A SCHOLARLY BOOK REPOSITORY
In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach’s music “against the grain” of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach’s approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics.
“Invention”—the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition—emerges as an invaluable key in Dreyfus’s analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach’s working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach’s unusual appropriations of French and Italian styles—and about the elevation of various genres far above their conventional status.
Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today.
Beauty's Rigor offers a comprehensive overview of Nervi's long career. Drawing on the Nervi archives and a wealth of photographs and architectural drawings, Thomas Leslie explores celebrated buildings like Palazetto dello Sport built for the 1960 Rome Olympics, St. Mary's Cathedral in San Francisco, and the UNESCO headquarters in Paris. He also sheds new light on unbuilt projects such as the Pavilion of Italian Civilization for the Universal Exposition of Rome E42. What emerges is the first complete account of Nervi's contributions to modern architecture and his essential role in a revolution that realized concrete's potential to match grace with strength.
Changing Youth in a Changing Society begins with a complete survey of the problems of youth, showing which disorders peak during the teenage years. With this background of fact firmly established, Michael Rutter turns to the difficult historical questions about whether adolescent disorders are truly becoming more frequent. Here Rutter shows that the news is not uniformly bad. Some psychosocial problems, such as teenage alcoholism and crime, are still on the rise. But other problems, among them the much heralded generation gap, turn out to be largely mythical. Still others, like the decline in educational achievement, may only reflect historical changes in the population of teenagers being assessed.
Rutter’s historical analysis supports a comprehensive discussion of the causes of adolescent disorder. The effects of heredity, childhood, family, school, peer group, religion, the media, and the urban environment are all assessed in review of research which is a model of clarity and good sense. This review provides the factual framework for informed recommendations for more effective prevention and treatment of adolescent disorders.
Textile artist and instructor Betty Fikes Pillsbury has won hundreds of awards for her homages to the elegance of Victorian crazy quilting. Grounded in traditional methods but crafted with elements of whimsy, each piece stands on its own as a work of art. In this definitive guide, Pillsbury shares her methods for piecing, embroidering, and embellishing. Her instructions equip readers at any level of quilting skill to use those techniques to express their own visions.
Encouraging her readers to see functional and artistic possibilities beyond quilts (wall hangings, purses, and pillowcases are just some of the options), Pillsbury shows them how to make each work by hand, the slow cloth way. An inspiring primer for beginning and experienced quilters alike, this meticulously illustrated how-to book is far more expansive than previous guides. Pillsbury—a master of the form—shows us why crazy quilting belongs firmly in the twenty-first century.
Darwin’s theory thrust human life into time and nature and subjected it to naturalistic rather than spiritual or moral analysis. Insisting on gradual and regular–lawful–change, Darwinian thought nevertheless requires acknowledgment of chance and randomness for a full explanation of biological phenomena. George Levine shows how these conceptions affected nineteenth–century novelists—from Dickens and Trollope to Conrad—and draws illuminating contrasts with the pre–Darwinian novel and the perspective of natural theology.
Levine demonstrates how even writers ostensibly uninterested in science absorbed and influenced its vision. A central chapter treats the almost aggressively unscientific Trollope as the most Darwinian of the novelists, who worked out a gradualist realism that is representative of the mainstream of Victorian fiction and strikingly consonant with key Darwinian ideas. Levine’s boldly conceived analysis of such authors as Scott and Dickens demonstrates the pervasiveness and power of this revolution in thought and sheds new light on Victorian realism.
Throughout the African American community, individuals and organizations ranging from churches to schools to drug treatment centers are fighting the widespread use of crack cocaine. To put that fight in a larger cultural context, Doin' Drugs explores historical patterns of alcohol and drug use from pre-slavery Africa to present-day urban America.
William Henry James and Stephen Lloyd Johnson document the role of alcohol and other drugs in traditional African cultures, among African slaves before the American Civil War, and in contemporary African American society, which has experienced the epidemics of marijuana, heroin, crack cocaine, and gangs since the beginning of this century. The authors zero in on the interplay of addiction and race to uncover the social and psychological factors that underlie addiction.
James and Johnson also highlight many culturally informed programs, particularly those sponsored by African American churches, that are successfully breaking the patterns of addiction. The authors hope that the information in this book will be used to train a new generation of counselors, ministers, social workers, nurses, and physicians to be better prepared to face the epidemic of drug addiction in African American communities.
