front cover of Willie Mays
Willie Mays
Art in the Outfield
Mike Shannon
University of Alabama Press, 2007
Lively and unusual art inspired by baseball’s best all-around player.

As much as any other sports figure, Willie Mays embodies the changes that racial integration brought to America’s game fields and its larger culture in the mid-20th century. Playing baseball with grace, skill, flair, and obvious delight, Willie Mays broke color barriers for more than just himself. He combined the ability to stroke majestic home runs while with an equal ability to outrun and catch what would have been home runs for opponents most famously when he turned Vic Wertz’s titantic blast into a long out in the 1954 World Series. As is often said of great players but never more true than in his case, Willie Mays could do it all.

Assembled in this work are 40 representations of how contemporary artists respond to and portray the skill, fame, and sheer love of the game that make Mays so remarkable and memorable. The art includes a broad range of styles and media from impressionistic graphite pencil drawings on paper through realistic Kodachrome photographic prints to expressionistic colored acrylics on canvas or glass. Mike Shannon offers a perceptive introductory essay on Mays’s long career and places the art in the context of his times. First curated as a traveling exhibit to honor Willie Mays’s 75th birthday, the exhibit opened at the Louisville Slugger Museum in Louisville, Kentucky, and is currently on tour.

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front cover of Willie's Time
Willie's Time
Baseball's Golden Age
Charles Einstein
Southern Illinois University Press, 2004

To a generation of fans, Willie Mays was the greatest ballplayer they had ever seen. The prowess and speed of the Say Hey Kid were unmatched on the diamond before his time, prompting Joe DiMaggio to label him, “the closest you can come to perfection.” He was the first player to hit fifty home runs and steal twenty bases in a single season. Mays played for the New York Giants (1951–1957), San Francisco Giants (1958–1972), and New York Mets (1972–1973), and in his glory days with the Giants he not only set the major league mark for consecutive seasons by appearing in 150 games or more but by winning his two MVP awards a record twelve seasons apart. When Mays retired, he ranked third in career home runs (behind Aaron and Ruth), a record of 660 soon to be surpassed by Mays’s godson, Barry Bonds.

This twenty-fifth anniversary edition of the only ballplayer biography ever named a finalist for the Pulitzer Prize, Willie’s Time: Baseball’s Golden Age, restores to print Charles Einstein’s vivid biography of one of the game’s foremost legends. With a new preface from the author, this volume replays the most dramatic moments of the Say Hey Kid’s career—from the 1951 Miracle Giants to the Amazing Mets of 1973—and takes us inside the lives of Ruth, DiMaggio, Aaron, Durocher, and others along the way. Einstein offers a compelling and complete look at Mays: as a youth in racist Birmingham, a triumphant symbol of African American success, a sports hero lionized by fans, and yet all the while, still a very human figure destined to play for two decades amid baseball’s Golden Age.

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