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Olesha's "Envy"
A Critical Companion
Rimgaila Salys
Northwestern University Press, 1999
This book, part of the acclaimed AATSEEL Critical Companions series, is designed to guide readers through Envy, Yury Olesha's humorous look at the individual's struggle with an increasingly industrialized society. This companion acquaints the reader with the history, biographical context, critical reception, and interpretation problems related to the novel. It also helps the reader decipher the book's difficult features, including its shifting narrators and fluid boundaries between dream and reality.

In addition, this critical companion presents documents from the period pertaining to the novel, excerpts from Olesha's memoirs, and a listing of important criticism.
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On Art
Ilya Kabakov
University of Chicago Press, 2018
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages.
            Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists.
            This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
 
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On Life
A Critical Edition
Leo Tolstoy, Edited by Inessa Medzhibovskaya, Translated from the Russian by Michael Denner and Inessa Medzhibovskaya
Northwestern University Press, 2019
In the summer of 1886, shortly before his fifty-eighth birthday, Leo Tolstoy was seriously injured while working in the fields of his estate. Bedridden for over two months, Tolstoy began writing a meditation on death and dying that soon developed into a philosophical treatise on life, death, love, and the overcoming of pessimism. Although begun as an account of how one man encounters and laments his death and makes this death his own, the final work, On Life, describes the optimal life in which we can all be happy despite our mortality. 

After its completion, On Life was suppressed by the tsars, attacked by the hierarchs of the Russian Orthodox Church, and then censored by the Stalinist regime. This critical edition is the first accurate translation of this unsung classic of Russian thought into English, based on a study of manuscript pages of Tolstoy's drafts, and the first scholarly edition of this work in any language. It includes a detailed introduction and annotations, as well as historical material, such as early drafts, documents related to the presentation of an early version at the Moscow Psychological Society, and responses to the work by philosophers, religious leaders, journalists, and ordinary readers of Tolstoy's day.
 
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On Our Way Home from the Revolution
Reflections on Ukraine
Sonya Bilocerkowycz
The Ohio State University Press, 2019
In 2014 Sonya Bilocerkowycz is a tourist at a deadly revolution. At first she is enamored with the Ukrainians’ idealism, which reminds her of her own patriotic family. But when the romantic revolution melts into a war with Russia, she becomes disillusioned, prompting a return home to the US and the diaspora community that raised her. As the daughter of a man who studies Ukrainian dissidents for a living, the granddaughter of war refugees, and the great-granddaughter of a gulag victim, Bilocerkowycz has inherited a legacy of political oppression. But what does it mean when she discovers a missing page from her family’s survival story—one that raises questions about her own guilt?

In these linked essays, Bilocerkowycz invites readers to meet a swirling cast of post-Soviet characters, including a Russian intelligence officer who finds Osama bin Laden a few weeks after 9/11; a Ukrainian poet whose nose gets broken by Russian separatists; and a long-lost relative who drives a bus into the heart of Chernobyl. On Our Way Home from the Revolution muddles our easy distinctions between innocence and culpability, agency and fate.
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On the Edge
Life along the Russia-China Border
Franck Billé and Caroline Humphrey
Harvard University Press, 2021

A pioneering examination of history, current affairs, and daily life along the Russia–China border, one of the world’s least understood and most politically charged frontiers.

The border between Russia and China winds for 2,600 miles through rivers, swamps, and vast taiga forests. It’s a thin line of direct engagement, extraordinary contrasts, frequent tension, and occasional war between two of the world’s political giants. Franck Billé and Caroline Humphrey have spent years traveling through and studying this important yet forgotten region. Drawing on pioneering fieldwork, they introduce readers to the lifeways, politics, and history of one of the world’s most consequential and enigmatic borderlands.

It is telling that, along a border consisting mainly of rivers, there is not a single operating passenger bridge. Two different worlds have emerged. On the Russian side, in territory seized from China in the nineteenth century, defense is prioritized over the economy, leaving dilapidated villages slumbering amid the forests. For its part, the Chinese side is heavily settled and increasingly prosperous and dynamic. Moscow worries about the imbalance, and both governments discourage citizens from interacting. But as Billé and Humphrey show, cross-border connection is a fact of life, whatever distant authorities say. There are marriages, friendships, and sexual encounters. There are joint businesses and underground deals, including no shortage of smuggling. Meanwhile some indigenous peoples, persecuted on both sides, seek to “revive” their own alternative social groupings that span the border. And Chinese towns make much of their proximity to “Europe,” building giant Russian dolls and replicas of St. Basil’s Cathedral to woo tourists.

Surprising and rigorously researched, On the Edge testifies to the rich diversity of an extraordinary world haunted by history and divided by remote political decisions but connected by the ordinary imperatives of daily life.

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One Day in the Life of Ivan Denisovich
A Critical Companion
Alexis Klimoff
Northwestern University Press, 1996
This companion to Aleksandr Solzhenitsyn's enduring classic about a day in the life of a Soviet gulag work camp includes a general introduction discussing the work in the context of the author's oeuvre as well as its place within the Russian literary tradition. Also included are fascinating primary sources and background materials, an annotated bibliography, and discussions of the work by leading scholars Robert Louis Jackson, Richard Tempest, and Dariusz Tolczyk. Combining scholarship with accessibility, this critical companion--part of the acclaimed AATSEEL series--illuminates a great work of literature and will enhance its appreciation by students and teachers.
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Only Among Women
Philosophies of Community in the Russian and Soviet Imagination, 1860–1940
Anne Eakin Moss
Northwestern University Press, 2019
Only Among Women reveals how the idea of a community of women as a social sphere ostensibly free from the taint of money, sex, or self-interest originated in the classic Russian novel, fueled mystical notions of unity in turn-of-the-century modernism, and finally assumed a privileged place in Stalinist culture, especially cinema.
 
