2020 Reading the West Book Awards, Longlist for Fiction
2020 Association for Morman Letters Finalist, Fiction
The Desert Between Us is a sweeping, multi-layered novel based on the U.S. government’s decision to open more routes to California during the Gold Rush. To help navigate this waterless, largely unexplored territory, the War Department imported seventy-five camels from the Middle East to help traverse the brutal terrain that was murderous on other livestock.
Geoffrey Scott, one of the roadbuilders, decides to venture north to discover new opportunities in the opening of the American West when he—and the camels—are no longer needed. Geoffrey arrives in St. Thomas, Nevada, a polygamous settlement caught up in territorial fights over boundaries and new taxation. There, he falls in love with Sophia Hughes, a hatmaker obsessed with beauty and the third wife of a polygamist. Geoffrey believes Sophia wants to be free of polygamy and go away with him to a better life, but Sophia’s motivations are not so easily understood. She had become committed to Mormon beliefs in England and had moved to Utah Territory to assuage her spiritual needs.
The death of Sophia’s child and her illicit relationship with Geoffrey generate a complex nexus where her new love for Geoffrey competes with societal expectations and a rugged West seeking domesticity. When faced with the opportunity to move away from her polygamist husband and her tumultuous life in St. Thomas, Sophia becomes tormented by a life-changing decision she must face alone.
2020 Reading the West Book Awards, Longlist for Fiction
2020 Association for Morman Letters Finalist, Fiction
The Desert Between Us is a sweeping, multi-layered novel based on the U.S. government’s decision to open more routes to California during the Gold Rush. To help navigate this waterless, largely unexplored territory, the War Department imported seventy-five camels from the Middle East to help traverse the brutal terrain that was murderous on other livestock.
Geoffrey Scott, one of the roadbuilders, decides to venture north to discover new opportunities in the opening of the American West when he—and the camels—are no longer needed. Geoffrey arrives in St. Thomas, Nevada, a polygamous settlement caught up in territorial fights over boundaries and new taxation. There, he falls in love with Sophia Hughes, a hatmaker obsessed with beauty and the third wife of a polygamist. Geoffrey believes Sophia wants to be free of polygamy and go away with him to a better life, but Sophia’s motivations are not so easily understood. She had become committed to Mormon beliefs in England and had moved to Utah Territory to assuage her spiritual needs.
The death of Sophia’s child and her illicit relationship with Geoffrey generate a complex nexus where her new love for Geoffrey competes with societal expectations and a rugged West seeking domesticity. When faced with the opportunity to move away from her polygamist husband and her tumultuous life in St. Thomas, Sophia becomes tormented by a life-changing decision she must face alone.
How does art mirror and shape our lives? Can it transcend the boundaries of time, wealth, and circumstance? Debra Spark—whose previous work the Washington Post described as "richly imaginative" and "real world magic"—explores these themes in her new novel Discipline. With a trio of important paintings missing, the book weaves together three narratives that span almost a century. From an inhumane boarding school in Maine in the late 1970s to a contemporary Boston art appraiser struggling with raising a teen to the long-lost love letters between a painter and his wife, Discipline is a propulsive literary mystery about family strife and devotion, ambition and authorship, and the abiding and mysterious power of art.
Inspired by the life and family of Walt Kuhn (the painter responsible for the 1913 Armory Show that introduced Americans to modernism) and the scandal-ridden Elan boarding school that was forced to shut down in 2011, this richly drawn, suspenseful novel shows Spark at her most masterful.
A shotgun marriage of fact and fiction by one of the most highly regarded writers and teachers of our time
A writer named George Garrett, suffering from double vision as a result of a neurological disorder, is asked to review a recent, first biography of the late Peter Taylor, a renowned writer who has been his long-time friend and neighbor in Charlottesville. Reflecting on their relationship, Garrett conceives of a character—not unlike himself—a writer in his early 70s, ill and suffering from double vision, named Frank Toomer. He gives Toomer a neighbor, a distinguished short story writer named Aubrey Carver.
As the real George Garrett and Peter Taylor are replaced by two very different and imaginary writers, the story becomes a wise and insightful exploration of American literary life, the art of biography, the comical rivalries among writers and academics, notions of success, and the knotty relationship of art to life, fact to fiction, and life to death. Double Vision is a witty tour de force and an elegy for a gifted generation of writers.
The winner of the FC2 Catherine L. Doctorow Innovative Fiction Prize, Double-Check for Sleeping Children is the newest work by award-winning writer Kirstin Allio
At once formal and tidal, damning and dreaming, Kirstin Allio’s Double-Check for Sleeping Children is charged with prayer, curse, redemption and abasement. Does truth come from reason, or beauty, or suffering? It takes the inner lives of outsiders, dark mirrors, and false ceilings to find an answer.
Families split by social class, a wealthy young widow, addicts, hunters, poor whites, a green card bride and a nursing mother: in twenty poetically and morally propulsive short stories, Allio disquiets the sublimated and palpates shadows. She leads us through the sometimes flooded, other times flood-lit halls of the human soul.
