A SCHOLARLY BOOK REPOSITORY28 start with W start with W
The facts: reviled by the British as a social-climbing seductress even as Time magazine named her its 1936 Woman of the Year, Simpson was the American socialite whose affair with King Edward VIII led him to abdicate the throne on the eve of WWII. In this fanciful novel written in the form of a fictional memoir, Auspitz imagines an alternative history in which Simpson was encouraged by Allied statesmen to remove defeatist, pro-German Edward from the throne, forever altering the course of the war. A comically unreliable narrator who knows more than she realizes, and reveals more than she knows, Simpson leads us from historic treaties and military campaigns to dinner parties and cruises as she describes encounters with everyone from Duff and Diana Cooper to Charles Lindbergh, Coco Chanel, and Hitler—all the while acting as a willing but seemingly oblivious pawn of international intrigue.
A rare blend of diplomacy and dalliance, fashion and fascists, this meticulously researched satire offers witty and erudite entertainment and leaves us speculating: who really brought about the abdication and—always—what were they wearing?
"Philipson gives us a very believable portrait of a marriage. He also gives us no easy answers . . . and best of all, real storytelling." —Publishers Weekly
"This solid and serious novel emerges as not just an expose of what really goes on behind the well-groomed facades of the affluent, but a thoughtful exploration of character and the efficacy of moral action in forming and reforming it." —Jane Larkin Crain, New York Times Book Review
"A swift, no-fudging narrative by a writer it is always rewarding to rediscover." —Sophie Wilkins, National Review
"An extraordinary novel, fascinating, compelling, and totally disconcerting." —Fort Worth Star-Telegram
"Has the drama, intelligence and moral force of an American Howards End."-Cynthia Ozick
Was is half-poem, half-narrative, a nomadic history whose main character is the fleetingness of information itself. The novel’s title figure, the word was, marks that instant of utterance outside the present; neither past nor future but rather the interstitial space of any telling. Like Ariel in flight, Was takes place before you can say ‘come’ and ‘go,'" slipping away before you can "breath twice and cry ‘so, so."
The nomadic lovers here, as any lovers, attempt to linger in the afterglow of what was, but it slips away like mist. Story begets story as if without author, events gathering into one another, as much memory as dream, their locales literally moving across the face of the globe. Continent to continent, from hemisphere to hemisphere, synaptic episodes strobe across the earth’s surface like thunderstorms seen from a satellite. Yet in these brief flashes a memorable and deeply moving procession of characters passes in vignette: lovers and children, parents and refugees, sailors, missionaries, clowns, mourners, forlorn warriors, sweet singers.
Was is a brilliant new work by the author of afternoon, a story which the New York Times calls "the granddaddy of hypertext fictions"and the Toronto Globe and Mail describes as being "to the hypertext interactive novel what the Gutenberg bible is to publishing."
She's a born storyteller, chatting and gossiping tirelessly. But she also listens, so it is through her that Adamesteanu is able to show us a panoramic portrait of Romanian society as the fortunes of its various strata shift violently. Rich or poor, honest (more or less) or deceitful, all of the characters in this polyphonic novel are brought vividly to life. From Bucharest's aspirations to be the Paris of Eastern Europe to the darkest days of dictatorship, the novel presents a sweeping vision of the personal and collective costs of a turbulent century.
In this updated edition of Ana Castillo’s celebrated novel in verse, featuring a new introduction by Poet Laureate of Texas Carmen Tafolla, we revisit the story’s spirited heroine, known only as “Ella” or “She,” as she takes us through her own epic journey of self-actualization as an artist and a woman. With a remarkable combination of tenderness, lyricism, wicked humor, and biting satire, Castillo dramatizes Ella’s struggle through poverty as a Chicano single mother at the threshold of the twenty-first century, fighting for upward mobility while trying to raise her son to be independent and self-sufficient. Urged on by the gods of the ancients, Ella’s life interweaves with those of others whose existences are often neglected, even denied, by society’s status quo. Castillo’s strong rhythmic voice and exploration of such issues as love, sexual orientation, and cultural identity will resonate with readers today as much as they did upon the book’s original publication more than ten years ago. This expanded edition also includes a short preface by the author, as well as a glossary, a reader’s guide, and a list of additional suggested readings.
Newly widowed Natalie Waters expects only nostalgia and solitude at her quiet, rustic cabin. But the wilderness conceals more than one perilous mystery. Where in Wisconsin’s Northwoods did the notorious gangster John Dillinger hide $210,000 following a violent FBI shootout? And why do the local timberwolves incite so much rage among Natalie’s neighbors?
