Empty Plinths: Monuments, Memorials, and Public Sculpture in Mexico responds to the unfolding political debate around one of the most contentious public monuments in North America, Mexico City’s monument of Christopher Columbus on Avenida Paseo de la Reforma. In convening a diverse collective of voices around the question of the monument’s future, editors José Esparza Chong Cuy and Guillermo Ruiz de Teresa probe the unstable narratives behind a selection of monuments, memorials, and public sculptures in Mexico City, and propose a new charter that informs future public art commissions in Mexico and beyond. At a moment when many such structures have become highly visible sites of protest throughout the world, this new compilation of essays, interviews, artistic contributions, and public policy proposals reveals and reframes the histories embedded within contested public spaces in Mexico.
Empty Plinths is published alongside a series of artist commissions organized together with several major cultural institutions in Mexico City, including the Museo Tamayo, the Museo de Arte Moderno, and the Museo Experimental el Eco.
New Jersey boasts more than 700 public sculptures. When viewed as a group, these works give us great insights about who helped to shape New Jersey, what events we considered significant, and how we hope we will be remembered. Public Sculpture in New Jersey examines 150 years of past and current patterns in the commissioning and placement of outdoor art in the Garden State.
The book contains essays that profile the state’s 100 most significant works as well as the artists who created them, and features nearly 100 magnificent photographs that document these works, capturing the effects of time and the environment on each sculpture. Bzdak and Petersen selected these works for the variety of stories they tell and for their range of artistic expression, from traditional to contemporary, rather than focusing only on the best known or most visible works of public sculpture. By telling the stories behind the sculptures, the book captures New Jersey’s history, especially history that may not be well known but that conveys significant information about how our predecessors lived and the official images they sought to leave behind.
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