A SCHOLARLY BOOK REPOSITORY51 start with M start with M
This hilarious send-up of outlandish Southern characters includes a beautician, a luncheonette waitress, a radio evangelist, the widow of a gas and oil distributror and the residents of a fictional mobile home park in Arkansas as they find uproarious ways to enjoy life, needle each other, and remember the dear-departed.
As relevant and entertaining now as it was when it was first published, this lively translation brings this fantastic piece of literature to new, modern audiences while drawing parallels with some of the 19th century’s greatest English language writers such as Charles Dickens and Thomas Hardy.
Finalist, 2019 Weatherford Award (Fiction) • A Great Group Reads Selection for National Reading Group Month from The Women’s National Book Association
Set in Appalachian Ohio amid an epidemic of prescription opiate abuse, Michael Henson’s linked collection tells of a woman’s search for her own peculiar kind of redemption, and brings the novel-in-stories form to new heights. Maggie Boylan is an addict, thief, liar, and hustler. But she is also a woman of deep compassion and resilience. The stories follow Maggie as she spirals through her addictive process, through the court system and treatment, and into a shaky new beginning.
In these masterful stories, we rarely occupy Maggie’s perspective, but instead gain a multilayered portrait of a community as we see other people’s lives bump up against hers—and we witness her inserting herself into their spheres, refusing to be rebuffed. The result is a prismatic view of a community fighting to stay upright against the headwinds of a drug epidemic: always on edge, always human.
A grand tour of the edges of our lives, where glory and significance riot against the logic of living and the pall of tragedy.
The Making Sense of Things is a collection of twelve stories that pulse with memory, magic, and myth—all our favorite ways of trying to make sense of things.
Readers are treated to vivid and unforgettable characters. A fiercely independent woman puts the man who loves her to unconscionable tests, never guessing that arson, suicide, and canine obesity will yield a magical kind of happiness. A honeymooner in Venice, addled by fever and second thoughts, commits by dumb error a double murder. A brisk lawyer founders when a car wreck claims his son and ex-wife, then discovers that the desperation of grief is a kind of hope.
“A celebration of Black family life that will make you laugh and cry in equal measure.” —Kirkus Reviews (starred review)
“The collection will reshape what you think about the region and the people that inhabit it.” —Debutiful
“Surprising and revelatory. . . . I love this book.” —Stephanie Powell Watts, author of No One Is Coming to Save Us
“This book has staying power.” —Crystal Wilkinson, author of Praisesong for the Kitchen Ghosts
Original stories of Black family life in Louisville, Kentucky, for readers of Dantiel Moniz (Milk Blood Heat) and Kai Harris (What the Fireflies Knew).
The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers’ drug addictions.
JayLynn heads to college intent on gaining distance from her depressed mother, only to learn that her mother’s illness has reached a terrifying peak. She fears the chaos and instability of her extended family will prove too much for her boyfriend, whose idyllic family feels worlds, not miles, apart from her own. When bats invade Zaria’s new home, she is forced to determine how much she is willing to sacrifice to be a good mother. Angel rebels on Derby night, risking her safety to connect with her absent mother and the wild ways that consumed her.
Mama Said separates from stereotypes of Black families, presenting instead the joy, humor, and love that coexist with the trauma of drug abuse within communities. Kristen Gentry’s stories showcase the wide-reaching repercussions of addiction and the ties that forever bind daughters to their mothers, flaws and all.
Masses and Motets is a tale composed of four basic interwoven threads, corresponding to the four-part choral writing of Pierre de la Rue’s service music. The first thread comes from the diaries of a recently murdered priest, Father Andrea Vidal, former secretary to the notorious Father Marcial Maciel. The second thread is the mystery story, a police procedural focusing on the efforts of Denver detective Francesca Fruscella to solve the murder and retrieve Vidal’s diary. The third strand is the story of Father Signelli, a priest sent from the Vatican to “fix” the murder. And the fourth strand explores the best and worst of Catholic culture: art and music created by Catholic artists and sexual abuse by Catholic priests.
Vidal’s narrative is the story of a priest who systematically, sincerely, and hopefully tries to destroy his very self through sex, drinking, and drugs in order to get closer to God. Fruscella’s story is that of a middle-aged, female detective trying to solve a ghastly murder while constantly battling the sexism of the Catholic Church. Signelli’s tale is that of an older career priest who, in doing the bidding of his superiors to fix problems that threaten the order of the Church, has perhaps compromised his own soul. By no means a simple narrative of wicked priests, this is a story of men who desperately want to believe, as well as a story of what this belief might shelter and cost.
