BiblioVault - Books about Oregon

Handbook of Northwestern Plants Revised Edition

Helen Gilkey

Oregon State University Press, 2001

Here on the Edge

How a Small Group of World War II Conscientious Objectors Took Art and Peace from the Margins to the Mainstream

Steve McQuiddy

Oregon State University Press, 2013

Here on the Edge answers the growing interest in a long-neglected element of World War II history: the role of pacifism in what is often called “The Good War.” Steve McQuiddy shares the fascinating story of one conscientious objector camp located on the rain-soaked Oregon Coast, Civilian Public Service (CPS) Camp #56. As home to the Fine Arts Group at Waldport, the camp became a center of activity where artists and writers from across the country focused their work not so much on the current war, but on what kind of society might be possible when the shooting finally stopped.

They worked six days a week—planting trees, crushing rock, building roads, and fighting forest fires—in exchange for only room and board. At night, they published books under the imprint of the Untide Press. They produced plays, art, and music—all during their limited non-work hours, with little money and few resources. This influential group included poet William Everson, later known as Brother Antoninus, “the Beat Friar”; violinist Broadus Erle, founder of the New Music Quartet; fine arts printer Adrian Wilson; Kermit Sheets, co-founder of San Francisco’s Interplayers theater group; architect Kemper Nomland, Jr.; and internationally renowned sculptor Clayton James.

After the war, camp members went on to participate in the San Francisco Poetry Renaissance of the 1950s, which heavily influenced the Beat Generation of Jack Kerouac, Allen Ginsberg, and Gary Snyder—who in turn inspired Ken Kesey and his Merry Pranksters, leading the way to the 1960s upheavals epitomized by San Francisco’s Summer of Love.

As camp members engaged in creative acts, they were plowing ground for the next generation, when a new set of young people, facing a war of their own in Vietnam, would populate the massive peace movements of the 1960s.

Twenty years in the making and packed with original research, Here on the Edge is the definitive history of the Fine Arts Group at Waldport, documenting how their actions resonated far beyond the borders of the camp. It will appeal to readers interested in peace studies, World War II history, influences on the 1960s generation, and in the rich social and cultural history of the West Coast.

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A History of Oregon Ornithology

From Territorial Days to the Rise of Birding

Alan L. Contreras

Oregon State University Press, 2022

The study of birds was, in its early years, often driven by passionate amateurs in a localized context. A History of Oregon Ornithology takes the reader from the Lewis and Clark expedition to the 1950s, then refocuses on how birding and related amateur field observation grew outside the realm of academic and conservation agencies.

Editors Alan Contreras, Vjera Thompson, and Nolan Clements have assembled chapters exploring the differences and interplay between the amateur and professional study of birds, along with discussions of early birding societies, notable observers, and ornithological studies. It includes significant chapters on Charles Bendire, William L. Finley, Ira Gabrielson, Stanley Jewett, and David B. Marshall. It also notes the sometimes-overlooked contributions of women to our expanding knowledge of western birds. Special attention is paid to the development of seabird observation, the impact of the Internet, and the rise of digital resources for bird observers.

Intended for readers interested in the history of Oregon, the history of scientific explorations in the west, and the origins of modern birding and field ornithology, A History of Oregon Ornithology offers a detailed and entertaining tour of how birds were first observed and studied by explorers in what is now Oregon.

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Homeless Mothers

Face to Face with Women and Poverty

Deborah R. Connolly

University of Minnesota Press, 2001

A first-person look at the challenges and cultural perceptions confronting homeless women. Homeless Mothers follows the lives of mothers on the margins and asks where they fit in the increasingly black-and-white model of motherhood set up by society. Their voices, so rarely heard and so often ignored, resonate throughout this book. Both an anthropologist in the field and a social worker on the job, Deborah R. Connolly is ideally placed to draw out these women's life stories. Using their own words, by turns eloquent and awkward, poignant and harsh, she maps the perilous territory between the promise of childhood and the hard reality of motherhood on the street. What emerges is a glimpse of the cultural, class, gender, and economic challenges these women experience, a glimpse as real for us as the headlines and stereotypes that so often displace homeless mothers and consign them to silence. "Connolly explores in rich detail the day-to-day experiences of women who use family shelters. Homeless Mothers is an insider's view on poverty and homelessness from the standpoint of mothers, families, and the social service providers who work with them. Connolly uses ethnographic methods and skills worthy of a good fiction writer to portray the daily lives, struggles, and intricate negotiations of homeless mothers." --Housing Studies Deborah R. Connolly is an advocate for the homeless and a senior research associate at Edgewood Center for Children and Families in San Francisco. She recently taught cultural anthropology at the University of Missouri, Kansas City.

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Homesteader's Portfolio

Alice D. Pratt

Oregon State University Press, 1993

Honey in the Horn

H.L. Davis

Oregon State University Press, 2015

Set in Oregon in the early years of the twentieth century, H. L. Davis’s Honey in the Horn chronicles the struggles faced by homesteaders as they attempted to settle down and eke out subsistence from a still-wild land. With sly humor and keenly observed detail, Davis pays homage to the indomitable character of Oregon’s restless people and dramatic landscapes without romanticizing or burnishing the myths.

Clay Calvert, an orphan, works as a hand on a sheep ranch until he stumbles into trouble and is forced to flee. Journeying throughout the state, from the lush coastal forests, to the Columbia Gorge, to the golden wheat fields east of the Cascades, he encounters a cast of characters as rich and diverse as the land, including a native Tunne boy and a beautiful girl named Luce.

Originally published in 1935, Honey in the Horn reveals as much about the prevailing attitudes and beliefs of H. L. Davis’ lifetime as it does about the earlier era in which it is set. It transcends the limitations of its time through the sheer power and beauty of Davis’ prose. Full of humor and humanity, Davis’s first novel displays a vast knowledge of Pacific Northwest history, lore, and landscape.

An essential book for all serious readers of Northwest literature, this classic coming-of-age novel has been called the “Huckleberry Finn of the West.” It is the only Oregon book that has ever won a Pulitzer Prize for fiction. With a new introduction by Richard W. Etulain, this important work from one of Oregon’s premier authors is once again available for a new generation to enjoy.

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