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The Unfinished
Reinhard Jirgl
Seagull Books, 2020
A profound novel detailing the brutal legacy of Nazism on four generations of a family in Germany.

Komotau, the Czech Republic, late summer, 1945. Four women—seventy-year-old Johanna, her two daughters Hanna and Maria, and Hanna’s daughter Anna—are ordered by the new Czech authorities to leave their homes and assemble with other Germans at the local train station. They are given thirty minutes—the “wild expulsions” of Sudeten Germans have begun. But where is Anna?
 
Witnessing the revenge lynching of SS and suspected collaborators on her walk home, she arrives in Komotau to find her family gone. The trek takes the older women via Munich, then Dresden and Magdeburg, to an outpost in the far northwest of the Soviet zone where they settle as farm laborers. Once united again, their hope of one day returning to the heimat—homeland—is both a source of strength and a burden, choking attachments to new surroundings and neighbors. This conflict will prove to be the story of their lives, as well as both the joy and ruin of Anna’s son.
 
A tale of four generations told in Reinhard Jirgl’s unique and subversively expressive idiom, The Unfinished plays out between the ruins of Nazi Germany and the rise and fall of communist East Germany, the birth of the Berlin Republic, and the shadow of a new millennium.
 
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United States of Banana
A Graphic Novel
Giannina Braschi and Joakim Lindengren Edited and with an introduction by Amanda M. Smith and Amy Sheeran
The Ohio State University Press, 2021
“I was a monument to immigration—now I’m a border control cop.” So admits the Statue of Liberty in Giannina Braschi’s United States of Banana, a rollicking and nakedly political allegory of US imperialism and Puerto Rican independence. Illustrated by Swedish comic book artist Joakim Lindengren and based on Braschi’s epic manifesto by the same title, the story takes us along on the madcap adventures of Zarathustra, Hamlet, and Giannina herself as they rescue the Puerto Rican prisoner Segismundo from under the skirt of the Statue of Liberty. Throughout their quest, the characters debate far-ranging political and philosophical subjects, spanning terrorism, global warming, mass incarceration, revolution, and love. The Marx Brothers, Pablo Neruda, Barack Obama, Disney characters and more make appearances in this stirring call to overthrow empire, liberate the imprisoned masses, and build a new country rooted in friendship, art, poetry, and laughter.
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The Unknown Quantity
Hermann Broch
Northwestern University Press, 2000
Mild and sensitive Richard Hieck endured a quietly difficult childhood in Germany. But from his father Richard inherited an interest in the night sky, learning to love the constellations and to take comfort in the strength of Orion and the warm radiance of Venus. His choice to pursue mathematics offers him the discipline he craved as a child.

Published in 1933, The Unknown Quantity is Hermann Broch's study of the underlying chaos-and finally the impossibility-of life within a society whose values are in decay. As Richard seeks to reconcile the conflicting demands of love and science, of passion and reason, societal and family values begin to undermine him and those in orbit around him.
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The Unloved
From the Diary of Perla S.
Arnost Lustig
Northwestern University Press, 1996
Winner of the National Jewish Book Award for Fiction

Perla S. is a beautiful seventeen-year-old girl who, while interred in the Theresienstadt concentration camp, becomes a prostitute. Capturing Perla's voice through a series of diary entries, Arnost Lustig shows how she maintains her integrity, honesty, and hope amidst lies and horror. This first paperback edition has been extensively revised and expanded by the author.
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Uselessness
A Novel
Eduardo Lalo
University of Chicago Press, 2017
The streets of Paris at night are pathways coursing with light and shadow, channels along which identity may be formed and lost, where the grand inflow of history, art, language, and thought—and of love—can both inspire and enfeeble. For the narrator of Eduardo Lalo’s Uselessness, it is a world long desired. But as this young aspiring writer discovers upon leaving his home in San Juan to study—to live and be reborn—in the city of his dreams, Paris’s twinned influences can rip you apart.

Lalo’s first novel, Uselessness is something of a bildungsroman of his own student days in Paris. But more than this, it is a literary précis of his oeuvre—of themes that obsess him still. Told in two parts, Uselessness first follows our narrator through his romantic and intellectual awakenings in Paris, where he elevates his adopted home over the moribund one he has left behind. But as he falls in and out of love he comes to realize that as a Puerto Rican, he will always be apart. Ending the greatest romance of his life—that with the city of Paris itself—he returns to San Juan. And in this new era of his life, he is forced to confront choices made, ambitions lost or unmet—to look upon lives not lived.

A tale of the travails of youthful romance and adult acceptance, of foreignness and isolation both at home and abroad, and of the stultifying power of the desire to belong—and to be moved—Uselessness is here rendered into English by the masterful translator Suzanne Jill Levine. For anyone who has been touched by the disquieting passion of Paris, Uselessness is a stirring saga.
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Using Life
By Ahmed Naji, Illustrations by Ayman Al Zorkany, Translated by Benjamin Koerber
University of Texas Press, 2017

Upon its initial release in Arabic in the fall of 2014, Using Life received acclaim in Egypt and the wider Arab world. But in 2016, Ahmed Naji was sentenced to two years in prison after a reader complained that an excerpt published in a literary journal harmed public morality. His imprisonment marks the first time in modern Egypt that an author has been jailed for a work of literature. Writers and literary organizations around the world rallied to support Naji, and he was released in December 2016. His original conviction was overturned in May 2017 but, at the time of printing, he is awaiting retrial and banned from leaving Egypt.

Set in modern-day Cairo, Using Life follows a young filmmaker, Bassam Bahgat, after a secret society hires him to create a series of documentary films about the urban planning and architecture of Cairo. The plot in which Bassam finds himself ensnared unfolds in the novel’s unique mix of text and black-and-white illustrations.

The Society of Urbanists, Bassam discovers, is responsible for centuries of world-wide conspiracies that have shaped political regimes, geographical boundaries, reigning ideologies, and religions. It is responsible for today’s Cairo, and for everywhere else, too. Yet its methods are subtle and indirect: it operates primarily through manipulating urban architecture, rather than brute force. As Bassam immerses himself in the Society and its shadowy figures, he finds Cairo on the brink of a planned apocalypse, designed to wipe out the whole city and rebuild anew.

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