front cover of Where Writing Begins
Where Writing Begins
A Postmodern Reconstruction
Michael Carter
Southern Illinois University Press, 2003

Where Writing Begins: A Postmodern Reconstruction is an innovative approach to the postmodern dilemma in rhetoric and composition thatoffers a positive and postmodern pedagogy that redefines and revalues writing and the teaching of writing through reconstructive, postmodern thought. The result is a fresh understanding of both the field of composition and writing instruction.

Drawing on the rich potential of “beginning” as a philosophical concept, Michael Carter asks the simple question: Where does writing begin? His findings take readers first to a new view of what it means to begin, and then to a new understanding of writing and teaching writing based on the redefined beginning. Challenging conventional notions that posit “beginning” as a chronological and temporal concept, he instead advocates an ontological and philosophical approach, in which “beginning” embodies both deconstruction and reconstruction—and the very possibility of newness.

Adding to a growing body of rhetorical scholarship in postmodern reconstruction, Where Writing Begins illustrates that writing must be understood within the framework of deconstruction and reconstruction. Writing, then, may be newly defined and valued as beginning. Weaving together conceptual, structural, and methodological patterns, Carter’s study is also a journey through the history of philosophy and rhetoric that will leave readers feeling refreshed and teachers eager to return to their classes.

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front cover of Why the Humanities Matter
Why the Humanities Matter
A Commonsense Approach
By Frederick Luis Aldama
University of Texas Press, 2008

Is there life after postmodernism? Many claim that it sounded the death knell for history, art, ideology, science, possibly all of Western philosophy, and certainly for the concept of reality itself. Responding to essential questions regarding whether the humanities can remain politically and academically relevant amid this twenty-first-century uncertainty, Why the Humanities Matter offers a guided tour of the modern condition, calling upon thinkers in a variety of disciplines to affirm essential concepts such as truth, goodness, and beauty.

Offering a lens of "new humanism," Frederick Aldama also provides a liberating examination of the current cultural repercussions of assertions by such revolutionary theorists as Said, Foucault, Lacan, and Derrida, as well as Latin Americanists such as Sommer and Mignolo. Emphasizing pedagogy and popular culture with equal verve, and writing in colloquial yet multifaceted prose, Aldama presents an enlightening way to explore what "culture" actually does—who generates it and how it shapes our identities—and the role of academia in sustaining it.

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front cover of A William V. Spanos Reader
A William V. Spanos Reader
Humanist Criticism and the Secular Imperative
Edited by Daniel T. O'Hara, Donald E. Pease, Michelle Martin
Northwestern University Press, 2015

The American critic William V. Spanos, a pioneer of postmodern theory and co-founder of one of its principal organs, the journal boundary 2, is, in the words of A William V. Spanos Reader coeditor Daniel T. O’Hara, everything that current post-modern theory is accused of not being: polemical, engaged, prophetic, passionate. Informed by his experience as a prisoner of war in Dresden, Spanos saw dire con-sequences for life in modernist aesthetic experiments, and he thereafter imbued his work with a constructive aspect ever in the name of more life. A William V. Spanos Reader collects Spanos’s most important critical essays, providing both an introduction to his prophetic, visionary work and a provocation to the practice of humanistic criticism.

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