A picture of a disappearing way of life, a tale of feud and displacement, and imbued with the tastes, tales, and songs of his native Istria, Koslovic's story is a testament to the intertwined ethnic roots of Balkan history.
In this fictional autobiography of the father of Icarus, “Apollo’s creature,” a brilliant but flawed man, writer and sculptor Michael Ayrton harnesses the tales of the past to mold a myth for our times. We learn of Daedalus’s increasingly ambitious artifacts and inventions; his fascination with Minoan culture, commerce, and religion, and his efforts to adapt to them; how he comes to design the maze of the horned Minotaur; and how, when he decides that he must flee yet again, he builds two sets of wax wings—wings that will be instruments of his descent into the underworld, a place of both purgatory and rebirth.
A compelling mix of history, fable, lore, and meditations on the enigma of art, The Maze Maker will ensnare classicists, artists, and all lovers of story in its convolutions of life and legend. “I never understood the pattern of my life,” writes Daedalus, “so that I have blundered through it in a maze.”
A stunning look at the labor of obsession and the industry of self-destruction
In her lush, lyrical, and unflinching short fiction debut, JoAnna Novak examines the restless throb of desire amid the rote work of jobs and obligations, from the walk-ins of a New York banquet kitchen to the pier of Venice Beach. Fueled by jellyfish pad Thai and Necco wafers, Mountain Dew and Xiaolongbao, the characters in these stories defy boundaries and mores: In “MEMO 19,” a former anorectic, bored of recovery and her clerical job, invites an unparalleled act of sexual defilement and in “Rio Grande, Wisconsin,” a fleshly preteen fantasizes about Bill Murray on a family vacation to Wisconsin. Celebrating the grueling beauty of the shift and the ticking virtues of self-restraint, Meaningful Work is a pageant of formal experimentation, in fearless, glittering prose.
Considered a masterpiece of antifascist world literature, Medallions stands as the culmination of Nalkowska's literary style, a style the Polish writer Witold Gombrowicz once described as "the iron capital of her art and one of the very few exportables in our national literature." More than mere historical record, Medallions offers the reader startling immediacy, the repetition of an event as it persists in the testimonial present, in the scars on the consciousness and conscience of individuals.
Memoirs of the Life of Henriette-Sylvie de Molière, a semi autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and novelistic conventions. A striking work, the story skillfully mixes real events from the author's life with fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Produced while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or the early development of the novel.
Stuck in an airport because of blizzard conditions, and packed into a crowded terminal with other travelers, Moore has come to believe that his life is not worth reporting about because it has largely been a life lived without incident. However, chance encounters with a yoga instructor, a man traveling to bury his mother, and an enigmatic woodsman reawaken long dormant emotions about his father’s suicide and cause Jim to newly reflect on his own life and on a memorandum that he later discovered in his deceased father’s papers, which lists all the names of the clouds, and which Jim now, from time to time, recants as if it were his own private kaddish to memorialize his lost father.
Like the pilgrims in Chaucer’s The Canterbury Tales who pass the time telling stories while stranded in the Tabard Inn, Memorandum from the Iowa Cloud Appreciation Society tells the tale of a traveling salesman and what really happened over the course of his forty- six years.
Camon's northern Italy was primitive and poor; little more than strong religious beliefs helped sustain its people through years of poverty, hunger, and disease. With the arrival of modern life and its "civilizing" aspects, the peasant ways, and all they stood for, changed forever.
Thus begins a story of disarming simplicity that traces the transformation of ordinary lives in Nazi-occupied Prague. Death abetted by the petty malevolence of Nazi functionaries wins all the battles but ultimately loses the war, defeated by the fragile flowering of courage and defiance.
The quartet follows Louie, a Yale graduate from a modest background with a gift for forging connections in high and low places. Beginning in the 1960s, as he documents a going-away party for a fellow Yalie on his way to Vietnam, and continuing through his spiritual encounters with a 1970s group of city misfits, his turn to television writing in the 1980s, and a tragic love story between two of his close friends in the 1990s, Louie chronicles not only his own personal struggles—his silent love for his best friend’s girl, his delicate relationship with an at-times absent father—but also the attitudes, events, and people that marked his generation. From the Vietnam War to George W. Bush, from television trends to the divide between the haves and have-nots, The Meritocracy Quartet is a moving witness to everything America had to offer in the latter portion of the twentieth century.
