A SCHOLARLY BOOK REPOSITORY
709 books about Literary and 35
start with P
709 books about Literary and 35
709 books about Literary
35 start with P start with P
35 start with P start with P
Pacific Possessions
The Pursuit of Authenticity in Nineteenth-Century Oceanian Travel Accounts
Chris J. Thomas
University of Alabama Press, 2021
Reframes Polynesia and Melanesia through analysis of nineteenth-century travel writing
In Pacific Possessions: The Pursuit of Authenticity in Nineteenth-Century Oceanian Travel Accounts, Chris J. Thomas expands the literary canon on Polynesia and Melanesia beyond the giants, such as Herman Melville and Jack London, to include travel narratives by British and American visitors. These accounts were widely read and reviewed when they first appeared but have largely been ignored by scholars. For the first time, Thomas defines these writings as a significant literary genre.
Recovering these works allows us to reconceive of nineteenth-century Oceania as a vibrant hub of cultural interchange. Pacific Possessions recaptures the polyphony of voices that enlivened this space through the writing of these travelers, while also paying attention to their Oceanian interlocutors. Each chapter centers on a Pacific cultural marker, what Thomas refers to as each writer’s “possession”: the Tongan tattoo, the Hawaiian hula, the Fijian cannibal fork, and Robert Louis Stevenson’s cache of South Seas photographs.
Thomas analyzes how westerners formed narratives around these objects and what those objects meant within nineteenth-century Oceanian cultures. He argues that the accounts served to shape a version of Oceanian authenticity that persists today. The profiled traveler-writers had complex experiences, at times promoting exoticized exaggerations of so-called authentic Polynesian and Melanesian cultures and at other times genuinely engaging in cultural exchange. However, their views were ultimately compromised by a western lens. In Thomas’s words, “the authenticity is at once celebrated and written over.”
In Pacific Possessions: The Pursuit of Authenticity in Nineteenth-Century Oceanian Travel Accounts, Chris J. Thomas expands the literary canon on Polynesia and Melanesia beyond the giants, such as Herman Melville and Jack London, to include travel narratives by British and American visitors. These accounts were widely read and reviewed when they first appeared but have largely been ignored by scholars. For the first time, Thomas defines these writings as a significant literary genre.
Recovering these works allows us to reconceive of nineteenth-century Oceania as a vibrant hub of cultural interchange. Pacific Possessions recaptures the polyphony of voices that enlivened this space through the writing of these travelers, while also paying attention to their Oceanian interlocutors. Each chapter centers on a Pacific cultural marker, what Thomas refers to as each writer’s “possession”: the Tongan tattoo, the Hawaiian hula, the Fijian cannibal fork, and Robert Louis Stevenson’s cache of South Seas photographs.
Thomas analyzes how westerners formed narratives around these objects and what those objects meant within nineteenth-century Oceanian cultures. He argues that the accounts served to shape a version of Oceanian authenticity that persists today. The profiled traveler-writers had complex experiences, at times promoting exoticized exaggerations of so-called authentic Polynesian and Melanesian cultures and at other times genuinely engaging in cultural exchange. However, their views were ultimately compromised by a western lens. In Thomas’s words, “the authenticity is at once celebrated and written over.”
[more]
Pacific Tremors
Richard Stern
Northwestern University Press, 2007
Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
[more]
Pacific Tremors
Richard Stern
Northwestern University Press, 2001
Ez Keneret and Wendell Spear are Hollywood veterans who have committed the only sin in the movie business: they've grown old. Having been cast aside, they face their obsolescence and the harsh reality that the art they appreciate (and profit from) is just a business powered by money and celebrity. While Spear is consoled and comforted by his granddaughter, Keneret centers his comeback film on Leet de Loor, a stunning but painfully wooden "actress" he discovers in Fiji.
[more]
Paint
Grace Tiffany
Arizona Center for Medieval and Renaissance Studies, 2013
Pale Horse
A Novel of Revolutionary Russia
Boris Savinkov
University of Pittsburgh Press, 2024
Pale Horse is a thinly disguised retelling of the assassination of Grand Duke Sergei Aleksandrovich. Written in the form of a diary by the leader of a group of five revolutionaries, the novel provides a straightforward and clinical account of the assassination and contains daring and vivid descriptions of the revolutionary underground and political conspiracy. Savinkov gives free reign to his dramatic impulses, the “inner feelings” of the conspirators, and the moral dimension of the plot. The book caused an immediate sensation both in Russia and abroad. Translated from Russian by Michael Katz, Pale Horseexplores the psychological basis of terrorism and political adventurism.
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Papi
A Novel
Rita Indiana
University of Chicago Press, 2016
“Papi’s there, around any corner,” says the eight-year-old girl at the heart of Papi. “But you can’t sit down and wait for him cuz that’s a longer and more painful death.” Living in Santo Domingo, she waits for her father to come back from the United States and lavish her with the glorious rewards of his fame and fortune—shiny new cars and polo shirts, gold chains and Nikes. But when Papi does come back, he turns out to be more “like Jason, the guy from Friday the 13th," than a prince. Papi is a drug dealer, a man who is clearly unreliable and dangerous but nevertheless makes his daughter feel powerful and wholly, terrifyingly alive.
Drawing on her memories of a childhood split between Santo Domingo and visits with her father amid the luxuries of the United States, Rita Indiana mixes satire with a child’s imagination, horror with science fiction, in a swirling tale of a daughter’s love, the lure of crime and machismo, and the violence of the adult world. Expertly translated into English for the first time by Achy Obejas, who renders the rhythmic lyricism of Indiana’s Dominican Spanish in language that propels the book forward with the relentless beat of a merengue, Papi is furious, musical, and full of wit—a passionate, overwhelming, and very human explosion of artistic virtuosity.
