front cover of Four Walls and a Roof
Four Walls and a Roof
The Complex Nature of a Simple Profession
Reinier de Graaf
Harvard University Press, 2017

A Financial Times Best Book of the Year
A Guardian Best Architecture Book of the Year


“Sharp, revealing, funny.”
The Guardian

“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”
The Economist

Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution.

“This is a book about power, money and influence, and architecture’s complete lack of any of them… Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.”
Financial Times

“This is the most stimulating book on architecture and its practice that I have read for years.”
Architects’ Journal

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front cover of Mendelssohn Is on the Roof
Mendelssohn Is on the Roof
Jiri Weil
Northwestern University Press, 1998
Julius Schlesinger, aspiring SS officer, has received orders to remove from the roof of Prague's concert hall the statue of the Jewish composer Felix Mendelssohn. But which of the figures adorning the roof is the Jew? Remembering his course on racial science, Schlesinger instructs his men to pull down the statue with the biggest nose. Only as the statue they have carefully chosen begins to topple does he recognize that it is not Mendelssohn; it is Richard Wagner.

Thus begins a story of disarming simplicity that traces the transformation of ordinary lives in Nazi-occupied Prague. Death abetted by the petty malevolence of Nazi functionaries wins all the battles but ultimately loses the war, defeated by the fragile flowering of courage and defiance.

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front cover of The Museum on the Roof of the World
The Museum on the Roof of the World
Art, Politics, and the Representation of Tibet
Clare E. Harris
University of Chicago Press, 2012
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them.
 
Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
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front cover of The Roof of the Whale Poems
The Roof of the Whale Poems
Juan Calzadilla, Translated by Katherine M. Hedeen and Olivia Lott
University of Wisconsin Press, 2023
Venezuelan poet Juan Calzadilla (b. 1931), past recipient of the National Prize in the Visual Arts and the National Prize in Literature, is considered one of the most influential poets of the Spanish language. But while his books have appeared in Argentina, Brazil, Colombia, Cuba, and Spain, his work has not been widely available in English until now.

In 1961 Calzadilla was a founding member of El Techo de la Ballena (The Roof of the Whale), an avant-garde collective that sought to fuse politics and aesthetics. He published three books of poetry under its umbrella—Dictated by the Pack (1962), Bad Manners (1965), and The SupernaturalContradictions (1967)—which are all presented here in an omnibus edition, masterfully translated by Katherine M. Hedeen and Olivia Lott. Decades later, these poems still resonate, profoundly illustrating a sense of entrapment, of societal pressures on the individual, and of steadfast refusal to give in. Suffused with surrealist imagery, exuberant, exciting, and unexpected, The Roof of the Whale Poems is a breathtaking collection.
 
The main occupation we have given this prisoner is to force him to restlessly pace around what on closer inspection turns out to be a labyrinth whose inside space exactly matches the convulsions of his brain
A convicted man we have put to death . . .
—Excerpt from “The Prisoner of His Conscience”
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front cover of Snow Leopard
Snow Leopard
Stories from the Roof of the World
Don Hunter
University Press of Colorado, 2012
"Just recently, we once again traveled the high roads of snow leopard country, enjoying the beauty of Ladakh's iconic monasteries and watching blue sheep graze steep mountainsides. We saw no snow leopards but sensed their presence, feeling lucky and thrilled to be under the distant gaze of this magnificent cat. May you experience a similar feeling as you read about the snow leopard in this remarkable collection."
-Robert Bateman, from the foreword.

Like no other large cat, the snow leopard evokes a sense of myth and mysticism, strength and spirit shrouded in a snowy veil, seldom seen but always present. Giving a voice to the snow leopard, this collection of powerful first person accounts from an impressive cadre of scientist-adventurers grants readers a rare glimpse of this elusive cat and the remarkable lives of those personally connected to its future. These Stories from the Roof of the World resonate with adventure, danger, discovery, and most importantly hope for this magnificent big cat.

