Postmodernity in Latin America contests the prevailing understanding of the relationship between postmodernity and Latin America by focusing on recent developments in Latin American, and particularly Argentine, political and literary culture. While European and North American theorists of postmodernity generally view Latin American fiction without regard for its political and cultural context, Latin Americanists often either uncritically apply the concept of postmodernity to Latin American literature and society or reject it in an equally uncritical fashion. The result has been both a limited understanding of the literature and an impoverished notion of postmodernity. Santiago Colás challenges both of these approaches and corrects their consequent distortions by locating Argentine postmodernity in the cultural dynamics of resistance as it operates within and against local expressions of late capitalism.
Focusing on literature, Colás uses Julio Cortázar’s Hopscotch to characterize modernity for Latin America as a whole, Manuel Puig’s Kiss of the Spider Woman to identify the transition to a more localized postmodernity, and Ricardo Piglia’s Artificial Respiration to exemplify the cultural coordinates of postmodernity in Argentina. Informed by the cycle of political transformation beginning with the Cuban Revolution, including its effects on Peronism, to the period of dictatorship, and finally to redemocratization, Colás’s examination of this literary progression leads to the reconstruction of three significant moments in the history of Argentina. His analysis provokes both a revised understanding of that history and the recognition that multiple meanings of postmodernity must be understood in ways that incorporate the complexity of regional differences.
Offering a new voice in the debate over postmodernity, one that challenges that debate’s leading thinkers, Postmodernity in Latin America will be of particular interest to students of Latin American literature and to scholars in all disciplines concerned with theories of the postmodern.

A tale of intrigue and sexual entrapment.

In this artful fusion of espionage thriller and science fiction, Manuel Puig tells one story shared by three women—an actress in the 1930s, living in her husband’s fairy-tale castle; a young woman in Mexico City in the 1970s, convalescing in a hospital; and a futuristic cyborg sex slave, occupying an artificial landscape. In the haunting and mysterious language for which he is renowned, Puig explores the links between these women, as well as the links between genders and generations.

Best known for his novel Kiss of the Spider Woman, which has been adapted as a movie and a Broadway musical, Manuel Puig (1932–1990) also wrote Blood of Requited Love and Eternal Curse on the Reader of These Pages (both published by the University of Minnesota Press, 1999), as well as Betrayed by Rita Hayworth, Heartbreak Tango, and The Buenos Aires Affair.