front cover of No Acute Distress
No Acute Distress
Jennifer Richter
Southern Illinois University Press, 2016
Jennifer Richter’s penetrating second collection of poems, No Acute Distress, introduces us to the unspoken struggles and unanticipated epiphanies of illness and motherhood, subjects rarely explored together in contemporary poetry. The first poem of each section borrows from a classic joke form—one begins, “An intractable migraine walks into a bar”—to consider the thin line this mother walks between the tragic and comic: debilitating pain met with increasingly absurd and desperate medical treatments.

Richter seasons her work with irony from the start, titling the book’s opening poem, “Pleasant, healthy-appearing adult white female in no acute distress.” As the collection progresses, the speaker’s growing children bring new, wider perspective to the poems; the heart of the book opens up to embrace the adolescents’ increasing self-sufficiency and the body’s vibrant re-emergence into health.

No Acute Distress offers readers fresh language grounded in a masterful use of form, speaking with an urgency that acknowledges chronic pain’s cumulative damage to the body and spirit, and with an openness that allows for hope and the inexplicable on the path to victorious recovery.
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front cover of Threshold
Threshold
Jennifer Richter
Southern Illinois University Press, 2010

Jennifer Richter presents a series of poems that explore the many facets of the term "threshold." Throughout the collection, the narrator experiences several acts of threshing, or separating—from birth and the small yet profound distances that part a mother and child, to the separation caused by illness and its toll on relationships. At the same time, she is progressively gathering, piecing together the remnants of her life, collecting her children into her arms, and welcoming a future without pain. Pain is often present in these poems, as the narrator frequently confronts her own threshold for enduring a ravaging illness. Her harrowing struggle through recovery is chronicled by a poem at the end of each section, tracing her powerful journey from deep suffering to a fragile yet steadfast sense of hope.
     These gripping lyric and prose poems explore duality in its many forms: the private, contemplative world versus a world of action; the mirror sides of health and sickness; the warmth of a June sun and the deep, long nights of winter; mother and child; collecting and letting go. From the comfort of a morning bed at home to the desperate streets of Hanoi, Threshold is a searing portrait of healing, the courage it takes to bridge the gulfs that divide, and the wonder of the ties that bind.

What Is My Body Without You?

My son’s pajamas unsnapped

on the floor: small husk

of his body relaxing on its back,

legs and sleeves still filled

with his rush.  This part of him

hasn’t outgrown my arms

and sometimes lets me lift

him up our steep stairs,

carry him to bed and pull

his shade against the gray

thin winter sky like milk

my daughter wakes up wanting. 

In the last days of lifting her

to my breast, I fill her less

than the air already gone

from my son’s flat shape.

Twice like that I have lain back,

the doctor opening me

along the same clean seam. 

Each time I was watching:

with a few tugs the child

was out, naked and heading

toward other hands, each child

cut loose before I knew it.

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