As predators circle and howl in the dark, Ginger, the bartender at the nearby Star Lake Saloon, draws Natalie deep into the secrets not only of Dillinger but of the ecologies of family, forest, and heart. With the reluctant support of her granddaughter and advice from a handsome wolf biologist, Natalie is forced to choose between adversity and adventure.
Sara Rath continues her popular Northwoods saga in this affirming and often humorous tale of romance, betrayal, and danger.
It’s the summer of 2008, and thirty-five-year-old Ursula Tunder, reeling from the breakup of a bad marriage, has abandoned her career as a botanist and moved home to the family farm to start a wholesale garden-plant greenhouse, and, perhaps more importantly, to care for her ailing father, Joe. Her younger brother, Bodie, now that a shoulder injury has ended his NFL career, comes home as well, to try his hand at organic farming. Their land at the edge of a prosperous college town is coveted by developers. Ursula wants to sell the farm to Camas Valley State University, which has promised to create a research facility on the land, but Bodie and his idealistic wife, Fleece, are committed to farming.
Enter Nu, Ursula and Bodie’s Vietnamese-American cousin by adoption, and an up-and-coming visual artist. When Nu gets arrested after a fight with a pair of dirt bikers, Joe persuades him to take refuge at the Tunder farm. Nu gets pressed into service helping Bodie with farm chores and taking care of Joe, so Ursula seizes the opportunity to get away from the farm, accepting a temporary job surveying native plants in the Cascades. But when Joe’s health plummets and Bodie’s finances crash, Ursula abandons her summer job to return home once again.
Facing bankruptcy, Ursula, Bodie, and Nu enlist a ragtag troupe of land-defenders in a festival of resistance in a last-ditch effort to save a way of life that may disappear forever.
In this riveting third book of the Dr. Abby Wilmore series, Dr. Abby returns to her medical clinic in Grand Canyon National Park. Happy to be reunited with her staff and her partner, Dr. John Pepper, Abby is back treating park visitors and personnel as well as local residents. However, a wave of heart attacks among apparently healthy hikers creates a new puzzle, and soon there are rumors of people using performance-enhancing drugs. Abby’s situation deteriorates when a new female friend suddenly disappears, and Abby berates herself for missing the woman’s depression.
As Abby struggles with the disappearance of her friend, Dr. Pepper is preoccupied by a mysterious threat from his past and becomes badly
injured in an apparent fall. While he recuperates, Abby takes over much of the clinic work while they provide a home for Pepper’s troubled teenage niece and an adopted stray dog.
Abby soon discovers that there is something more sinister behind the recent troubling events. In this exhilarating follow-up to The Color of Rock and Where Light Comes and Goes, Abby must learn to confront her past in order to stand up for the ones she loves.
In What’s Become of Waring, Powell lampoons a world with which he was intimately acquainted: the inner workings of a small London publisher. But even as Powell eviscerates the publishers’ less than scrupulous plotting in his tale of wild coincidences, mistaken identity, and romance, he never strays to the far side of farce.
Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.
Michele Campo is living the bourgeois Italian dream. Now a speech pathologist in his forties, he resides in an expensive Naples home with his partner, Costanza, daughter of an upper-class family. Michele’s own family origins, however, are murkier. When he is assigned to work with five-year-old foster child Martina, he grows increasingly engrossed by her case, as his own buried family history slowly claws its way back to the surface. The first novel by acclaimed Italian writer Angelo Cannavacciuolo to be translated into English, When Things Happen tells a powerful and intriguing story of what we lose when we leave our origins behind. It presents a panoramic view of Neapolitan society unlike any in literature, revealing a city of extreme contrasts, with a glamorous center ringed by suburban squalor. Above all, it is a psychologically nuanced portrait of a man struggling to locate what he values in life and the poor vulnerable child who helps him find it.
Lyrical, penetrating, and highly charged, this novel displays a delicately tuned sense of difference and belonging. Poet Angela Jackson brings her superb sense of language and of human possibility to the story of young Magdalena Grace, whose narration takes readers through both privilege and privation at the time of the American civil rights movement.
The novel moves from the privileged yet racially exclusive atmosphere of the fictional Eden University to the black neighborhoods of a Midwestern city and to ancestral Mississippi. Magdalena’s story includes a wide range of characters—black and white, male and female, favored with opportunity or denied it, the young in love and elders wise with hope. With and through each other, they struggle to understand the history they are living and making. With dazzling perceptiveness, Jackson’s narrator Magdalena tells of the complex interactions of people around her who embody the personal and the political at a crucial moment in their own lives and in the making of America.