Drawing on her memories of a childhood split between Santo Domingo and visits with her father amid the luxuries of the United States, Rita Indiana mixes satire with a child’s imagination, horror with science fiction, in a swirling tale of a daughter’s love, the lure of crime and machismo, and the violence of the adult world. Expertly translated into English for the first time by Achy Obejas, who renders the rhythmic lyricism of Indiana’s Dominican Spanish in language that propels the book forward with the relentless beat of a merengue, Papi is furious, musical, and full of wit—a passionate, overwhelming, and very human explosion of artistic virtuosity.
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Paradise Field
A Novel in Stories
Pamela Ryder
University of Alabama Press, 2017
Interconnected stories depicting the last years of a WWII bomber pilot, his relationship with his daughter as both child and adult, and his drift into infirmity and death.
When life dwindles to its irrevocable conclusion, recollections are illuminated, even unto the grave. Such is the narrative of Paradise Field: A Novel in Stories, whose title is taken from a remote airfield in the American Southwest, and while the father recalls his flying days, his daughter—who nurses the old man—reflects as well.
Pamela Ryder’s stories vary in style and perspective, and time lines overlap as death advances and retreats. This unique and shifting narrative explores the complexities of a relationship in which the father—who has been a high-flying outsider—descends into frailty and becomes dependent upon the daughter he has never really known.
The opening story, “Interment for Yard and Garden,” begins as a simple handbook for Jewish burial and bereavement, although the narrator cannot help but reveal herself and her motives. From there, the telling begins anew and unfolds chronologically, returning to the adult daughter’s childhood: a family vacation in France, the grotesqueries of the dinner table, the shadowy sightings of a father who has flown away.
A final journey takes father and daughter back to the Southwest in search of Paradise Field. Their travels through that desolate landscape foreshadow the father’s ultimate decline, as portrayed in the concluding stories that tell of the uneasy transformation in the bond between them and in the transcendence of his demise. Taken together, the stories in Paradise Field are an eloquent but unsparing depiction of infirmity and death, as well as solace and provocation for anyone who has been left to stand graveside and confront eternity.
When life dwindles to its irrevocable conclusion, recollections are illuminated, even unto the grave. Such is the narrative of Paradise Field: A Novel in Stories, whose title is taken from a remote airfield in the American Southwest, and while the father recalls his flying days, his daughter—who nurses the old man—reflects as well.
Pamela Ryder’s stories vary in style and perspective, and time lines overlap as death advances and retreats. This unique and shifting narrative explores the complexities of a relationship in which the father—who has been a high-flying outsider—descends into frailty and becomes dependent upon the daughter he has never really known.
The opening story, “Interment for Yard and Garden,” begins as a simple handbook for Jewish burial and bereavement, although the narrator cannot help but reveal herself and her motives. From there, the telling begins anew and unfolds chronologically, returning to the adult daughter’s childhood: a family vacation in France, the grotesqueries of the dinner table, the shadowy sightings of a father who has flown away.
A final journey takes father and daughter back to the Southwest in search of Paradise Field. Their travels through that desolate landscape foreshadow the father’s ultimate decline, as portrayed in the concluding stories that tell of the uneasy transformation in the bond between them and in the transcendence of his demise. Taken together, the stories in Paradise Field are an eloquent but unsparing depiction of infirmity and death, as well as solace and provocation for anyone who has been left to stand graveside and confront eternity.
[more]
The Parasite
Ferenc Barnás
Seagull Books, 2020
Marked by powerful and evocative prose, Ferenc Barnás’s novel tells the fascinating story of a young man’s journey through his strange obsessions towards possible recovery. The unnamed narrator is the parasite, feeding off others’ ailments, but he is also a host who attracts people with the most peculiar manias. He confesses, almost amiably, his decadent attraction as a young adolescent to illnesses and hospitals. The real descent into his private, hallucinatory hell begins after his first sexual encounter; he becomes a compulsive masturbator, and then a compulsive fornicator. But to his horror, he realizes that casual sex is not casual at all for him—each one-night stand results in insane jealousy: he imagines previous lovers hovering over him every time he makes love to a woman.
When he gets to know a woman referred to as L., he thinks his demons may have finally subsided. But when he hears of her past, the jealousy returns. He seeks relief through writing—by weaving an imagined tale of L.’s amorous adventures. What will he do with this strange manuscript, and can it bring him healing?
A breathtaking blend of Dostoevskian visions, episodes of madness, and intellectual fervor, all delivered in precise, lucid prose, The Parasite is a novel that one cannot escape.
When he gets to know a woman referred to as L., he thinks his demons may have finally subsided. But when he hears of her past, the jealousy returns. He seeks relief through writing—by weaving an imagined tale of L.’s amorous adventures. What will he do with this strange manuscript, and can it bring him healing?
A breathtaking blend of Dostoevskian visions, episodes of madness, and intellectual fervor, all delivered in precise, lucid prose, The Parasite is a novel that one cannot escape.
[more]
Parvin Etesami in the Literary and Religious Context of Twentieth-Century Iran
A Female Poet’s Challenge to Patriarchy
Zhinia Noorian
Leiden University Press, 2022
Passage to the Plaza
Sahar Khalifeh
Seagull Books, 2020
In Bab Al-Saha, a quarter of Nablus, Palestine, sits a house of ill repute. In it lives Nuzha, a young woman ostracized from and shamed by her community. When the Intifada breaks out, Nuzha’s abode unexpectedly becomes a sanctuary for those in the quarter: Hussam, an injured resistance fighter; Samar, a university researcher exploring the impact of the Intifada on women’s lives; and Sitt Zakia, the pious midwife.
In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity—both among the reluctant residents of the house and the inhabitants of the quarter at large—will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.