A fiercely ecstatic tale of betrayal and self-sacrifice
Messiahs centers on two nameless lovers, a woman of east Asian descent and a former state prisoner, a black man who volunteered incarceration on behalf of his falsely convicted nephew, yet was “exonerated” after more than two years on death row. In this dystopian America, one can assume a relative’s capital sentence as an act of holy reform—“the proxy initiative,” patterned after the Passion.
The lovers begin their affair by exchanging letters, and after his release, they withdraw to a remote cabin during a torrential winter, haunted by their respective past tragedies. Savagely ostracized by her family for years, the woman is asked by her mother to take the proxy initiative for her brother—creating a conflict she cannot bear to share with her lover. Comprised of ten poetic paragraphs, Messiahs’ rigorous style and sustained intensity equals agony and ecstasy.
McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term “metafiction” here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.
Kabul, Afghanistan, 1979: CIA station chief Lucius Burling, an idealistic but flawed product of his nation’s intelligence establishment, barely survives the assassination of the American ambassador. Burling’s reaction to the murder, and his desire to understand its larger meaning, propel him on a journey of intrigue and betrayal that will reach its ultimate end in the streets of Shanghai, months after 9/11. A Chinese dissident physicist may (or may not) be planning to sell his country’s nuclear secrets, and in his story Burling, now living quietly as consul, recognizes the fingerprints of a covert operation, one without the obvious sanction of the Agency. The dissident’s escape draws the violent attention of the Chinese internal security service, and as Burling is drawn inexorably into their path, he must face the ghosts of his past misadventures and a present world of global trafficking, fragile alliances, and the human need for connection above all.
Reminiscent of the best work of Graham Greene and John le Carré, Ministers of Fire extends the spy thriller into new historical, political, and emotional territory.
Mirror of the Darkest Night is almost an aberration in Mahasweta Devi’s oeuvre. Known for her activism and hard-hitting indictment of social inequalities, she pays close attention to detail in this sparkling novel. It offers a rare glimpse of Devi’s talent for telling the sort of story she normally eschewed—and it’s a cracker of a tale.
Friendless and reclusive, Alex Blue commutes two hours each way to a job that serves mainly as a place to bide time, until one day she meets the wealthy, worldly—and married—owner of a high-concept Bay Area lifestyle company. Meanwhile, the melancholy and closeted Morton Levi, yearning for a loving partner but stung by prior experience, lives a secret life outside the software information company he manages with a steady, efficient hand—the same company where Alex works.
As ominous rumors of mergers and layoffs swirl, and Alex and Mort are pushed to the emotional brink by the vagaries of love, they find themselves forging an unexpected alliance. Miss Kansas City is a moving exploration of the notion of possibility, and of a seasoned hope that can emerge on the other side of loneliness and loss.
Joan Frank is the author of the story collection Boys Keep Being Born, which was both a Bay Area Book Reviewers’ Award and Paterson Fiction Award finalist. Her stories appear in many journals and anthologies, including The Antioch Review,The Iowa Review, and Salmagundi. She is a MacDowell Colony and VCCA Fellow, Pushcart Prize nominee, recipient of a Barbara Deming Grant, and winner of the Iowa Fiction Award and Emrys Fiction Award. She lives in Northern California. Miss Kansas City is her first novel.
Growing up in Ladora, Iowa, Mildred “Millie” Benson had ample time to develop her imagination and sense of adventure. While still a journalism graduate student at the University of Iowa, Millie began writing for the Stratemeyer Syndicate, which published the phenomenally popular Hardy Boys series, among others. Soon, Millie was tapped for a new series starring amateur sleuth Nancy Drew, a young, independent woman not unlike Millie herself. Under the pen name Carolyn Keene, Millie wrote the first book, The Secret of the Old Clock, and twenty-two other Nancy Drew Mystery Stories. In all, Millie wrote more than a hundred novels for young people.
Millie was also a journalist for the Toledo Times and the Toledo Blade. At sixty-two, she obtained her pilot’s license. Follow the clues throughout Missing Millie to discover the story of this ghostwriter, journalist, and adventurer.