Very little has been written about this mystical creature. Its remote and rugged habitat among the mightiest collection of mountains on Earth, proclaimed "The Roof of the World" by awe-struck explorers, make it one of the most difficult and expensive animals to study. After a millennia thriving in peaceful isolation, human encroachment, poaching and climate change threaten the snow leopards survival. Speaking on behalf of the snow leopard, these heart-felt stories will inform and inspire readers, creating the vital connection needed to move people toward action in saving this magnificent cat. Contributors include: Ali Abutalip Dahashof, Som B. Ale, Avaantseren Bayarjargal, Yash Veer Bhatnagar, Joseph L. Fox, Helen Freeman, Darla Hillard, Don Hunter, Shafqat Hussain, Rodney Jackson, Jan E. Janecka, Mitchell Kelly, Ashiq Ahmad Khan, Nasier A. Kitchloo, Evgeniy P. Kashkarov, Peter Matthiessen, Kyle McCarthy, Tom McCarthy, George B. Schaller, and Rinchen Wangchuk

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front cover of Street Life under a Roof
Street Life under a Roof
Youth Homelessness in South Africa
Emily Margaretten
University of Illinois Press, 2015
Point Place stands near the city center of Durban, South Africa. Condemned and off the grid, the five-story apartment building is nonetheless home to a hundred-plus teenagers and young adults marginalized by poverty and chronic unemployment.

In Street Life under a Roof, Emily Margaretten draws on ten years of up-close fieldwork to explore the distinct cultural universe of the Point Place community. Margaretten's sensitive investigations reveal how young men and women draw on customary notions of respect and support to forge an ethos of connection and care that allows them to live far richer lives than ordinarily assumed. Her discussion of gender dynamics highlights terms like nakana--to care about or take notice of another--that young women and men use to construct "outside" and "inside" boyfriends and girlfriends and to communicate notions of trust. Margaretten exposes the structures of inequality at a local, regional, and global level that contribute to socioeconomic and political dislocation. But she also challenges the idea that Point Place's marginalized residents need "rehabilitation." As she argues, these young men and women want love, secure homes, and the means to provide for their dependents--in short, the same hopes and aspirations mirrored across South African society.

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front cover of Tibet Wild
Tibet Wild
A Naturalist's Journeys on the Roof of the World
George B. Schaller
Island Press, 2014
As one of the world’s leading field biologists, George Schaller has spent much of his life traversing wild and isolated places in his quest to understand and conserve threatened species—from mountain gorillas in the Virunga to pandas in the Wolong and snow leopards in the Himalaya. Throughout his celebrated career, Schaller has spent more time in Tibet than in any other part of the world, devoting more than thirty years to the wildlife, culture, and landscapes that captured his heart and continue to compel him to protect them.
 
Tibet Wild is Schaller’s account of three decades of exploration in the most remote stretches of Tibet: the wide, sweeping rangelands of the Chang Tang and the hidden canyons and plunging ravines of the southeastern forests. As engaging as he is enlightening, Schaller illustrates the daily struggles of a field biologist trying to traverse the impenetrable Chang Tang, discover the calving grounds of the chiru or Tibetan antelope, and understand the movements of the enigmatic snow leopard. 
 
As changes in the region accelerated over the years, with more roads, homes, and grazing livestock, Schaller watched the clash between wildlife and people become more common—and more destructive. Thus what began as a purely scientific endeavor became a mission: to work with local communities, regional leaders, and national governments to protect the unique ecological richness and culture of the Tibetan Plateau. 
 
Whether tracking brown bears, penning fables about the tiny pika, or promoting a conservation preserve that spans the borders of four nations, Schaller has pursued his goal with a persistence and good humor that will inform and charm readers.  Tibet Wild is an intimate journey through the changing wilderness of Tibet, guided by the careful gaze and unwavering passion of a life-long naturalist.
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