Why have some great modern artists—including Picasso—produced their most important work early in their careers while others—like Cézanne—have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.
Galenson’s analysis of the careers of figures such as Monet, Seurat, Matisse, Pollock, and Jasper Johns reveals two very different methods by which artists have made innovations, each associated with a very different pattern of discovery over the life cycle. Experimental innovators, like Cézanne, work by trial and error, and arrive at their most important contributions gradually. In contrast, Picasso and other conceptual innovators make sudden breakthroughs by formulating new ideas. Consequently, experimental innovators usually make their discoveries late in their lives, whereas conceptual innovators typically peak at an early age.
A novel contribution to the history of modern art, both in method and in substance, Painting outside the Lines offers an enlightening glimpse into the relationship between the working methods and the life cycles of modern artists. The book’s explicit use of simple but powerful quantitative techniques allows for systematic generalization about large numbers of artists—and illuminates significant but little understood features of the history of modern art. Pointing to a new and richer understanding of that history, from Impressionism to Abstract Expressionism and beyond, Galenson’s work also has broad implications for future attempts to understand the nature of human creativity in general.
Sylvanus brings wax cloth’s unique and complex history to light: born as a nineteenth-century Dutch colonial effort to copy Javanese batik cloth for Southeast Asian markets, it was reborn as a status marker that has dominated the visual economy of West African markets. Although most wax cloth is produced in China today, it continues to be central to the expression of West African women’s identity and power. As Sylvanus shows, wax cloth expresses more than this global motion of goods, capital, aesthetics, and labor—it is a form of archive where intimate and national memories are stored, always ready to be reanimated by human touch. By uncovering this crucial aspect of West African material culture, she enriches our understanding of global trade, the mutual negotiations that drive it, and the how these create different forms of agency and subjectivity.
Travel from island to island and the species change. Travel along any gradient—up a mountain, from forest into desert, from low tide to high tide on a shoreline —and again the species change, sometimes abruptly. What explains the patterns of these distributions? Some patterns might be as random as a coin toss. But as with a coin toss, can ecologists differentiate associations caused by a multiplicity of complex, idiosyncratic factors from those structured by some unidentified but simple mechanisms? Can simple mechanisms that structure communities be inferred from observations of which species associations naturally occur? For decades, community ecologists have debated about whether the patterns are random or show the geographically pervasive effect of competition between species. Bringing this vigorous debate up to date, this book undertakes the identification and interpretation of nature’s large-scale patterns of species co-occurrence to offer insight into how nature truly works.
Patterns in Nature explains the computing and conceptual advances that allow us to explore these issues. It forces us to reexamine assumptions about species distribution patterns and will be of vital importance to ecologists and conservationists alike.
Unlike the patterns we create in technology, architecture, and art, natural patterns are formed spontaneously from the forces that act in the physical world. Very often the same types of pattern and form – spirals, stripes, branches, and fractals, say—recur in places that seem to have nothing in common, as when the markings of a zebra mimic the ripples in windblown sand. That’s because, as Patterns in Nature shows, at the most basic level these patterns can often be described using the same mathematical and physical principles: there is a surprising underlying unity in the kaleidoscope of the natural world. Richly illustrated with 250 color photographs and anchored by accessible and insightful chapters by esteemed science writer Philip Ball, Patterns in Nature reveals the organization at work in vast and ancient forests, powerful rivers, massing clouds, and coastlines carved out by the sea.
By exploring similarities such as those between a snail shell and the swirling stars of a galaxy, or the branches of a tree and those of a river network, this spectacular visual tour conveys the wonder, beauty, and richness of natural pattern formation.
In Patterns of Behavior, Richard W. Burkhardt Jr. traces the scientific theories, practices, subjects, and settings integral to the construction of a discipline pivotal to our understanding of the diversity of life. Central to this tale are Konrad Lorenz and Niko Tinbergen, 1973 Nobel laureates whose research helped legitimize the field of ethology and bring international attention to the culture of behavioral research. Demonstrating how matters of practice, politics, and place all shaped "ethology's ecologies," Burkhardt's book offers a sensitive reading of the complex interplay of the field's celebrated pioneers and a richly textured reconstruction of ethology's transformation from a quiet backwater of natural history to the forefront of the biological sciences.