Gregor Gradnik, a Slovenian writer, enters the sensual and seething life of New Orleans to teach a creative writing class at a university. Gregor at first acts as only an observer, yet seductive New Orleans soon draws him into a series of bizarre erotic, professional, and social relationships. A profound and entertaining work, Mocking Desire provides the English-speaking world with the perfect introduction to one of Eastern Europe's leading writers.
This debut novel tells the story of nine-year-old Raymond, nicknamed “Ray Moon” by Molly, his adoptive caretaker, a waitress, and the former partner of his recently deceased uncle. These two outcasts rely on one another for survival, and their bond forms the heart of this book. Living in a trailer atop a mesa in the high desert of New Mexico in 1968, Raymond ages quickly amid hostile circumstances. With the help of a keen imagination that Molly inspires, he navigates various forms of loss and exploitation amid enduring hardship.
Kevin Honold’s deft and trance-like prose is interspersed with sharp insights and brings attention to the displacement of Native Americans, the hardships of capitalism, the ills of misogyny, and the raw hurt of living a displaced or marginalized life. This is a story of endurance, memory, and unceasing change.
Molly was selected by Dan Chaon as the winner of the 2020 Autumn House Fiction Prize.
This debut novel tells the story of nine-year-old Raymond, nicknamed “Ray Moon” by Molly, his adoptive caretaker, a waitress, and the former partner of his recently deceased uncle. These two outcasts rely on one another for survival, and their bond forms the heart of this book. Living in a trailer atop a mesa in the high desert of New Mexico in 1968, Raymond ages quickly amid hostile circumstances. With the help of a keen imagination that Molly inspires, he navigates various forms of loss and exploitation amid enduring hardship.
Kevin Honold’s deft and trance-like prose is interspersed with sharp insights and brings attention to the displacement of Native Americans, the hardships of capitalism, the ills of misogyny, and the raw hurt of living a displaced or marginalized life. This is a story of endurance, memory, and unceasing change.
Molly was selected by Dan Chaon as the winner of the 2020 Autumn House Fiction Prize.
The Federmanns live a pleasant but painfully normal life in the Munich suburbs. All that the three children really know about money is that there’s never enough of it in their family.
Every so often, their impish Great-Aunt Fé descends on the city. After repeated cycles of boom and bust, profligacy and poverty, the grand old lady has become enormously wealthy and lives alone in a villa on the shore of Lake Geneva. But what does Great-Aunt Fé want from the Federmanns, her only surviving relatives? This time, she invites the children to tea at her luxury hotel where she spoils, flummoxes, and inspires them. Dismayed at their ignorance of the financial ways of the world, she gives them a crash course in economics that piques their curiosity, unsettles their parents, and throws open a whole new world. The young Federmanns are for once taken seriously and together they try to answer burning questions: Where does money come from? Why are millionaires and billionaires never satisfied? And why are those with the most always showered with more?
In this rich volume, the renowned poet, translator, and essayist Hans Magnus Enzensberger turns his gimlet eye on the mechanisms and machinations of banks and politicians—the human greed, envy, and fear that fuels the global economy. A modern, but moral-less fable, Money, Money, Money! is shot through with Enzensberger’s trademark erudition, wit, and humanist desire to cut through jargon and forearm his readers against obscurantism.
The Moon over Wapakoneta is vintage Michael Martone, the visionary oracle of the American Midwest with the gift for discovering the marvelous in the mundane. In these stories Martone shows us how traveling across time zones from Ohio to Indiana is a form of time travel; how a beer bottle can serve as a kind of telescope, how Amish might power their spaceships with windmills as they travel through space and time. These stories capture the paradox of feeling that one is in the heart of the country while at the same time in the middle of nowhere, of natives who find themselves strangers in their once familiar, but now strange, lands.
On display is a love of obsolete technologies, small-town whimsy, home movies of proms and birthday parties, steam engines and baseball games. If Italo Calvino lived in Indiana rather than Italy, these are the fictions he might have made.
Winner of the Western Writers of America Spur Award for best historical novel, Moontrap is a book of remarkable beauty and power about a man caught between his vivid past and an uncertain future.