In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity—both among the reluctant residents of the house and the inhabitants of the quarter at large—will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.
[more]
Pathologies
The Downfall of Johan van Vere de With
Jacob Isräel de Haan
Seagull Books, 2024
One of the first novels to openly explore gay love and eroticism, Pathologies is a lost classic that is now translated into English for the first time.
At the start of the twentieth century, Jewish anti-Zionist Jacob Israël de Haan led an eventful life as a poet, journalist, teacher, and lawyer in the Netherlands. His autobiographical novella Pipelines caused a storm of controversy in 1904 with its portrayal of a subject that was considered scandalous at the time—a romantic relationship between two young men. He lost his teaching job, and the entire print run was pulped.
In his iconic 1908 novel Pathologies, he once again openly and radically explored the topic of homosexuality. The story centers around adolescent Johan, who lives a secluded life with his father and their elderly housekeeper in a large house. For a while, Johan has been plagued by erotic fantasies about his classmates. When, to make matters worse, he finds himself feeling attracted to his father—first in a dream, and then in real life—he grows desperate. Johan moves out, finding room and board with an older married couple in Haarlem, where he meets René, a young confident artist. Johan falls head-over-heels in love, and the two men enter a sadomasochistic relationship that soon begins to spiral out of control.
Johan is one of world literature’s most tragic, troubled young heroes, at par with Goethe’s Werther and Dostoevsky’s Raskolnikov. His struggle to come to terms with his fantasies and desires—rife with taboos that continue to resonate today—forms the beating heart of this daring novel. Written in De Haan’s precise, lyrical prose, Pathologies has lost none of its force more than a century after it was first published.
At the start of the twentieth century, Jewish anti-Zionist Jacob Israël de Haan led an eventful life as a poet, journalist, teacher, and lawyer in the Netherlands. His autobiographical novella Pipelines caused a storm of controversy in 1904 with its portrayal of a subject that was considered scandalous at the time—a romantic relationship between two young men. He lost his teaching job, and the entire print run was pulped.
In his iconic 1908 novel Pathologies, he once again openly and radically explored the topic of homosexuality. The story centers around adolescent Johan, who lives a secluded life with his father and their elderly housekeeper in a large house. For a while, Johan has been plagued by erotic fantasies about his classmates. When, to make matters worse, he finds himself feeling attracted to his father—first in a dream, and then in real life—he grows desperate. Johan moves out, finding room and board with an older married couple in Haarlem, where he meets René, a young confident artist. Johan falls head-over-heels in love, and the two men enter a sadomasochistic relationship that soon begins to spiral out of control.
Johan is one of world literature’s most tragic, troubled young heroes, at par with Goethe’s Werther and Dostoevsky’s Raskolnikov. His struggle to come to terms with his fantasies and desires—rife with taboos that continue to resonate today—forms the beating heart of this daring novel. Written in De Haan’s precise, lyrical prose, Pathologies has lost none of its force more than a century after it was first published.
[more]
Peltse and Pentameron
Volodymyr Dibrova
Northwestern University Press, 1996
In these two novellas, Volodymyr Dibrova tells the story of how the Soviet system was sustained by individuals who never truly believed in it, but simply lacked the courage to oppose it.
Peltse portrays the formation of an average apparatchik. Both funny and alarming, it provides a psychological portrait of an individual trapped in a system he simultaneously dislikes and depends upon for survival. Pentameron tells the story of one day in the life of five colleagues at a Soviet research institute. Each is dissatisfied, yet all are trapped in and by a system that has taken away their ability to act decisively.
Peltse portrays the formation of an average apparatchik. Both funny and alarming, it provides a psychological portrait of an individual trapped in a system he simultaneously dislikes and depends upon for survival. Pentameron tells the story of one day in the life of five colleagues at a Soviet research institute. Each is dissatisfied, yet all are trapped in and by a system that has taken away their ability to act decisively.
[more]
Performance Art
Stories
David Kranes
University of Nevada Press, 2021
Part of our socialization is the urge to perform. We perform images of ourselves for others. For some, the urge is so great and the talent sufficient that we become performers. Performance Art is a series of short stories about performers and performances that are extreme—fire-eaters, knife-throwers, stand-up comedians, escape-artists, weight-loss artists—why we watch them, and why they do what they do. David Kranes dives into the inner lives of these risk-takers, exploring the allures and the costs of “performance.” His characters are unpredictable, quirky, and sometimes bizarre, but Kranes also reveals their humanity and insecurities. The result is a collection that is engagingly unique, sometimes comical, ironic, heart-tugging, and full of unexpected insights and delights.
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Performing Violence
Literary and Theatrical Experiments of New Russian Drama
Birgit Beumers and Mark Lipovetsky
Intellect Books, 2009
The so-called “New Russian Drama” emerged at the end of the twentieth century, following a long period of decline in dramatic writing in the late Soviet and post-Soviet era. In Performing Violence, Birgit Beumers and Mark Lipovetsky examine the representation of violence in these new dramatic works by young Russian playwrights. Reflecting the disappointment in Yeltsin’s democratic reforms and Putin’s neoconservative politics, the plays focus on political and social representations of violence, its performances, and its justifications.
As the first English-language study of Russian drama and theatre in the twenty-first century, Performing Violence seeks a vantage point for the analysis of brutality in post-Soviet culture. While previous generations had preferred poetry and prose, this new breed of authors—the Presnyakov brothers, Evgeni Grishkovets, and Vasili Sigarev among them—have garnered international recognition for their fierce plays. This book investigates the violent portrayal of the identity crisis of a generation as represented in their theatrical works, and will be a key text for students and scholars of drama, Russian studies, and literature.
