The twelfth century witnessed the sudden appearance and virtual disappearance of an important literary genre—the Old French verse chronicle. These poetic histories of the British kings, which today are treated as fiction, were written contemporaneously with Latin prose narratives, which are regarded as historical accounts. In this pathfinding study, however, Jean Blacker asserts that twelfth-century authors and readers viewed both genres as factual history.

Blacker examines four Old French verse chronicles—Gaimar's Estoire des Engleis (c. 1135), Wace's Roman de Brut (c. 1155) and Roman de Rou (c. 1160–1174), and Benoît de Sainte-Maure's Chronique des Ducs de Normandie (c. 1174–1180) and four Latin narratives—William of Malmesbury's Gesta Regum (c. 1118–1143) and Historia Novella (c. 1140–1143), Orderic Vitalis's Historia Ecclesiastica (c. 1118–1140), and Geoffrey of Monmouth's Historia Regum Britanniae (c. 1138). She compares their similarity in three areas—the authors' stated intentions, their methods of characterization and narrative development, and the possible influences of patronage and audience expectation on the presentation of characters and events.

This exploration reveals remarkable similarity among the texts, including their idealization of historical and even legendary figures, such as King Arthur. It opens fruitful lines of inquiry into the role these writers played in the creation of the Anglo-Norman regnum and suggests that the Old French verse chronicles filled political, psychic, and aesthetic needs unaddressed by Latin historical writing of the period.

During the Manchu conquest of China (1640s–1680s), the Qing government mandated that male subjects shave their hair following the Manchu style. It was a directive that brought the physical body front and center as the locus of authority and control. Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers’ memories of lived experiences during the Ming-Qing cataclysm. For traditional Chinese men of letters, the body was an anchor of sensory perceptions and emotions. Sight, sound, taste, and touch configured ordinary experiences next to traumatic events, unveiling how writers participated in an actual and imagined community of like-minded literary men.

In literature from this period, the body symbolizes the process by which individual memories transform into historical knowledge that can be transmitted across generations. The ailing body interprets the Manchu presence as an epidemic to which Chinese civilization is not immune. The bleeding body, cast as an aesthetic figure, helps succeeding generations internalize knowledge inherited from survivors of dynastic conquest as a way of locating themselves in collective remembrance. This embodied experience of the past reveals literature’s mission of remembrance as, first and foremost, a moral endeavor in which literary men serve as architects of cultural continuity.

Fossils, far from being mere dry bones, provide the key to understanding the stuff of history: past climates, evolution, and extinction. In this lively introduction, Richard Fortey offers an engaging and lucid explanation of how fossils are a product of our endlessly evolving habitat. The story begins with the Precambrian era, more than 600 million years ago. As Fortey traces the history of life from the dawn of the Precambrian to the present, he paints a vivid picture of the emergence of the plants and animals that we would recognize today. Unlike so many works on fossils that focus on dinosaurs, this book covers a broad range of animals and plants and does justice to the numerical superiority of invertebrate fossils.

The scope of the book is wide, including not only a history of paleontology but a review of those parts of general geology that are needed to appreciate the wealth of information contained in the fossil record: stratigraphy, measurements of paleotemperatures and radiometric ages, turbidites, reefs, sandstones, and so on. But the main emphasis of the book is on what paleontology is really about, how the paleontologist tries to figure out the ways in which fossil animals lived, and how geological processes such as plate tectonics have interacted with the history of life.

Fossils attempts to survey the contemporary paleontological scene in order to communicate the excitement of investigating the past. A primary goal of the book is to inspire and instruct the amateur fossil collector; hence, the specimens illustrated—many of which are presented in full color—are ones that are not too difficult for the amateur to collect. To aid the neophyte, the author has appended notes on the occurrence, significance, and preparation of each specimen. Of particular interest to the amateur are the discussions on how to collect fossils and on the economic and practical importance of fossils and their enclosing sediments. In striking a perfect balance between detail and generalization, Richard Fortey has written a book that will appeal to amateur and professional alike.

Ukraine is in the midst of the worst international crisis in East-West relations since the Cold War, and history itself has become a battleground in Russia-Ukraine relations. Can history and historical narratives be blamed for what has happened in the region, or can they show the path to peace and reconciliation, helping to integrate the history of the region in the broader European context?

The essays collected here address these questions, rethinking the meaning of Ukrainian history by venturing outside boundaries established by the national paradigm, and demonstrating how research on the history of Ukraine can benefit from both regional and global perspectives. The Future of the Past shows how the study of Ukraine’s past enhances our understanding of Europe, Eurasia, and the world—past, present, and future.