Book 2 in the Dr. Abby Wilmore Series
Where Light Comes and Goes brings back Dr. Abby Wilmore, the young family physician who was the protagonist of Miller’s first novel, The Color of Rock. Abby has accepted the directorship of a summer clinic in Yellowstone National Park where she hopes to expand her medical skills. She arrives to find herself working above the increasingly restless Yellowstone supervolcano, treating visitors, staff, and locals, all while evading the advances of a lecherous concession manager and maintaining a long-distance relationship with her partner who stays at the Grand Canyon Clinic. As tremors in the park escalate and the lakes seethe with bubbling gases, Abby learns that some-one is mysteriously killing the bison.
What follows is an engrossing mystery unfolding in a spectacular setting with rich, quirky, and endearing characters and unexpected plot turns. While an overworked Abby makes new friends among her clinic staff and patients, tension builds as the volcano seems to be moving closer to a major eruption and the bison killings become more frequent. Soon, Abby finds herself in mortal danger as the story races to a thrilling and unexpected conclusion.
Sandra Cavallo Miller demonstrated in The Color of Rock that she is a gifted storyteller. Where Light Comes and Goes deftly combines a gripping mystery set in the accurately depicted routine of a busy medical practice amid the wonders of Yellowstone’s magnificent scenery and wildlife. This is entertaining reading at its best.
Dr. Alex Reddish, a faculty member at the residency, enjoys Maya’s company every week. He longs to know her better but also knows she is involved with a prominent cardiologist. A former shy chess champion, Alex has worked to remake himself into a more socially engaged person, though he cannot completely shed his reclusive past. His professional life is complicated by two resident physician advisees: a depressed and poorly performing man, and a seductive woman. And now someone seems determined to harm him.
Maya and Alex turn accomplices when they try to unravel a spate of unusual illnesses afflicting residency staff, and discover disturbing trends. As Maya and Alex become closer, they must also tackle their personal pasts and individual demons, and find the courage to move forward.
In the wake of this tragedy, Xabier learns that not only is the family ranch in jeopardy of foreclosure but his father’s death may not have been the accident it first appeared to be. Now, he must find a way to save his family’s ranch while unraveling the mysteries leading to his father’s death. Along the way, Xabier strives to adhere to his father’s memory and words—the invitation to stay true to who he is without losing his arima (soul).
In lyrical language that evokes the mythologies that have shaped the Etxeas’s worldview, White Dove, Tell Me speaks to the divided self that seeks to honor the family’s Basque heritage, while they strive for understanding in a new land.
The narrator’s project, inspired at the outset by silences that extend backward to the untold story of the Famine, turns into a vast exploration of loss, inheritance, and the nature of memory. In a voice both stark and lyrical, the narrator calls up transformative, often tragic, moments in lives that have shaped her own. Remembering a past she never knew, she hopes to release from its sway the vanishing present.
Who Occupies This House is a strikingly beautiful account of the difficult reckoning with one’s family legacy that every adult faces. Punctuated by photographs and images that bring the narrative into sharp focus, it will draw comparisons to such divergent writers as W.G. Sebald and Kate O’Brien.
An actor sits poolside waiting to hear whether he has been cast in a television pilot. Two kids ditch school in 1964 and go for a hike in the woods that turns dangerous. A woman named Dot remembers her husband who spent years working on a musical adaptation of The Great Gatsby. A young woman Felicity deals with the consequences of an unexpected pregnancy. Mike, a former high school star, attends an open tryout for the California Angels baseball team. And a boarding school teacher tells the story of his cousin, a social climber who has disappeared in the wake of a murder. These are the characters that populate The Whole of the Moon. Brian Rogers’ novel is about determination and failure and life in Southern California away from the red carpet.
An actor sits poolside waiting to hear whether he has been cast in a television pilot. Two kids ditch school in 1964 and go for a hike in the woods that turns dangerous. A woman named Dot remembers her husband who spent years working on a musical adaptation of The Great Gatsby. A young woman Felicity deals with the consequences of an unexpected pregnancy. Mike, a former high school star, attends an open tryout for the California Angels baseball team. And a boarding school teacher tells the story of his cousin, a social climber who has disappeared in the wake of a murder. These are the characters that populate The Whole of the Moon. Brian Rogers’ novel is about determination and failure and life in Southern California away from the red carpet.
The Wild Earth’s Nobility is the first of Frank Waters’s semiautobiographical novels in the Pikes Peak saga. Here, in a frontier town in the shadow of the commanding mountain, the Rogier family settles near an age-old route of migrating Native Americans. In an era of prospecting, silver strikes, and frenzied mining, Joseph Rogier becomes a successful building contractor, rears a large family, and is gradually overwhelmed by the power of the great peak.
In Waters’s visionary prose, the story becomes a mythic journey to reconcile instinct and reason, consciousness and intuition, and the powerful emotions of a family struggling with its own dreams and human limitations.