The year is 1850, a transitional period in the new Oregon Territory, with settlers and lawmakers working to subdue the untamed region. Johnson Monday, a former mountain man, has been living on a bend of the Willamette River near Oregon City for seven years with his Shoshone Indian wife, struggling to make a place in settled society. One day, Webster T. Webster, a raucous, unrepentant trapper, arrives for an unexpected visit. With his earthy humor and stubborn adherence to the simple life, "Webb" leads Monday through adventures that flirt dangerously close to lawlessness, while helping him to rediscover his moral center. Through defiance, triumph, and tragedy, Moontrap follows Johnson Monday as he realizes that relinquishing the stark honesty of mountain life for the compromises of civilization may be too high a price to pay.
Following Trask in Don Berry's trilogy of novels set in the Oregon Territory, Moontrap offers a richly comic and intensely poignant portrayal of pioneer life.
In language that is both barb and bauble, bitter and unbearably sweet, Sarah Blackman spins the threads of stories where everything is probable and nothing is constant. The stories in Mother Box, and Other Tales occur in an in-between world of outlandish possibility that has become irrefutable reality: a woman gives birth to seven babies and realizes at one of their weddings that they were foxes all along; a girl with irritating social quirks has been raised literally by cardboard boxes; a young woman throws a dinner party only to have her elaborate dessert upstaged by one of the guests who, as it turns out, is the moon. Love between mothers and children is a puzzling thrum that sounds at the very edge of hearing; a muted pulse that, nevertheless, beats and beats and beats.
In these tales, the prosaic details of everyday life—a half-eaten sandwich, an unopened pack of letters on a table—take on fevered significance as the characters blunder into revelations that occlude even as they unfold.
The Murderer’s Mother takes readers to the late 1970s in the Indian state of West Bengal, where the Communist Party–led Left Front has just been voted into power. It tells the story of Tapan, who has been installed as a gang leader by the most powerful man in the locality in order to kill “unwanted obstacles,” which he does, one after another. Tapan knows there is no other way he can earn a living, but at the same time, he is desperate to protect his family. He tries to stop petty crime and assaults on women, even as he protects his patron’s interests. Through the dissonance, he becomes both a feared and revered figure, but his patron’s game becomes clear: now the murderer, too, must be eliminated.
Originally published in 1986, this new edition returns to print a classic, influential work of American fiction
The author of the acclaimed novel Reflex and Bone Structure returns here in My Amputations to the question of identity, the double, adventure, detection, and mystery, but with more hypnotic power and range. In My Amputations he has his protagonist, Mason Ellis (who may just be “a desperate ex-con” or a wronged American novelist out to right the wrong done to him), jump through flaming loops like a trained dog, so to speak. In other words, there seems to be no end to the troubles Mason Ellis faces.
His story takes him from the South Side of Chicago, to New York, with a stint in Attica prison, across America and Europe and into the primal depths of Africa. Mason, all the while, tries to convince the reader that he is the important American writer he says he is. Upon his release from prison he sets out to prove his claim. After an audacious bank-robbery and a couple of burglaries that are hilarious, he goes into hiding to escape the malice of one of his cohorts, and eventually flees to Europe. The irony is that he is now as much the runner as the seeker. After encounters with a Zuni ex-folksinger, kidnappers, the New York underworld, literary groupies, an Italian swordsman, a violent German secret society, and an anti-bellum cotillion in rural Greece, he finds himself face to face (behind a mask) with his own destiny.
The fourth novel in James T. Farrell’s pentalogy chronicles Danny O’Neill’s coming of age. Recording his reactions to initiation into college life at the University of Chicago and the imminent death of his grandmother, one of his primary caretakers, Danny realizes the value of time and gains confidence in his writing abilities. As he works on his first novel, he prepares to leave his family, his Catholicism, and his neighborhood in Chicago behind for a new life as a writer in New York.
During the German occupation of Belgrade, a family—including an alarmist mother, an eternally drunk father, two young aunts who swoon over American movie stars, and a playboy uncle—attempt to find any kind of work they can do at home. When the postwar Socialist society is being ushered in after the war, the narrator becomes the slogan-spouting ideological leader of the household, while his family tries—and often fails miserably—to take part in the "great change."
This volume also includes several Ćosić short stories, and recent essays on the war in the former Yugoslavia.
