In an agential realist account, the world is made of entanglements of “social” and “natural” agencies, where the distinction between the two emerges out of specific intra-actions. Intra-activity is an inexhaustible dynamism that configures and reconfigures relations of space-time-matter. In explaining intra-activity, Barad reveals questions about how nature and culture interact and change over time to be fundamentally misguided. And she reframes understanding of the nature of scientific and political practices and their “interrelationship.” Thus she pays particular attention to the responsible practice of science, and she emphasizes changes in the understanding of political practices, critically reworking Judith Butler’s influential theory of performativity. Finally, Barad uses agential realism to produce a new interpretation of quantum physics, demonstrating that agential realism is more than a means of reflecting on science; it can be used to actually do science.
An exploration of how nonlinear storytelling opens a post-Newtonian reality and changes both the hero’s journey and how we understand history in film and television.
Begin at the beginning and keep going until the end. That’s the cardinal rule of conventional storytelling. But ever since the modernists of the early twentieth century, popular narratives have occasionally eschewed this linear approach to temporality. It’s as though our stories, formerly unfolding in the stable, predictable universe of Newtonian physics, can now take place in multidimensional time where anything and anyone can be as incalculable as Schrödinger’s cat.
Quantum Screens is a journey through the past and present of nonlinear time in film and television. Moving beyond the early experiments of Luis Buñuel and the first nonlinear commercial films, such as 2001: A Space Odyssey, Martha Nochimson shows how risk-taking auteurs David Lynch, Damon Lindelof, and Terrence Malik have opened new horizons and a new concept of beauty in storytelling through their revelatory creations. Quantum Screens takes us deep into the audience’s experience of nonlinearity, exploring the emotional dislocations such storytelling creates, using television programs such as Twin Peaks, Westworld, and Watchmen, and films including The Tree of Life, BlacKkKlansman, and Arrival. Indeed, viewers are at the heart of a changing aesthetics of nonlinearity, Nochimson argues. Amid innovations like on-demand viewing, unlimited replay, and binge-watching, the experience of real time is more malleable than ever, and creators are responding by structuring their stories in compelling new ways.
Tibetan Buddhism and Modern Physics: Toward a Union of Love and Knowledge addresses the complex issues of dialogue and collaboration between Buddhism and science, revealing connections and differences between the two. While assuming no technical background in Buddhism or physics, this book strongly responds to the Dalai Lama’s “heartfelt plea” for genuine collaboration between science and Buddhism. The Dalai Lama has written a foreword to the book and the Office of His Holiness will translate it into both Chinese and Tibetan.
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