[more]
Personae
A Novel
Sergio De La Pava
University of Chicago Press, 2013
Sergio De La Pava’s A Naked Singularity was one of the most highly praised debut novels in decades. The Wall Street Journal called it “a propulsive, mind-bending experience,” and named it one of the ten best books of the year. The Toronto Star did the same, calling it “a great American novel: large, ambitious, and full of talk.” In Slate, Paul Ford proclaimed,“It’s a fine thing for an author to bring forth something so unapologetically maximalist.”
This book is nothing like that one. Just look at it: A Naked Singularity was a brick of a book, 678 pages, and this one’s slim--lean and focused. A Naked Singularity locked us into the unforgettable voice of its protagonist, Casi, while Personae shimmers and shifts among different perspectives, locations, and narrative techniques.
But sharp readers will quickly see that the two books are the work of the same hand. The sheer energy of De La Pava’s sentences, his eye for absurd humor, his commitment to the idea of justice--all will be familiar here as they carry us from the tale of an obsessive, damaged psychic detective consumed by a murder case, into a Sartrean drama that raises questions (and jokes) about responsibility, fate, death, and more. And when De La Pava eventually returns us to the investigation, this time seen from the other side, the lives and deaths bound up in it feel all the more real, and moving, even as solid answers slip away into mist.
Shelf Awareness declared that A Naked Singularity "heralded the arrival of a tremendous talent." In some ways, despite its brevity, Personae is even more surprising and challenging--and, in its ambition and fierce intelligence, it’s proof that Sergio De La Pava is here to stay.
[more]
Perverzion
Yuri Andrukhovych
Northwestern University Press, 2005
What was the fate of Stanislav Perfetsky—poet, provocateur, and hero of Ukrainian underground culture? Evidence points to suicide. But some whisper murder. Some suggest the grand Eastern European tradition of coerced suicide. It may even be related to the religious cult ceremony he happened upon in Munich . . . or that job as a dancer in a strip club for older women.
Or, then again, it may not.
Perverzion constructs Perfetsky's final days using a mishmash of relics, from official documents to recorded interviews to scraps of paper. Perfetsky, the personification of the Ukrainian artistic superman—he used his masterful musicianship in a collaboration with Elton John during the pop star's secret sojourn in Ukraine—is bound for Venice to participate in a seminar to save the world from absurdity. On the way he becomes a Ukrainian Orpheus descending into the decadence of the West, navigating through surrealistic adventures and no less surrealistic seminar topics as he charges head up (and pants down) toward his fate.
Or, then again, it may not.
Perverzion constructs Perfetsky's final days using a mishmash of relics, from official documents to recorded interviews to scraps of paper. Perfetsky, the personification of the Ukrainian artistic superman—he used his masterful musicianship in a collaboration with Elton John during the pop star's secret sojourn in Ukraine—is bound for Venice to participate in a seminar to save the world from absurdity. On the way he becomes a Ukrainian Orpheus descending into the decadence of the West, navigating through surrealistic adventures and no less surrealistic seminar topics as he charges head up (and pants down) toward his fate.
[more]
The Pet Thief
Kassten Alonso
University of Alabama Press, 2013
The Pet Thief is a dystopian fable of science, rebellion, humankind’s inhumanity, and the struggle for identity and survival in a post-human world.
When scientists, the government, and venture capitalists conspire to hybridize humans with animals—cats, specifically—for organ harvesting, drug testing, and military applications, the experiment is an irredeemable failure, producing human-like beings with uncanny abilities who are nonetheless fundamentally defective.
Oboy and his mentor/tormentor Freda are two wayward hybrids, “cat people,” who have escaped with others to the depths of a rundown European city being leveled for reconstruction. They are members of a street gang led by an ominous leader called Swan.
Oboy is unable to think or speak except in mimicry, but he is a physical savant, which serves Freda’s mission. Enraged at what has been done to her, Freda wants to “rescue” every pet she can. When Oboy returns with a human baby after his first solo outing, their world and the truths of their existence come unraveled.
[more]
Pilgrims 2.0
A Novel
Lindsey Harding
Acre Books, 2023
A novel following four passengers on a luxury cruise line that promises complete reinvention through plastic surgery.
PILGRIM, Canterbury Cruise Line’s flagship, promises its passengers not just a luxurious fortnight away but the opportunity for reinvention. This extraordinary journey is made possible by the captain and visionary plastic surgeon Dr. Walter Heston, by the vessel’s self-learning artificial intelligence called BECCA, and an all-male crew of room stewards, deck hands, technicians, and cosmetic practitioners.
Pilgrims 2.0 begins on the eve of Cruise #52 and follows four women eager for transformation. Meet Bianca, the aging athlete determined to resume the competitive tennis career that motherhood sidelined. Meet Nicole, whose mommy makeover will mean she can stop hiding herself, and her debt, from her husband. Meet Lyla, an infertile maternity-ward nurse desperate to experience pregnancy, and Annalie, who wants only to stop seeing her dead twin every time she looks in the mirror. At the center of the story is Dr. Heston himself, driven to do with bodies what his late wife, Rebecca, could do with computer code—make the impossible, possible.
But “excursions” like these aren’t always smooth sailing—especially on this voyage, where the hopes, histories, and obsessions of clients and crew members collide. When a disruptive crewman’s pranks turn dangerous, it becomes clear that some of those who embarked won’t return to the Port of Los Angeles—at least not fully, at least not as themselves, and maybe not with their lives.
PILGRIM, Canterbury Cruise Line’s flagship, promises its passengers not just a luxurious fortnight away but the opportunity for reinvention. This extraordinary journey is made possible by the captain and visionary plastic surgeon Dr. Walter Heston, by the vessel’s self-learning artificial intelligence called BECCA, and an all-male crew of room stewards, deck hands, technicians, and cosmetic practitioners.
