A SCHOLARLY BOOK REPOSITORY120 start with O start with O
But that paints an unbalanced—and overly disheartening—picture of what’s going on with environmental stewardship today. There are success stories, and Our Once and Future Planet delivers a fascinating account of one of the most impressive areas of current environmental experimentation and innovation: ecological restoration. Veteran investigative reporter Paddy Woodworth has spent years traveling the globe and talking with people—scientists, politicians, and ordinary citizens—who are working on the front lines of the battle against environmental degradation. At sites ranging from Mexico to New Zealand and Chicago to Cape Town, Woodworth shows us the striking successes (and a few humbling failures) of groups that are attempting to use cutting-edge science to restore blighted, polluted, and otherwise troubled landscapes to states of ecological health—and, in some of the most controversial cases, to particular moments in historical time, before widespread human intervention. His firsthand field reports and interviews with participants reveal the promise, power, and limitations of restoration.
Ecological restoration alone won’t solve the myriad problems facing our environment. But Our Once and Future Planet demonstrates the role it can play, and the hope, inspiration, and new knowledge that can come from saving even one small patch of earth.
Motivated by a deeply rooted sense of place and community, Appalachian women have long fought against the damaging effects of industrialization. In this collection of interviews, sociologist Shannon Elizabeth Bell presents the voices of twelve Central Appalachian women, environmental justice activists fighting against mountaintop removal mining and its devastating effects on public health, regional ecology, and community well-being.
Each woman narrates her own personal story of injustice and tells how that experience led her to activism. The interviews--many of them illustrated by the women's "photostories"--describe obstacles, losses, and tragedies. But they also tell of new communities and personal transformations catalyzed through activism. Bell supplements each narrative with careful notes that aid the reader while amplifying the power and flow of the activists' stories. Bell's analysis outlines the relationship between Appalachian women's activism and the gendered responsibilities they feel within their families and communities. Ultimately, Bell argues that these women draw upon a broader "protector identity" that both encompasses and extends the identity of motherhood that has often been associated with grassroots women's activism. As protectors, the women challenge dominant Appalachian gender expectations and guard not only their families but also their homeplaces, their communities, their heritage, and the endangered mountains that surround them.
30% of the proceeds from the sale of this book will be donated to organizations fighting for environmental justice in Central Appalachia.
No other book on the Southern Appalachians is more widely known or cited.
"Awonderful book. I like it especially for its color and anecdotes. It is a classic, not only for its accuracy and breadth of insights into the people of the region, but because these people themselves are so interesting and strong."
—Annie Dillard, author of Pilgrim at Tinker Creek
Writing always with the knowledge that he was witnessing the end of the wilderness, of the outdoor home that nourished him, Madson brings a brilliant energy to these tough, unsentimental tales. “A strong place puts a mark on all that lives there, and the mark may outlast the place itself. Prairie people are like their western meadowlarks, seeming to be the same as their eastern relatives, but with a different song.” In his song about the “play of wind on tallgrasses, with the land running beneath a towering sky,” we hear the voice that went on to give us the magic of Where the Sky Began.
Editor Michael McIntosh, one of the nation’s foremost experts on shotguns, has written a short introduction to this first paperback edition of these ageless wilderness tales.
About half of all species under threat of extinction in the world today are plants. The loss of plant biodiversity is disturbing for many reasons, but especially because it is a reflection of the growing disconnect between humans and nature. Plants have been used for millennia in traditional systems of healing and have held a significant place in drug development for Western medicine as well. Despite the recent dominance of synthetic drug production, natural product discovery remains the backbone of drug development. As the diversity of life on Earth is depleted and increasing numbers of species become lost to extinction, we continue to lose opportunities to achieve advances in medicine.
Through stories of drug revelation in nature and forays into botany, human behavior, and conservation, Kara Rogers sheds light on the multiple ways in which humans, medicine, and plants are interconnected. With accessible and engaging writing, she explores the relationships between humans and plants, relating the stories of plant hunters of centuries past and examining the impact of human activities on the environment and the world's biodiversity. Rogers also highlights the role that plant-based products can play in encouraging conservation and protecting the heritage and knowledge of indigenous peoples.
Out of Nature provides a fresh perspective on modern drug innovation and its relationship with nature. The book delves into the complexity of biophilia—the innate human attraction to life in the natural world—and suggests that the reawakening of this drive is fundamental to expanding conservation efforts and improving medicine. Rogers's examination of plants, humans, and drug discovery also conveys a passionate optimism for the future of biodiversity and medicine. Including a collection of hand-drawn maps and plant illustrations created by the author, this well-researched narrative will inspire as well as inform.
