front cover of No Home for You Here
No Home for You Here
A Memoir of Class and Culture
Adam Theron-Lee Rensch
Reaktion Books, 2020
No Home for You Here is a memoir of a life lived in the shadow of Ronald Reagan. Raised in rural Ohio, Adam Theron-Lee Rensch tells the story of a millennial trying—and failing—to leave behind the shame of growing up poor in the middle of nowhere. Interweaving personal narrative and political criticism with recent social and political history, No Home for You Here shows how the interrelationship of class, culture, and identity stifles working-class solidarity by constructing an imagined cultural divide that those in power use to maintain the status quo. With one foot on each side of this division, Rensch moves between the flat horizon of the Midwest and the densely populated streets of the city, bearing witness to the tragic effects of a precarious free-market economy on family and friends. Rather than wallowing in despair, however, No Home for You Here is a timely, passionate call for class consciousness in an era of economic crisis and staggering inequality.
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front cover of Nola
Nola
A Memoir of Faith, Art, and Madness
Robin Hemley
University of Iowa Press, 1998
The evidence at hand: an autobiography—complete with their mother’s edits—written by his brilliant and disturbingly religious sister; a story featuring actual childhood events, but published by his mother as fiction; the transcript of a hypnotherapy session from his adolescence; and perjured court documents hidden in a drawer for decades. These are the clues Robin Hemley gathers when he sets out to reconstruct the life of his older sister Nola, who died at the age of twenty-five after several years of treatment for schizophrenia. Armed with these types of clues, Hemley quickly discovers that finding the truth in any life—even one’s own—is a fragmented and complex task.

Nola: A Memoir of Faith, Art, and Madness is much more than a remembrance of a young woman who was consumed her entire life by a passion for finding and understanding God; it is also a quest to understand what people choose to reveal and conceal, and an examination of the enormous toll mental illness takes on a family. Finally, it is a revelation of the alchemy that creates a writer: confidence in the unknowable, distrust of the proven, tortuous devotion to the fine print in life, and sacrifice to writing itself as it plays the roles of confessor, scourge, and creator.

Upon its first release in 1998, Nola won ForeWord’s Book of the Year Award for biography/memoir, the Washington State Book Award for biography/memoir, and the Independent Press Book Award for autobiography/memoir. 
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front cover of Not from Here
Not from Here
A Memoir
Allan Johnson
Temple University Press, 2015
When Allan Johnson asked his dying father where he wanted his ashes to be placed, his father replied—without hesitation—that it made no difference to him at all. In his poignant, powerful memoir, Not from Here, Johnson embarks on an extraordinary, 2,000-mile journey across the Upper Midwest and Northern Plains to find the place where his father’s ashes belonged.
 
As a white man with Norwegian and English lineage, Johnson explores both America and the question of belonging to a place whose history holds the continuing legacy of the displacement, dispossession, and genocide of Native peoples.
 
More than a personal narrative, Not from Here illuminates the national silence around unresolved questions of accountability, race, and identity politics, and the dilemma of how to take responsibility for “a past we did not create.” Johnson’s story—about the past living in the present; of redemption, fate, family, tribe, and nation; of love and grief—raises profound questions about belonging, identity, and place.
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