Pilgrims 2.0 begins on the eve of Cruise #52 and follows four women eager for transformation. Meet Bianca, the aging athlete determined to resume the competitive tennis career that motherhood sidelined. Meet Nicole, whose mommy makeover will mean she can stop hiding herself, and her debt, from her husband. Meet Lyla, an infertile maternity-ward nurse desperate to experience pregnancy, and Annalie, who wants only to stop seeing her dead twin every time she looks in the mirror. At the center of the story is Dr. Heston himself, driven to do with bodies what his late wife, Rebecca, could do with computer code—make the impossible, possible.
But “excursions” like these aren’t always smooth sailing—especially on this voyage, where the hopes, histories, and obsessions of clients and crew members collide. When a disruptive crewman’s pranks turn dangerous, it becomes clear that some of those who embarked won’t return to the Port of Los Angeles—at least not fully, at least not as themselves, and maybe not with their lives.
[more]
A Place Called Milagro de la Paz
Manlio Argueta, translated from the Spanish by Michael B. Miller
Northwestern University Press, 2000
This remarkable novel continues the saga of life among the common people in El Salvador begun with One Day of Life. A Place Called Milagro de la Paz tells the story of the courage and strength of two women, a single mother and her daughter, who have to overcome the trauma of the murder of the mother's older daughter and survive in an atmosphere of bitter poverty. The book is filled, however, with magical, lyric moments of love and hope, especially surrounding the figure of a strange young girl with butterflies in her hair who appears suddenly and adopts the family. The tiny family group bravely preserves traditional values in spite of fear and repression.
[more]
The Plays of David Garrick, Volume 3
Garrick's Adaptations of Shakespeare, 1744 - 1756
Edited by Harry William Pedicord and Fredrick Louis Bergmann
Southern Illinois University Press, 1981
David Garrick’s accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre.
This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes.
Contents: Macbeth. A Tragedy, 1744; Romeo and Juliet, 1748; The Fairies. An Opera, 1755; Catherine and Petruchio. A Comedy, 1756; Florizel and Perdita. A Dramatic Pastoral, 1756; The Tempest. An Opera, 1756; and King Lear. A Tragedy, 1756.
[more]
The Pleasure Marriage
A Novel
Tahar Ben Jelloun; Translated from the French by Rita S. Nezami
Northwestern University Press, 2021
In The Pleasure Marriage, Tahar Ben Jelloun tells the epic story of a romance that explores desire and the intolerance for interracial marriage in Moroccan society. Amir is a prosperous merchant based in Fez, where he has a wife and four children. On one of his annual business trips to Senegal, he enters into a “pleasure marriage”—a temporary union permitted by Islamic law—with the alluring Nabou. Overcome by her passion and sensuality, he falls in love, with repercussions for three generations scarred by racism, immigration, and deportation.
Nabou returns to Fez as Amir’s second wife, weathering the jealous cruelty of Lalla Fatma, his first partner. Isolated within her new home, Nabou gives birth to twin sons, one black and one white, who come of age on the opposite sides of racial, social, and political chasms and who chart vastly different courses. The Pleasure Marriage showcases Ben Jelloun’s mastery of metaphor and lyrical narrative as he continues to take us into the worlds of Moroccan culture through his exquisite language and literary genius.
Nabou returns to Fez as Amir’s second wife, weathering the jealous cruelty of Lalla Fatma, his first partner. Isolated within her new home, Nabou gives birth to twin sons, one black and one white, who come of age on the opposite sides of racial, social, and political chasms and who chart vastly different courses. The Pleasure Marriage showcases Ben Jelloun’s mastery of metaphor and lyrical narrative as he continues to take us into the worlds of Moroccan culture through his exquisite language and literary genius.
[more]
The Pledge
Friedrich Dürrenmatt
University of Chicago Press, 2000
Set in a small town in Switzerland, The Pledge centers around the murder of a young girl and the detective who promises the victim’s mother he will find the perpetrator. After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion.
One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.
One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.
[more]
Polinka Saks and The Story of Aleksei
Aleksandr Druzhinin
Northwestern University Press, 1992
This volume offers two of Druzhinin's essential works in their first English translations. Polinka Saks, his most essential short novel, is an epistolary tale of a romantic triangle involving an older man, his young wife, and a dashing young prince. The husband attempts to introduce his wife to literature, art, and music, but his efforts run counter to the dominant trend of society, which "forces women to become little children." The wife falls victim to the prince and realizes too late the value of the education provided by her husband.
A far different tale, The Story of Aleksei Dmitrich is a complex social and psychological study of poverty, family disharmony, precocious children, and destructive self-sacrifice.
A far different tale, The Story of Aleksei Dmitrich is a complex social and psychological study of poverty, family disharmony, precocious children, and destructive self-sacrifice.
[more]
Pop
An Illustrated Novel
Robert Gipe
Ohio University Press, 2024
Set in the run-up and aftermath of the 2016 election, Pop brings the Canard County trilogy to a close as Dawn, the young narrator of Gipe’s first novel, Trampoline, is now the mother of the seventeen-year-old Nicolette. Whereas Dawn has become increasingly agoraphobic as the internet persuades her the world is descending into chaos, Nicolette narrates an Appalachia where young people start businesses rooted in local food culture and work to build community. But Nicolette’s precocious rise in the regional culinary scene is interrupted when her policeman cousin violently assaults her, setting in motion a chain of events that threaten to destroy the family—and Canard County in the process. In the tradition of Gipe’s first two novels, Pop’s Appalachia is full of clear-eyed, caring, creative, and complicated people struggling to hang on to what is best about their world and reject what is not. Their adventures reflect an Appalachia that is overrun by outside commentators looking for stories to tell about the region—sometimes positive, sometimes negative, but almost always oversimplified.