Out of the Woods: A Bird Watcher’s Year is a journey through the seasons and a joyous celebration of growing old. In fifty-nine essays and poems, Ora E. Anderson, birder, bird carver, naturalist, and nature writer, reveals the insights and recollections of a keen-eyed observer of nature, both human and avian. The essays follow the rivers and creeks, the highways and little-known byways of Appalachia, and along the way we become nearly as familiar with its numerous bird, plant, and animal species as with the author himself.
These are not the memories of a single year, however, but of a long lifetime spent immersed in the natural world. Out of the Woods, presented with humor and passion, is an account of a well-lived, productive, and satisfying life. The essays offer an intimate portrait of a half century of Anderson's life on his beloved old farm (more nearly a nature preserve), where he lived in harmony with birds and nature and followed the rhythm of the seasons. We are invited to share the joys—and the disappointments and sorrows—inherent in such a life.
Generously illustrated with Julie Zickefoose’s detailed and evocative drawings, this book will delight bird watchers, artists, naturalists, backyard gardeners, and anyone who is ever tempted to take a rutted, overgrown path just to see where it leads.
Have you ever wondered about society’s desire to cultivate the perfect lawn, why we view some animals as “good” and some as “bad,” or even thought about the bits of nature inside everyday items–toothbrushes, cell phones, and coffee mugs? In this fresh and introspective collection of essays, Julia Corbett examines nature in our lives with all of its ironies and contradictions by seamlessly integrating personal narratives with morsels of highly digestible science and research. Each story delves into an overlooked aspect of our relationship with nature—insects, garbage, backyards, noise, open doors, animals, and language—and how we cover our tracks.
With a keen sense of irony and humor and an awareness of the miraculous in the mundane, Julia recognizes the contradictions of contemporary life. She confronts the owner of a high-end market who insists on keeping his doors open in all temperatures. Takes us on a trip to a new mall with a replica of a trout stream that once flowed nearby. The phrase “out of the woods” guides us through layers of meaning to a contemplation of grief, remembrance, and resilience.
Out of the Woods leads to surprising insights into the products, practices, and phrases we take for granted in our everyday encounters with nature and encourages us all to consider how we might re-value or reimagine our relationships with nature in our everyday lives.
“It is a seminal work and is ‘must reading’ for anyone seriously interested in the early interpretation of the Great Smoky Mountains.”—Arthur McDade, author of The Natural Arches of the Big South Fork
First published in a limited edition in 1975 by the author’s widow and now available in paperback for the first time, Out Under the Sky of the Great Smokies brings together the personal journals of a great environmentalist and nature writer.
The book combines descriptions of Broome’s innumerable hikes in the Great Smoky Mountains with extended meditations on the meaning of the mountains to the region as a whole. It is at once a historical document, preserving a perspective on the Smokies before full-scale development of the national park, and a work whose message about the importance of the environment is even more timely today than when it first appeared.
In a foreword written especially for this edition, the noted environmental writer Michael Frome describes the book as “a timeless work,” adding, “Here we find Harvey, the wilderness apostle on his home turf. He reveals himself exactly as I knew and loved him: a gentle spirit, sensitive to the needs of nature and humankind, always with tolerance and good humor.”
The Author: Harvey Broome (1902–1968) was born in Knoxville, Tennessee, and discovered the Great Smoky Mountain at an early age. An attorney, he helped found the Wilderness Society and served as president of the Smoky Mountains Hiking Club. He was the author of two other posthumously published books, Faces of the Wilderness and Harvey Broome: Earth Man.
Never have so many undertaken such a widespread, hurried attempt to remake the world. Predictably, our hubris has led to unintended—and sometimes disastrous—consequences. Academics call it maladaptation; in simple terms, it’s about solutions that backfire. Over the Seawall tells us the stories behind these unintended consequences and about the fixes that can do more harm than good. From seawalls in coastal Japan, to the reengineered waters in the Ganges River Delta, to the artificial ribbon of water supporting both farms and urban centers in parched Arizona, Stephen Robert Miller traces the histories of engineering marvels that were once deemed too smart and too big to fail. In each he takes us into the land and culture, seeking out locals and experts to better understand how complicated, grandiose schemes led instead to failure, and to find answers to the technologic holes we’ve dug ourselves into.
Over the Seawall urges us to take a hard look at the fortifications we build and how they’ve fared in the past. It embraces humanity’s penchant for problem-solving, but argues that if we are to adapt successfully to climate change, we must recognize that working with nature is not surrender but the only way to assure a secure future.