Frank Waters (1902-1995), one of the finest chroniclers of the American Southwest, wrote twenty-eight works of fiction and nonfiction. Of Pike’s Peak (1971), the Chicago Daily News wrote, “It is a product of maturity, written with a sustained strength and beauty of style rarely found in fiction today.”
Pike’s Peak is composed of three condensed novels: The Wild Earth’s Nobility, Below Grass Roots, and The Dust within the Rock.
Rob Warden, one of the nation's most eloquent and effective advocates for the wrongly convicted, reconsiders the facts of the Boorn case for what they can tell us about the systemic flaws that produced this first known miscarriage of justice-flaws that continue to riddle our system of justice today. A tale of false confessions and jailhouse snitches, of evidence overlooked, and justice more blinkered than blind, the Boorns' story reminds us of the perennial nature of the errors at the heart of American jurisprudence-and of the need to question and correct a system that regularly condemns the innocent.
The Wind Traveler showcases the mesmerizing storytelling of Alonso Cueto at the top of his career. At the heart of his latest work is a seemingly ordinary man named Ángel, who sells kitchenware at a store in Lima. In the early 1990s, he had served as an army soldier, engaging in brutal acts whose aftermath still reverberates. He is forced to reckon with his past when a woman he was instructed to kill enters the store and buys a few items. How can she still be alive? What's more, how can she not recognize Ángel? Remarkably, she asks him to deliver her purchases to her house. From this moment, Ángel feels compelled to make amends through any means necessary, even if it requires sacrificing his life of quiet retirement.
A stirring tribute to the wounded souls who yearn to make peace with the past, The Wind Traveler offers a new vision of the fragile human connections that sustain a deeply fractured world.
It is the story of a woman who is abysmally poor, brutally treated and exploited by her parents, living in the gutters of Paris, yet she retains the spiritual outlook and purity of a saint. We are spared no brutality, yet there are scenes of the most tender beauty.
The woman, Clotilde, becomes an artist's model, meeting all the great French writers, among them the gloomy and magnificent Marchenoir, who is Bloy himself. They are all impressed by the depth of her thoughts and feelings; she finally marries one of them. They are pitifully poor, and the pages that cover the birth and death of their child shock with horror while moving the reader in their tragic beauty and tenderness––for this is Bloy, always hovering between death and ecstasy. Left a widow, Clotilda finds her true vocation, a vocation of poverty. She is the woman who is poor, no other words describe her more accurately. The novel ends with those famous words of extraordinary optimism: "There is only one misery…not to be saints."
Although more than one hundred novels set in the Ozarks were published before it, Thames Ross Williamson’s 1933 novel The Woods Colt was the first to achieve notable success both popularly and critically. Written entirely in regional dialect, The Woods Colt is the story of the violent and reckless Clint Morgan, whose attempts to secure love and freedom force him down a path of self-destruction.
Simultaneously exploitative and romantic, The Woods Colt carries us back to the heart of the Great Depression, heyday of the hillbilly in pop culture, when the perceived self-reliance and old-fashioned wisdom of rural people allowed audiences to not only escape their current circumstances but also imagine more hopeful ways of living. Williamson, a prolific author, answered this interest with a fast-paced and action-driven novel filled with folklore that had, ostensibly, been authenticated by none other than renowned Ozarks expert Vance Randolph.
The Woods Colt, with its familiar sense of danger and adventure, continues to offer insight and entertainment as it wrestles with timeless themes of economic struggle, cultural conflict, and modernization. With an introduction and explanatory notes from Phillip Douglas Howerton, this new edition makes the seminal novel available once more to scholars, regional enthusiasts, and anyone looking for a tale of the Ozark hills.
Julius was born in a mansion on Salaverry Avenue, directly across from the old San Felipe Hippodrome. Life-size Disney characters and cowboy movie heroes romp across the walls of his nursery. Out in the carriage house, his great-grandfather’s ornate, moldering carriage takes him on imaginary adventures. But Julius’s father is dead, and his beautiful young mother passes through her children’s lives like an ephemeral shooting star. Despite the soft shelter of family and money, hard realities overshadow Julius’s expanding world, just as the rugged Andes loom over his home in Lima.
This lyrical, richly textured novel, first published in 1970 as Un mundo para Julius, opens new territory in Latin American literature with its focus on the social elite of Peru. In this postmodern novel Bryce Echenique incisively charts the decline of an influential, centuries-old aristocratic family faced with the invasion of foreign capital in the 1950s.
Winner of the Outstanding Translation Award of the American Literary Translators Association and the Columbia University Translation Center Award.
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