[more]
Portrait of a Man Known as Il Condottiere
Georges Perec
University of Chicago Press, 2015
Puckish and playful, Georges Perec infused avant-garde and experimental fiction with a wit and wonder that belied the serious concerns and concepts that underpinned it. A prominent member of the OuLiPo, and an abiding influence on fiction writers today, Perec used formal constraints to dazzling effect in such works as A Void—a murder mystery that contains nary an “e”—and Life A User’s Manual, in which an apartment building, systematically canvassed, unfolds secrets and, ultimately offers a reflection on creation, destruction, and the devotion to art.
Before embarking on these experiments, however, Perec tried his hand at a relatively straightforward novel, Portrait of a Man. His first book, it was rejected by publishers when he submitted it in 1960, after which he filed it away. Decades after Perec’s death, David Bellos discovered the manuscript, and through his translation we have a chance to enjoy it in English for the first time. What fans will find here is a thriller that combines themes that would remain prominent in Perec’s later work, such as art forgery, authenticity, and murder, as well as craftsman Gaspard Winckler, who whose namesakes play major roles in Life A User’s Manual and W or The Memory of Childhood.
Engaging and entertaining on its own merits, and gaining additional interest when set in the context of Perec’s career, Portrait of a Man is sure to charm the many fans of this postmodern master.
Before embarking on these experiments, however, Perec tried his hand at a relatively straightforward novel, Portrait of a Man. His first book, it was rejected by publishers when he submitted it in 1960, after which he filed it away. Decades after Perec’s death, David Bellos discovered the manuscript, and through his translation we have a chance to enjoy it in English for the first time. What fans will find here is a thriller that combines themes that would remain prominent in Perec’s later work, such as art forgery, authenticity, and murder, as well as craftsman Gaspard Winckler, who whose namesakes play major roles in Life A User’s Manual and W or The Memory of Childhood.
Engaging and entertaining on its own merits, and gaining additional interest when set in the context of Perec’s career, Portrait of a Man is sure to charm the many fans of this postmodern master.
[more]
POW!
Mo Yan
Seagull Books, 2012
In this novel by the 2012 Nobel Laureate in Literature, Mo Yan, a benign old monk listens to a prospective novice’s tale of depravity, violence, and carnivorous excess while a nice little family drama—in which nearly everyone dies—unfurls. But in this tale of sharp hatchets, bad water, and a rusty WWII mortar, we can’t help but laugh. Reminiscent of the novels of dark masters of European absurdism like Günter Grass, Witold Gombrowicz, or Jakov Lind, Mo Yan’s POW! is a comic masterpiece.
In this bizarre romp through the Chinese countryside, the author treats us to a cornucopia of cooked animal flesh—ostrich, camel, donkey, dog, as well as the more common varieties. As his dual narratives merge and feather into one another, each informing and illuminating the other, Mo Yan probes the character and lifestyle of modern China. Displaying his many talents, as fabulist, storyteller, scatologist, master of allusion and cliché, and more, POW! carries the reader along quickly, hungrily, and giddily, up until its surprising dénouement.
Mo Yan has been called one of the great novelists of modern Chinese literature and the New York Times Book Review has hailed his work as harsh and gritty, raunchy and funny. He writes big, sometimes mystifying, sometimes infuriating, but always entertaining novels—and POW! is no exception.
[more]
Preparatory Notes for Future Masterpieces
A Novel
Maceo Montoya
University of Nevada Press, 2021
Selected as one of the San Francisco Chronicles' 15 best books of 2021
From critically acclaimed author Maceo Montoya comes an inventive and adventurous satirical novel about a Mexican-American artist’s efforts to fulfill his vision: to paint masterful works of art. His plans include a move to Paris to join the ranks of his artistic hero, Gustave Courbet—except it’s 1943, and he’s stuck in the backwoods of New Mexico. Penniless and prone to epileptic fits, even his mother thinks he’s crazy.
Ernie Lobato has just inherited his deceased uncle’s manuscript and drawings. At the urging of his colleague, an activist and history buff (Lorraine Rios), Ernie sends the materials to a professor of Chicanx literature (Dr. Samuel Pizarro). Throughout the novel, Dr. Pizarro shares his insights and comments on the uncle’s legacy in a series of annotations to his text and illustrations.
As Ernie’s uncle battles a world that is unkind to “starving artists,” he runs into other tormented twentieth-century artists, writers, and activists with ambitions to match his own: a young itinerant preacher (Reies López Tijerina); the “greatest insane artist” (Martín Ramirez); and Oscar Zeta Acosta who is hellbent on self-destruction. Will the fortuitous encounters with these prophetic figures result in his own genius being recognized? Or will his
uncompromising nature consign him to what he fears most?
Told through a combination of words and images in the tradition of classic works such as Don Quixote and Alice in Wonderland, Preparatory Notes for Future Masterpieces features fifty-one vivid black-and-white pen drawings. This complex and engaging story also doubles as literary criticism, commenting on how outsiders’ stories fit into the larger context of the Chicanx literary canon. A unique and multilayered story that embraces both contradiction and possibility, it also sheds new light on the current state of Chicanx literature while, at the same time, contributing to it.
Propulsive, humorous, and full of life, this candid novel will be loved not only by Beat fiction fans but by contemporary fiction lovers as well.
From critically acclaimed author Maceo Montoya comes an inventive and adventurous satirical novel about a Mexican-American artist’s efforts to fulfill his vision: to paint masterful works of art. His plans include a move to Paris to join the ranks of his artistic hero, Gustave Courbet—except it’s 1943, and he’s stuck in the backwoods of New Mexico. Penniless and prone to epileptic fits, even his mother thinks he’s crazy.