Winner of FC2’s Ronald Sukenick Innovative Fiction Prize
The stories in My Haunted Home delve in startling ways into the lives of the obsessed, the grieving, and the truly haunted. Victoria Hood conjures a shifting range of narrators through an unstable range of worlds where mothers might be dead, girls compulsively shove peanuts inside their ears, agoraphobia traps people inside their houses, and cats won’t eat your soup. In “The Teeth, the Way I Smile,” a daughter who looks like her dead mother manifests grief both in her house and her body. In “Smelly Smelly,” a woman slowly comes to realize her boyfriend has been dead for weeks. In “You, Your Fault,” we explore the unfolding love of two women who love every part of each other—including the parts that fixate on arson and murder.
Each story is a bite-size piece of haunting candy on a necklace of obsession holding them together. Hood probes the worlds of what can be haunted, unpacking the ways in which hauntings can be manifested in physical forms, mentally harvested and lived through, and even a change in what is haunting.
A woman meets a man and falls in love. She is sixty, a writer and lifelong New Yorker raised by garmentos. She thought this kind of thing wouldn’t happen again. He is English, so who knows what he thinks. He is fifty-six, a professor now living in Arizona, the son of a bespoke tailor. As the first of Laurie Stone’s linked stories begins, the writer contemplates what life would be like in the desert with the professor. As we learn how she became the person she is, we also come to know the artists and politics of the downtown scene of the ’70s, ’80s, and ’90s, a cultural milieu that remains alive in her. In sharply etched prose, Stone presents a woman constantly seduced by strangers, language, the streets— even a wildlife trail. Her characters realize that they feel at home in dislocation—in always living in two places at the same time: east and west, past and present, the bed and the grave (or copper urn). Love may not last, the writer knows. Then again, when has anything you thought about the future turned out right?
As a teenager, Lake joins her grandparents in Missouri and spends her youth seeking answers to her questions about the past, trying to understand the complex pattern of betrayals that shaped it. Only when she herself becomes party to a betrayal as devastating as any committed by her mother does Lake begin to understand.
Passanante writes with a keen eye for the details of behavior that reveal the yearnings and fears beneath the surface. She shows us that the path to understanding is never a smooth one, and that love is often far more complex than we can imagine. Western Literature Series.
This is a tale of dramatic episodes, told through intermingling voices and the atmospherics of the austere Breton landscape. Ultimately, it is a story of obsessional love and of a parallel sibling bond that is equally strong.
This debut novel is set in a vaguely dystopian, yet also realistic, Mexico City—endless traffic jams, relentless clouds of pollution, economic hardships, and the ever-present threat of drug cartels. The unnamed narrator of the novel, at times referred to as Arthur—in part because of the growing similarity of his life with Arthur Rimbaud’s—struggles with the dissonance of leading an artistic life while providing for his family. A failed, penniless poet with a child on the way, he is forced to take a job in his family’s weapons dealing enterprise, which he soon discovers is connected to the corrupt Mexican armed forces and drug cartels, who are responsible for the increasing death toll in the country. All the while, the narrator struggles with a growing condition in his right eye, a pterygium, that is slowly taking over his vision, blurring the events of his life, including his wife’s complicated pregnancy, extortions by the drug cartels, and his own relationship to his writing. As the narrator gradually finds his life spiraling out of control, the novel moves quickly to a startling conclusion.
Myth of Pterygium is the winner of the 2021 Autumn House Rising Writer Prize in Fiction, selected by Maryse Meijer.
This debut novel is set in a vaguely dystopian, yet also realistic, Mexico City—endless traffic jams, relentless clouds of pollution, economic hardships, and the ever-present threat of drug cartels. The unnamed narrator of the novel, at times referred to as Arthur—in part because of the growing similarity of his life with Arthur Rimbaud’s—struggles with the dissonance of leading an artistic life while providing for his family. A failed, penniless poet with a child on the way, he is forced to take a job in his family’s weapons dealing enterprise, which he soon discovers is connected to the corrupt Mexican armed forces and drug cartels, who are responsible for the increasing death toll in the country. All the while, the narrator struggles with a growing condition in his right eye, a pterygium, that is slowly taking over his vision, blurring the events of his life, including his wife’s complicated pregnancy, extortions by the drug cartels, and his own relationship to his writing. As the narrator gradually finds his life spiraling out of control, the novel moves quickly to a startling conclusion.
Myth of Pterygium is the winner of the 2021 Autumn House Rising Writer Prize in Fiction, selected by Maryse Meijer.
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