Part menacing, macabre Mary Gaitskill, part Denis Johnson in Jesus’ Son, and with the taut, wry, tell-all detail of Elizabeth Hardwick, Double-Check for Sleeping Children deals in codedness and transgression. The stories explore coming of age in middle age, anxiety about time and technology, inverted revelation. “What was I supposed to do with Basho and Mosie?” Sheila asks herself about her children in “Uncollected Territories.” “Be my real self? Hand myself over, do what you will with me, plant your strange selves in my private soil?”
Rómulo Gallegos is best known for being Venezuela’s first democratically elected president. But in his native land he is equally famous as a writer responsible for one of Venezuela’s literary treasures, the novel Doña Barbara. Published in 1929 and all but forgotten by Anglophone readers, Doña Barbara is one of the first examples of magical realism, laying the groundwork for later authors such as Gabriel García Márquez and Mario Vargas Llosa.
Following the epic struggle between two cousins for an estate in Venezuela, Doña Barbara is an examination of the conflict between town and country, violence and intellect, male and female. Doña Barbara is a beautiful and mysterious woman—rumored to be a witch—with a ferocious power over men. When her cousin Santos Luzardo returns to the plains in order to reclaim his land and cattle, he reluctantly faces off against Doña Barbara, and their battle becomes simultaneously one of violence and seduction. All of the action is set against the stunning backdrop of the Venezuelan prairie, described in loving detail. Gallegos’s plains are filled with dangerous ranchers, intrepid cowboys, and damsels in distress, all broadly and vividly drawn. A masterful novel with an important role in the inception of magical realism, Doña Barbara is a suspenseful tale that blends fantasy, adventure, and romance.
Hailed as “the Bovary of the llano” by Larry McMurtry in his new foreword to this book, Doña Barbarais a magnetic and memorable heroine, who has inspired numerous adaptations on the big and small screens, including a recent television show that aired on Telemundo.
Italian doctor Leonardo Pazzi and Alcesta, his “future lover,” travel through the picturesque, hilly region of Sloboda, near Kharkiv in northeast Ukraine. They experience a series of encounters with local Ukrainians and nature, disappearances, and transformations filled with paradoxes. The characters are bright, marionette-like caricatures whom the author constructs and moves ostentatiously in full view of the reader, revealing his artistic devices with a sense of absurd, mischievous humor.
A novel of exuberance and whim that deconstructs the very principles of writing and estranges everyday phenomena, Dr. Leonardo’s Journey marks the highpoint of Ukrainian modernism right before it was violently cut down by Stalin’s repressions. The novel shifts away from character or plot as such and instead celebrates the places and spaces in which these things come into being, and the sheer joy of movement and experience. In this sense, Maik Yohansen’s heroes echo Mykola Hohol, whose tour through Russia’s vast spaces in Nikolai Gogol’s Dead Souls is an obvious reference point, and Laurence Sterne, whose irreverent narrative style and textual games Yohansen emulates. Presented here in a contemporary, deft English translation, the novel is a must read for everyone interested in discovering the rich heritage of Ukrainian modernism.
Josh Henneha has always been a traveler, drowning in dreams, burning with desires.
As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears—from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful stories of his older Creek relatives, which have been the center of his upbringing, memory, and ongoing experience.
In his fevered and passionate dreams, Josh catches a glimpse of something that makes the Muskogee Creek world come alive. Lifted by his great-aunt Lucille’s tales of her own wild girlhood, Josh learns to fly back through time, to relive his people’s history, and uncover a hidden legacy of triumphs and betrayals, ceremonies and secrets he can forge into a new sense of himself.
When as a man, Josh rediscovers the boyhood friend who first stirred his desires, he realizes a transcendent love that helps take him even deeper into the Creek world he has explored all along in his imagination.
Interweaving past and present, history and story, explicit realism and dreamlike visions, Craig Womack’s Drowning in Fire explores a young man’s journey to understand his cultural and sexual identity within a framework drawn from the community of his origins. A groundbreaking and provocative coming-of-age story, Drowning in Fire is a vividly realized novel by an impressive literary talent.
Based on one of the most significant periods in Frank Waters’s own life, Pike’s Peak is perhaps the most complete expression of all the archetypal themes he explored in both fiction and nonfiction.
In The Dust within the Rock, the third book in the Pike’s Peak saga, an aging Joseph Rogier clings to his vision of finding gold in the great mountain and his grandson Marsh comes of age in the Rogier household. It is the early part of the twentieth century, in Colorado Springs, and the schoolhouse, the newsstand, the railroad, the mines, all become part of the younger man’s emergence into adulthood and self-discovery.
Waters’s powerful and intuitive style transforms the tale into a mythic journey, a search for meaning played out in the drama of everyday living on the vast American frontier.
Pike’s Peak (1971) is composed of three condensed novels: The Wild Earth’s Nobility, Below Grass Roots, and The Dust within the Rock. Some years after its publication, an interviewer asked Frank Waters whether it was autobiographical. “Yes,” he replied, “and no.”
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