Ernie Lobato has just inherited his deceased uncle’s manuscript and drawings. At the urging of his colleague, an activist and history buff (Lorraine Rios), Ernie sends the materials to a professor of Chicanx literature (Dr. Samuel Pizarro). Throughout the novel, Dr. Pizarro shares his insights and comments on the uncle’s legacy in a series of annotations to his text and illustrations.
As Ernie’s uncle battles a world that is unkind to “starving artists,” he runs into other tormented twentieth-century artists, writers, and activists with ambitions to match his own: a young itinerant preacher (Reies López Tijerina); the “greatest insane artist” (Martín Ramirez); and Oscar Zeta Acosta who is hellbent on self-destruction. Will the fortuitous encounters with these prophetic figures result in his own genius being recognized? Or will his
uncompromising nature consign him to what he fears most?
Told through a combination of words and images in the tradition of classic works such as Don Quixote and Alice in Wonderland, Preparatory Notes for Future Masterpieces features fifty-one vivid black-and-white pen drawings. This complex and engaging story also doubles as literary criticism, commenting on how outsiders’ stories fit into the larger context of the Chicanx literary canon. A unique and multilayered story that embraces both contradiction and possibility, it also sheds new light on the current state of Chicanx literature while, at the same time, contributing to it.
Propulsive, humorous, and full of life, this candid novel will be loved not only by Beat fiction fans but by contemporary fiction lovers as well.
[more]
Pretend I'm Dead
A Novel
Jen Beagin
Northwestern University Press, 2015
Jen Beagin’s funny, moving, fearless debut novel introduces an unforgettable character, Mona—almost 24, cleaning houses to get by, emotionally adrift. Handing out clean needles to drug addicts, she falls for a recipient who proceeds to break her heart in unimaginable ways. She decamps to Taos, New Mexico, for a fresh start, where she finds a community of seekers and cast-offs. But they all have one or two things to teach her—the pajama-wearing, blissed-out New Agers, the slightly creepy client with peculiar tastes in controlled substances, the psychic who might really be psychic. Always just under the surface are her memories of growing up in a chaotic, destructive family from which she’s trying to disentangle herself. The story of her journey toward a comfortable place in the world and a measure of self-acceptance is psychologically acute, often surprising, and entirely human.
[more]
Pretender to the Throne
Further Adventures of Private Ivan Chonkin
Vladimir Voinovich
Northwestern University Press, 1995
This hilarious novel following the continuing adventures of Ivan Chonkin, a simple peasant who has been arrested as a traitor after spending World War II happily tending a garden. In this sequel to The Extraordinary Life and Adventures of Private Ivan Chonkin, Vladimir Voinovich ridicules everything sacred to the Soviet Union—the army, the justice system, the press, and Stalin himself—in a refreshing combination of dissident conscience and universal humor.
[more]
The Principles of Life on Black Friday
Chronicle of Emotions, Notebook 1
Alexander Kluge
Seagull Books, 2023
A highly readable and lighthearted, yet intellectual-stimulating exploration of the modern human condition.
This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call ‘Black Friday’ because Wall Street’s collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We’ve encountered a pandemic. We’ve witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation—just like ships that navigate the high seas. We might just find that in Kluge’s vignettes and stories.
This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call ‘Black Friday’ because Wall Street’s collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We’ve encountered a pandemic. We’ve witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation—just like ships that navigate the high seas. We might just find that in Kluge’s vignettes and stories.
[more]
Process
A Novel
A Novel by Kay Boyle
University of Illinois Press, 2006
Professions
Conversations on the Future of Literary and Cultural Studies
Edited by Donald E. Hall
University of Illinois Press, 2001
Sometimes playful, always provocative, Professions is a collection of searching and candid conversations--ranging from dialogues to tongue-in-cheek diatribes--on the issues that face literary and cultural critics today.
This volume bares professional concerns, relationships, ambitions, and insecurities about working in academe. Professions provides hard-to-get insider information for students contemplating an academic career. It also challenges professional scholars to retrieve the intellectual curiosity that drew them to scholarship in the first place while demonstrating how disagreement on controversial issues can be conducted with respect, good humor, and an open mind.
Professions features:
Jane Tompkins and Gerald Graff
John McGowan and Regenia Gagnier
James Phelan and James Kincaid
Marjorie Perloff and Robert von Hallberg
Judith Jackson Fossett and Kevin Gaines
Dennis W. Allen and Judith Roof
Niko Pfund, Gordon Hutner, and Martha Banta
Geoffrey Galt Harpham
Donald E. Hall and Susan S. Lanser
J. Hillis Miller, Herbert Lindenberger, Sandra Gilbert, Bonnie Zimmerman, Nellie Y. McKay, and Elaine Marks
This volume bares professional concerns, relationships, ambitions, and insecurities about working in academe. Professions provides hard-to-get insider information for students contemplating an academic career. It also challenges professional scholars to retrieve the intellectual curiosity that drew them to scholarship in the first place while demonstrating how disagreement on controversial issues can be conducted with respect, good humor, and an open mind.
Professions features:
Jane Tompkins and Gerald Graff
John McGowan and Regenia Gagnier
James Phelan and James Kincaid
Marjorie Perloff and Robert von Hallberg
Judith Jackson Fossett and Kevin Gaines
Dennis W. Allen and Judith Roof
Niko Pfund, Gordon Hutner, and Martha Banta
Geoffrey Galt Harpham
Donald E. Hall and Susan S. Lanser
J. Hillis Miller, Herbert Lindenberger, Sandra Gilbert, Bonnie Zimmerman, Nellie Y. McKay, and Elaine Marks
[more]
Prologue
A Novel for the Beginning of the 1860s
Michael R. Katz
Northwestern University Press, 1994
Nikolai Chernyshevsky (1828-89) is most famous as the author of What is To Be Done? (1863), one of the most inspirational texts in the Russian revolutionary movement. But during his long and lonely Siberian exile Chernyshevsky wrote Prologue, an novel of extraordinary interest for anyone eager to understand the course of Russian history and the political debate over democratization taking place in Russia today.