After explaining his new methodology, Bidney identifies and discusses epiphanies in the works of William Wordsworth, Samuel Taylor Coleridge, Matthew Arnold, Alfred Lord Tennyson, Walter Pater, Thomas Carlyle, Leo Tolstoy, and Elizabeth Barrett Browning. Taking his cue from the French philosopher Gaston Bachelard, Bidney postulates that any writer’s epiphany pattern usually shows characteristic elements (earth, air, fire, water), patterns of motion (pendular, eruptive, trembling), and/or geometric shapes. Bachelard’s analytic approach involves studying patterns of perceived experience—phenomenology—but unlike most phenomenologists, Bidney does not speculate on internal processes of consciousness. Instead, he concentrates on literary epiphanies as objects on the printed page, as things with structures that can be detected and analyzed for their implications.
Bidney, then, first identifies each author’s paradigm epiphany, finding that both the Romantics and the Victorians often label such a paradigm as a vision or dream, thereby indicating its exceptional intensity, mystery, and expansiveness. Once he identifies the paradigm and shows how it is structured, he traces occurrences of each writer’s epiphany pattern, thus providing an inclusive epiphanic portrait that enables him to identify epiphanies in each writer’s other works. Finally, he explores the implications of his analysis for other literary approaches: psychoanalytical, feminist, influence-oriented or intertextual, and New Historical.
This uniquely comprehensive study analyzes genetic and cultural variation in a human population of extraordinary diversity. The author measures the relationship between patterns of biological and patterns of cultural variation as a way to test the contribution made by natural selection to genetic variability. If linguistic similarity and migration history serve to predict biological patterns, support is provided for the hypothesis that forces other than natural selection are responsible for the diversity observed.
The data for this study come from a group of eighteen villages located in eight neighboring language areas that are clustered in a small region of Bougainville Island, Papua New Guinea. Biological and anthropological data are analyzed with a battery of sophisticated statistical and taxonomic methods: multiple discriminant analyses, principal coordinates analyses, principal components analyses, and Gower's R2 comparison. Diverse biological properties of the Bougainville Islanders prove to be closely related to their patterns of migration. Although this result in no way refutes the role of natural selection in the evolutionary process, it highlights the extent to which genetic diversity can be molded, at least in human populations, by nonselective events.
He considers how contemporary police institutions have developed. Police forces worldwide tend to be public rather than private, to concentrate on crime fighting rather than services, and to be professionally trained and recruited. There is, however, great variation in the structure of police forces, which are generally either centralized or, as in the United States, decentralized.
The behavior of the police toward their constituents also varies by nation. As urbanization and industrialization increase, the public finds itself in greater contact with police and may begin to rely on them more for protection. There are also marked differences cross-nationally in the way police relate to political and community life.
Patterns of Time will be valued for its several distinctive achievements. Foremost among these is a demonstration of the importance of "temporality" as a topic in its own right. Because measurements of time are a commonplace of social life, sociologists have tended to ignore the significance of temporality as a feature of social organizations. Zerubavel's work is a corrective to this neglect. In addition, the author's imaginative integration of ethnographic description and theoretical analysis bridges the gap between contrasting methods that has characterized much recent sociological and anthropological work. Finally, because of the author's selection of the hospital setting, sociologists of medicine and the professions will find his study useful for its rich and well-observed ethnography, as well as its novel analytical approach.
Illusions of judgment—standard anomalies where people consistently misjudge or misperceive what is logically implied or really present—are often used in cognitive science to explore the workings of the cognitive process. The explanations given for these anomalous results have generally explained only the anomaly under study and nothing more. Margolis provides a provocative and systematic analysis of these illusions, which explains why such anomalies exist and recur.
Offering empirical applications of his theory, Margolis turns to historical cases to show how an individual's cognitive repertoire—the available cognitive patterns and their relation to cues—changes or resists changes over time. Here he focuses on the change in worldview occasioned by the Copernican discovery: not only how an individual might come to see things in a radically new way, but how it is possible for that new view to spread and become the dominant one. A reanalysis of the trial of Galileo focuses on social cognition and its interactions with politics.
In challenging the prevailing paradigm for understanding how the human mind works, Patterns, Thinking, and Cognition is certain to stimulate fruitful debate.
