, bitingly satirical, and emotionally potent, A Big Enough Lie pits personal mistruths against national ones of life-and-death consequence. Tracking a writer from the wilds of Florida to New York cubicles to Midwestern workshops to the mindscapes of Baghdad—and from love to heartbreak to solitary celebrity—Bennett’s novel probes our endlessly frustrated desire to grab hold of something (or somebody) true.
First published in 1939 and extensively revised in 1943, The Book of the Dead, loosely inspired by the tale of Isis and Osiris from ancient Egypt, is a sweeping historical romance that tells a gothic tale of love between a noblewoman and a ghost in eighth-century Japan. Its author, Orikuchi Shinobu, was a well-received novelist, distinguished poet, and an esteemed scholar. He is often considered one of the fathers of Japanese folklore studies, and The Book of the Dead is without a doubt the most important novel of Orikuchi’s career—and it is a book like no other.
Here, for the first time, is the complete English translation of Orikuchi’s masterwork, whose vast influence is evidenced by multiple critical studies dedicated to it and by its many adaptations, which include an animated film and a popular manga. This translation features an introduction by award-winning translator Jeffrey Angles discussing the historical background of the work as well as its major themes: the ancient origins of the Japanese nation, the development of religion in a modernizing society, and the devotion necessary to create a masterpiece. Also included are three chapters from The Mandala of Light by Japanese intellectual historian Andō Reiji, who places the novel and Orikuchi’s thought in the broader intellectual context of early twentieth-century Japan.
The Book of the Dead focuses on the power of faith and religious devotion, and can be read as a parable illustrating the suffering an artist must experience to create great art. Readers will soon discover that a great deal lies hidden beneath the surface of the story; the entire text is a modernist mystery waiting to be decoded.
Word spreads from one recovering self-inflicted eye surgery patient to the next of a mystical book capable of overturning the Burlingtonian empire.
Captivating and devious, the book of webs is constructed out of misremembered fragments, conflicting histories, and secrets whispered in the darkness. The insurgents tell of an enemy so powerful it owns the air, dictates reality, and has even managed to co-opt their thoughts. Their only hope is to conspire with the uprisings of their bodies: slips of the tongue, excretions, tics, bad hair days, and, most importantly, their dreams.
In this darkly comic and inventive debut novel, Jesse Kohn introduces a network of shape-shifters and misfits. A militant priestess broods over orphaned angel eggs. A post-punk band animates a messianic homunculus made of belly button lint. A failed dream journalist goes on a terrible first date to heaven. Each misadventure is a chapter in a book devised to oppose the despotic order of their enemy—the book of webs.
Bricks Without Straw is Tourgée’s fictionalized account of how Reconstruction was sabotaged. It is a chilling picture of violence against African Americans condoned, civil rights abrogated, constitutional amendments subverted, and electoral fraud institutionalized. Its plot revolves around a group of North Carolina freedpeople who strive to build new lives for themselves by buying land, marketing their own crops, setting up a church and school, and voting for politicians sympathetic to their interests, until Klan terrorism and the ascendancy of a white supremacist government reduce them to neo-slavery. This edition of Bricks Without Straw is enhanced by Carolyn L. Karcher’s introduction, which sets the novel in historical context and provides an overview of Albion W. Tourgée’s career, a chronology of the significant events of both the Reconstruction era and Tourgée’s life, and explanatory notes identifying actual events fictionalized in the novel.
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