'This is Irish history seen anew, from below, bristling with practical lessons for working-class struggle today' - Eamonn McCann
The 32 counties of Ireland were divided through imperial terror and gerrymandering. Partition was borne from a Tory strategy to defend the British Empire and has spawned a 'carnival of reaction' in Irish politics ever since. Over the last 100 years, conservative forces have dominated both states offering religious identity as a diversion from economic failures and inequality.
Through a sharp analysis of the history of partition, Kieran Allen rejects the view that the 'two cultures' of Catholic and Protestant communities lock people into permanent antagonism. Instead, the sectarian states have kept its citizens divided through political and economic measures like austerity, competition for reduced services and low wages.
Overturning conventional narratives, 32 Counties evokes the tradition of James Connolly and calls for an Irish unity movement from below to forge the North and the Republic into a secular, socialist and united Ireland.
Changing Homelands offers a startling new perspective on what was and was not politically possible in late colonial India. In this highly readable account of the partition in the Punjab, Neeti Nair rejects the idea that essential differences between the Hindu and Muslim communities made political settlement impossible. Far from being an inevitable solution, the idea of partition was a very late, stunning surprise to the majority of Hindus in the region.
In tracing the political and social history of the Punjab from the early years of the twentieth century, Nair overturns the entrenched view that Muslims were responsible for the partition of India. Some powerful Punjabi Hindus also preferred partition and contributed to its adoption. Almost no one, however, foresaw the deaths and devastation that would follow in its wake.
Though much has been written on the politics of the Muslim and Sikh communities in the Punjab, Nair is the first historian to focus on the Hindu minority, both before and long after the divide of 1947. She engages with politics in post-Partition India by drawing from oral histories that reveal the complex relationship between memory and history—a relationship that continues to inform politics between India and Pakistan.
Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
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