It is the year 1972, and Riley Hartley finds that he, his family, community, and his faith are entirely indistinguishable from each other. He is eleven. A young woman named Lucy claims God has revealed to her that she is to live with Riley’s family. Her quirks are strangely disarming, her relentless questioning of their life incendiary and sometimes comical. Her way of taking religious practice to its logical conclusion leaves a strong impact on her hosts and propels Riley outside his observable universe toward a trajectory of self-discovery.
Set in Provo and New York City during the seventies and eighties, the story encapsulates the normal expectations of a Mormon experience and turns them on their head. The style, too, is innovative in how it employs as narrator “Zed,” one of the apocryphal Three Nephites who, with another immortal figure, the Wandering Jew of post-biblical legend, engage regularly in light-hearted banter and running commentary, animating the story and leavening the heartache with humor and tenderness.
In 1919, the United States embarked on the country’s boldest attempt at moral and social reform: Prohibition. The 18th Amendment to the Constitution prohibited the manufacture, transportation, and sale of alcohol around the country. This “noble experiment,” as President Hoover called it, was intended to usher in a healthier, more moral, and more efficient society. Nowhere was such reform needed more, proponents argued, than in New York City—and nowhere did Prohibition fail more spectacularly. Dry Manhattan is the first major work on Prohibition in nearly a quarter century, and the only full history of Prohibition in the era’s most vibrant city.
Though New Yorkers were cautiously optimistic at first, Prohibition quickly degenerated into a deeply felt clash of cultures that utterly transformed life in the city. Impossible to enforce, the ban created vibrant new markets for illegal alcohol, spawned corruption and crime, fostered an exhilarating culture of speakeasies and nightclubs, and exposed the nation’s deep prejudices. Writ large, the conflict over Prohibition, Michael Lerner demonstrates, was about much more than the freedom to drink. It was a battle between competing visions of the United States, pitting wets against drys, immigrants against old stock Americans, Catholics and Jews against Protestants, and proponents of personal liberty against advocates of societal reform.
In his evocative history, Lerner reveals Prohibition to be the defining issue of the era, the first major “culture war” of the twentieth century, and a harbinger of the social and moral debates that divide America even today.
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