Set in Petersburg in 1857, on the eve of the great reforms that would include the emancipation of the serfs, Prologue expresses the author's hostility toward Russian liberals, their halfhearted attempts to alleviate the sufferings of peasants, and their insufficient support of revolution, while also exploring the obstacles in the path of women's social and personal development in the Victorian era. Michael R. Katz's new translation makes this singular work available to the non-Russian reading public for the first time.
Set in Petersburg in 1857, on the eve of the great reforms that would include the emancipation of the serfs, Prologue expresses the author's hostility toward Russian liberals, their halfhearted attempts to alleviate the sufferings of peasants, and their insufficient support of revolution, while also exploring the obstacles in the path of women's social and personal development in the Victorian era. Michael R. Katz's new translation makes this singular work available to the non-Russian reading public for the first time.
[more]
The Prudent Mariner
A Novel
Leslie Walker Williams
University of Tennessee Press, 2008
“The land, the heat, the South's societal complexities (and perplexities) are all here. Utterly involving, wise and perceptive, this is a novel to remember. If you liked To Kill a Mockingbird, you will love The Prudent Mariner.”
-Kelly Cherry, judge of the Peter Taylor Prize for the Novel
In 1913, a young white girl in coastal Georgia fabricates a romance between her elder sister and an African American laborer, inadvertently leading to the man's lynching. A crowd gathers and a photographer records the event on picture postcards. In one of these, the young girl stands smiling beside the hung man.
More than fifty years later, nine-year-old Riddley Cross discovers these postcards amid her late grandfather's belongings. As she tries to make sense of why the postcards are in her family's possession, and why the photographed girl seems so familiar, Riddley becomes haunted by apparitions and dreams of lynchings. The postcards force her to question what she has been taught about the world, the South, and her family-and what she has not.
The mysteries of the lynching postcards start to unravel after her widowed grandmother, Adele, moves in with the family. Afflicted with Alzheimer's disease, Adele speaks only to murmur the occasional insult or curse. Nonetheless, she and Riddley become companions of a sort, based largely on their common affinity for silence, wandering, and the nearby river. When Riddley develops a friendship with her neighbor Carver, an artist and iconoclast, the connections between the postcards and Riddley's family gradually come to light, and a series of tragic events begins to unfold. In The Prudent Mariner, Williams offers a searing exploration of the legacies of complicity and violence, silence and regret, and the unforeseeable ways the past shapes and impinges upon the present.
Leslie Walker Williams was born and raised in Savannah, Georgia, and currently lives in Vancouver, British Columbia. Her short stories have appeared in The Iowa Review, The Madison Review, Harvard Review, and American Fiction. The Prudent Mariner, her first novel, was awarded the Peter Taylor Prize for the Novel, and the Morris Hackney Literary Award for the Novel.
-Kelly Cherry, judge of the Peter Taylor Prize for the Novel
In 1913, a young white girl in coastal Georgia fabricates a romance between her elder sister and an African American laborer, inadvertently leading to the man's lynching. A crowd gathers and a photographer records the event on picture postcards. In one of these, the young girl stands smiling beside the hung man.
More than fifty years later, nine-year-old Riddley Cross discovers these postcards amid her late grandfather's belongings. As she tries to make sense of why the postcards are in her family's possession, and why the photographed girl seems so familiar, Riddley becomes haunted by apparitions and dreams of lynchings. The postcards force her to question what she has been taught about the world, the South, and her family-and what she has not.
The mysteries of the lynching postcards start to unravel after her widowed grandmother, Adele, moves in with the family. Afflicted with Alzheimer's disease, Adele speaks only to murmur the occasional insult or curse. Nonetheless, she and Riddley become companions of a sort, based largely on their common affinity for silence, wandering, and the nearby river. When Riddley develops a friendship with her neighbor Carver, an artist and iconoclast, the connections between the postcards and Riddley's family gradually come to light, and a series of tragic events begins to unfold. In The Prudent Mariner, Williams offers a searing exploration of the legacies of complicity and violence, silence and regret, and the unforeseeable ways the past shapes and impinges upon the present.
Leslie Walker Williams was born and raised in Savannah, Georgia, and currently lives in Vancouver, British Columbia. Her short stories have appeared in The Iowa Review, The Madison Review, Harvard Review, and American Fiction. The Prudent Mariner, her first novel, was awarded the Peter Taylor Prize for the Novel, and the Morris Hackney Literary Award for the Novel.
[more]
The Puppet
By Ibrahim al-Koni
University of Texas Press, 2010
The Puppet, a mythic tale of greed and political corruption, traces the rise, flourishing, and demise of a Saharan oasis community. Aghulli, a noble if obtuse man who has been chosen leader of the oasis, hankers after the traditional nomadic pastoralist life of the Tuareg. He sees commerce (understood as including trade in gold, marriage, agriculture, and even recreation) as the prime culprit in the loss of the nomadic ethos. Thus he is devastated to learn that his supporters are hoarding gold.
The novel's title notwithstanding, the author has stressed repeatedly that he is not a political author. He says that The Puppet portrays a good man who has been asked to lead a corrupt society. The subplot about star-crossed young lovers introduces a Sufi theme of the possibility of transforming carnal into mystical love. The Puppet, though, is first and foremost a gripping, expertly crafted tale of bloody betrayal and revenge inspired by gold lust and an ancient love affair.
[more]
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