logo for Harvard University Press
Human Documents
Eight Photographers
Conceived by Robert Gardner and Edited by Charles WarrenPhotographs by Michael Rockefeller, Robert Gardner, Kevin Bubriski, Adelaide de Menil, Christopher James, Jane Tuckerman, Susan Meiselas, and Alex Webb
Harvard University Press, 2009

In Human Documents, Robert Gardner introduces the work of photographers with whom he has worked over a period of nearly fifty years under the auspices of the Film Study Center at Harvard. Their images achieve the status of what Gardner calls “human documents”: visual evidence that testifies to our shared humanity. In images and words, the book adds to the already significant literature on photography and filmmaking as ways to gather both fact and insight into the human condition. In nearly 100 images spanning geographies and cultures including India, New Guinea, Ethiopia, and the United States, Human Documents demonstrates the important role photography can play in furthering our understanding of human nature and connecting people through an almost universal visual language.

Author and cultural critic Eliot Weinberger contributes the essay “Photography and Anthropology (A Contact Sheet),” in which he provides a new and intriguing context for viewing and thinking about the images presented here.

With photographs by Michael Rockefeller, Robert Gardner, Kevin Bubriski, Adelaide de Menil, Christopher James, Jane Tuckerman, Susan Meiselas, and Alex Webb.

[more]

front cover of Kurdistan
Kurdistan
In the Shadow of History, Second Edition
Susan Meiselas
University of Chicago Press, 2008
Kurdistan was erased from world maps after World War I, when the victorious powers carved up the Middle East, leaving the Kurds without a homeland. Today the Kurds, who live on land that straddles the borders of Turkey, Iran, Iraq, and Syria, are by far the largest ethnic group in the world without a state.
Renowned photographer Susan Meiselas entered northern Iraq after the 1991 Gulf War to record the effects of Saddam Hussein’s campaigns against Iraq’s Kurdish population.  She joined Human Rights Watch in documenting the destruction of Kurdish villages (some of which Hussein had attacked with chemical weapons in 1988) and the uncovering of mass graves. Moved by her experiences there, Meiselas began work on a visual history of the Kurds. The result, Kurdistan: In the Shadow of History, gives form to the collective memory of the Kurds and creates from scattered fragments a vital national archive.

In addition to Meiselas’s own photographs, Kurdistan presents images and accounts by colonial administrators, anthropologists, missionaries, soldiers, journalists, and others who have traveled to Kurdistan over the last century, and, not to forget, by Kurds themselves. The book’s pictures, personal memoirs, government reports, letters, advertisements, and mapsprovide multiple layers of representation, juxtaposing different orders of historiographical evidence and memories, thus allowing the reader to discover voices of the Kurds that contest Western notions of them. In its layering of narratives—both textual and photographic—Kurdistan breaks new ground, expanding our understanding of how images can be used as a medium for historical and cultural representation.
A crucial repository of memory for the Kurdish community both in exile and at home, this new edition appears at a time when the world’s attention has once again been drawn to the lands of this little-understood but historically consequential people.
[more]


Send via email Share on Facebook Share on Twitter