Trick-or-treating. Flower girls. Bedtime stories. Bar and bat mitvah. In a nation of increasing ethnic, familial, and technological complexity, the patterns of children's lives both persist and evolve. This book considers how such events shape identity and transmit cultural norms, asking such questions as:
* How do immigrant families negotiate between old traditions and new?
* What does it mean when children engage in ritual insults and sick jokes?
* How does playing with dolls reflect and construct feelings of racial identity?
* Whatever happened to the practice of going to the Saturday matinee to see a Western?
* What does it mean for a child to be (in the words of one bride) "flower-girl material"? How does that role
cement a girl's bond to her family and initiate her into society?
* What is the function of masks and costumes, and why do children yearn for these accoutrements of disguise?
Rituals and Patterns in Children's Lives suggests the manifold ways in which America's children come to know their society and themselves.
Strangers in the Land is, then, a history of public opinion, whose purpose is to show how nativism evolved in society and in action. Higham seeks to explain what could inflame xenophobia and who resisted it. He saw his work as part of a renewed interest in the study of nationalism following the national upheavals in the wake of the McCarthy hearings. Surely Higham's mentor at the University of Wisconsin, intellectual historian Merle Curti, influenced Higham's approach in seeking to examine the power of nationalism as an idea. Also influential was the intellectual climate of the 1950s with its of distrust of ideology and distain of prejudice. Higham admits being repelled by the nationalist delusions of the Cold War, again helping to explain why his study concentrates on seeking some explanation for the irrational and violent outbreaks. The book thus focuses on points of conflict, "antagonisms that belong within ideologies of passionate national consciousness." For example, Higham's explains the 100 percent American movement in terms of progressive ideals and the desire of Americans to shape immigrants into a particular ideal of "Americanness" through education and assimilation. This intellectual construct eventually gave way to the racial thinking to which Higham assigns much influence in the efforts to restrict immigration. Ideology is also central to his chapter on the history of the idea of racism in which he argues that Anglo-Saxon nationalism, literary naturalism and a nascent understanding of genetics combined to bring forth arguments for immigration restriction to preserve the racial purity of the American people. Thus, key for Higham's argument is the power of ideas in shaping individual behavior and thereby shaping history.
This text is an absolute must-read for anyone seeking to understand American nativism and the darker side of nationalism.
This biographical study illuminates one of the most important yet misunderstood figures in the history of science. Barbara McClintock (1902-1992), a geneticist who integrated classical genetics with microscopic observations of the behavior of chromosomes, was regarded as a genius and as an unorthodox, nearly incomprehensible thinker. In 1946, she discovered mobile genetic elements, which she called "controlling elements." Thirty-seven years later, she won a Nobel Prize for this work, becoming the third woman to receive an unshared Nobel in science. Since then, McClintock has become an emblem of feminine scientific thinking and the tragedy of narrow-mindedness and bias in science.
Using McClintock's research notes, newly available correspondence, and dozens of interviews with McClintock and others, Comfort argues that McClintock's work was neither ignored in the 1950s nor wholly accepted two decades later. Nor was McClintock marginalized by scientists; throughout the decades of her alleged rejection, she remained a distinguished figure in her field. Comfort replaces the "McClintock myth" with a new story, rich with implications for our understanding of women in science and scientific creativity.
Although less well known than its much-admired counterparts in Peru and Bolivia, highland Ecuadorian weaving is an Andean tradition that has relationships with these more southern areas. A world away from the industrialized textile manufacturing of Euro-American society, these handmade pieces reflect the history and artistry of an ancient culture.
This comprehensive study, edited by Ann Pollard Rowe, is unrivaled in its detail and includes not only descriptions of the indigenous weaving and dyeing technology, but also an interpretation of its historical significance, as well as hundreds of photographs, drawings, and maps that inform the understanding of the process.
The principal focus is on backstrap-loom weaving, a major pre-Hispanic technology. Ecuadorian backstrap looms, which differ in various ways from those found elsewhere in the Andes, have previously only been treated in general terms. Here, the basic operation of this style of loom is covered, as are a variety of patterning techniques including warp-resist (ikat) dyeing, weaving belts with twill, and supplementary- and complementary-warp patterning. Spanish colonial treadle-loom weaving is also covered. The weaving techniques are explained in detail, so the reader can replicate them if desired.
Textiles have been an important art form among Andean peoples from remote prehistory up to the present. A greater understanding of their creation process can yield a more meaningful appreciation of the art itself.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press