A calm but unflinching realist, Catton suggests that we cannot stop this wave - for we have already overshot the Earth's capacity to support so huge a load. He contradicts those scientists, engineers, and technocrats who continue to write optimistically about energy alternatives. Catton asserts that the technological panaceas proposed by those who would harvest from the seas, harness the winds, and farm the deserts are ignoring the fundamental premise that "the principals of ecology apply to all living things." These principles tell us that, within a finite system, economic expansion is not irreversible and population growth cannot continue indefinitely. If we disregard these facts, our sagging American Dream will soon shatter completely.
Overtapped Oasis analyzes the West's water allocation system from top to bottom and offers dozens of revolutionary proposals for increased efficiency and policy reform. Marc Reisner and Sarah Bates argue that the West's underlying problem is not a shortage of water but the inefficient use of it, a problem caused by a bewildering tangle of federal subsidy programs, restrictive state water codes, anachronistic irrigation practices and -- perhaps most important -- resistance to reform.
Overtourism: Lessons for a Better Future charts a path toward tourism that is truly sustainable, focusing on the triple bottom line of people, planet, and prosperity. Bringing together tourism officials, city council members, travel journalists, consultants, scholars, and trade association members, this practical book explores overcrowding from a variety of perspectives. After examining the causes and effects of overtourism, it turns to management approaches in five distinct types of tourism destinations:
1. historic cities;
2. national parks and protected areas;
3. World Heritage Sites;
4. beaches and coastal communities; and
5. destinations governed by regional and national authorities.
While each location presents its own challenges, common mitigation strategies are emerging. Visitor education, traffic planning, and redirection to lesser-known sites are among the measures that can protect the economic benefit of tourism without overwhelming local communities.
As tourism revives around the world, these innovations will guide government agencies, parks officials, site managers, civic groups, environmental NGOs, tourism operators, and others with a stake in protecting our most iconic places.
From Edward Lear’s “The Owl and the Pussycat”to David Lynch’s Twin Peaks, owls have been woven into the fabric of popular culture. At times they are depicted as dignified, wise old scholars and at other times as foreboding voyeurs who see all and interrogate with an accusatory, “Who? Who?” In Owl best-selling author Desmond Morris explores the natural and cultural history of these predators of the night who embody both good and evil in turn.
In this fascinating book, Morris describes the evolution, the many species, and the wide spread of owls across the globe. Owls are found on every land mass around the world, with the exception of Antarctica; and as a result of their wide distribution, owls appear in the folktales, myths, and legends of many native peoples—in addition to popular art, film, and literature worldwide. Featuring over 100 telling illustrations from nature and culture, Owl will appeal to the numerous fans of this enigmatic bird, from the friendly Mr. Owls to silent, sinister, hunters of the dark.
Toward a posthumanist art and ethology
The Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds.
Though critical of art works involving animals that are unreflective and exploitative, Gerspacher’s exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings.
Owning and Managing Forests is both an accessible overview of the privileges, rights, and obligations that accompany forest ownership and a guidebook to help active forest owners and managers use laws to their advantage and avoid the pitfalls of expensive and exhausting litigation. The book is a revised, expanded, and updated edition of Legal Aspects of Owning and Managing Woodlands, published in 1998 by Island Press and named Best Forestry Book of the Year by the National Woodland Owners Association.
This edition provides current information on recent changes in property, environmental, and tax laws, while also discussing new directions in forest management. It offers expanded treatment of topics including private property, searching property records, easements, estate planning, timber sale contracts, working with forestry professionals, and how to pass woodlands intact to future generations. The book also describes the many different facets of trusts, changes in forestland taxation methods, and new licensing and certification options. Included, too, is a section on avoiding disputes and how to use alternative dispute resolution methods to avoid costly, troubling, and time-consuming court battles.
Owning and Managing Forests provides clear and concise descriptions of often confusing concepts and difficult subjects, and addresses issues in a competent yet conversational tone. Anyone involved with owning or managing forestland will find the book an essential guide and reference.
As well as an aphrodisiac, the oyster has since the earliest times been an inspiration to philosophers, artists, poets, chefs, gourmets, epicures and jewellers. It has been pursued by poachers and thieves, and defended by oyster-police and parliaments.
In Oyster, literary historian and radio broadcaster Rebecca Stott tells the extraordinary story of the oyster and its pearl, revealing how this curious creature has been used and depicted in human culture and what it has variously meant to those who have either loved or loathed it: the Romans carried much-sought-after British oysters across the Alps on the backs of donkeys to be eaten as delicacies at banquets in Rome, whilst by contrast Woody Allen once famously said "I will not eat oysters. I want my food dead – not sick, not wounded – dead."
Using many unusual images and anecdotes, Oyster will appeal to oyster lovers and haters everywhere, and for those too who have an interest in the way animals such as the oyster have woven themselves into the fabric of our culture.
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