front cover of Mr. Goodman the Player
Mr. Goodman the Player
John Harold Wilson
University of Pittsburgh Press, 1964

Famous as an actor with the King’s Company in London during the Restoration, Cardell Goodman epitomized one of the most colorful ages in English history. 

Goodman was admitted to St. John’s College, Cambridge at age 13, and, upon graduation, became an actor in the King’s Company.  To supplement his meager acting income, he took up highway robbery and was captured then pardoned by King Charles.  About 1684, he became the lover of Barbara, Duchess of Cleveland, former mistress of King Charles, and spent the next ten years living in luxury as her Master of the Horse, occasionally accepting acting roles.  In 1696 he became entangled in the Jacobite conspiracy and fled to France.  He returned to a remote part of England after the Peace of Ryswick in 1697, and spent the last years of his turbulent, exciting, dangerous life in genteel poverty.

John Harold Wilson tells Goodman’s remarkable life story with documentation, grace, and wit, using it to illustrate the violence, intrigue, lawlessness, moral laxity, and brilliance of the era’s revolt against Puritan sobriety and dullness. 
 

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front cover of A Player and a Gentleman
A Player and a Gentleman
The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor
Edited by Amy E. Hughes and Naomi J. Stubbs
University of Michigan Press, 2018

Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.

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