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Optical Play
Glass, Vision, and Spectacle in Russian Culture
Julia Bekman Chadaga
Northwestern University Press, 2014

Longlist finalist, 2015 Historia Nova Prize for Best Book on Russian Intellectual and Cultural History 

Julia Bekman Chadaga’s ambitious study posits that glass—in its uses as a material and as captured in culture—is a key to understanding the evolution of Russian identity from the eighteenth century onward. From the contemporary perspective, it is easy to overlook how glass has profoundly transformed vision. Chadaga shows the far-reaching effects of this phenomenon.

Her book examines the similarities between glass and language, the ideological uses of glass, and the material’s associations with modernity, while illuminating the work of Lomonosov, Dostoevsky, Zamyatin, and Eisenstein, among others. In particular, Chadaga explores the prominent role of glass in the discourse around Russia’s contentious relationship with the West—by turns admiring and antagonistic—as the nation crafted a vision for its own future. Chadaga returns throughout to the spectacular aspect of glass and shows how both the tendentious capacity and the playfulness of this material have shaped Russian culture.

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Organic Worldview of Nikolai Leskov
Irmhild Christina Sperrle
Northwestern University Press, 2002

Although little studied in the West, Nikolai Semenovich Leskov (1831-95) is accorded a place among major nineteenth-century writers in his native Russia. Irmhild Christina Sperrle's The Organic Worldview of Nikolai Leskov draws on previously unavailable archival and primary sources to offer English-speaking readers the opportunity to appreciate the work of this neglected author.

Leskov remarked to his contemporary Anatolii Faresov, "People talk about my 'language,' about its colorfulness and its national traits; about the richness of my plots, about my condensed way of writing, about 'similarity' and so on, but they do not notice the most important thing." It is this "most important thing," Leskov's consistent thematic adherence to an "organic" philosophical model, that Sperrle traces and elaborates here. Focusing on movement and transformation in "an organic manner"—a manner in which death and rebirth alternate and condition each other—Sperrle develops Leskov's notion of organicity and explores his relationship to the organic tradition in philosophy and literature. Her reading of key texts among his more than five hundred works entails a close look at Leskov's ideas about the Divine as freedom of belief, about truth as a continual renewal of previously held theories, and about death in both a physical and a spiritual sense. She examines Leskov's vexed relation to Tolstoyan ideas and shows how the notion of heresy—as a questioning rather than rejection of authority-is a crucial element in his worldview and his work.

 
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The Origins of Russian Literary Theory
Folklore, Philology, Form
Jessica Merrill
Northwestern University Press, 2022
Russian Formalism is widely considered the foundation of modern literary theory. This book reevaluates the movement in light of the current commitment to rethink the concept of literary form in cultural-historical terms. Jessica Merrill provides a novel reconstruction of the intellectual historical context that enabled the emergence of Formalism in the 1910s. Formalists adopted a mode of thought Merrill calls the philological paradigm, a framework for thinking about language, literature, and folklore that lumped them together as verbal tradition. For those who thought in these terms, verbal tradition was understood to be inseparable from cultural history. Merrill situates early literary theories within this paradigm to reveal abandoned paths in the history of the discipline—ideas that were discounted by the structuralist and post-structuralist accounts that would emerge after World War II.

The Origins of Russian Literary Theory reconstructs lost Formalist theories of authorship, of the psychology of narrative structure, and of the social spread of poetic innovations. According to these theories, literary form is always a product of human psychology and cultural history. By recontextualizing Russian Formalism within this philological paradigm, the book highlights the aspects of Formalism’s legacy that speak to the priorities of twenty-first-century literary studies.
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Orphan Girl
A Transaction, or an Account of the Entire Life of an Orphan Girl by way of Plaintful Threnodies in the Year 1685. The Aesop Episode
Anna Stanislawska
Iter Press, 2016
Writing years after terrible events which colored her life forever, Anna Stanislawska (1651-1701) meticulously reconstructed in an epic poem the episode of her forced marriage to the deviant son of the Castellan of Kraków. He was deemed to be so ugly that Stanislawska called her new husband Aesop, who was said to have been one of the ugliest men in Antiquity.

Barry Keane's idiomatic and inventive verse translation brings to life this half-forgotten poetic account of a remarkable tale of triumph in the face of overwhelming oppression and allows Anna Stanislawska to take her place among the women poets of early modern Europe.
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Osip Mandelstam
Selected Essays
Translated by Sidney Monas
University of Texas Press, 1977

Osip Mandelstam, who died anonymously in a Siberian transit-camp in 1938, is now generally considered to be among the four or five greatest Russian poets of the twentieth century. The essays in this volume, presented in an exceptionally scrupulous and true translation, were selected because they represent Mandelstam's major poetic themes and his thought on literature, language and culture, and the work and place of the poet. Mandelstam's views on literature are profound and original, and they are expressed in striking and dramatic, if sometimes difficult, prose. These essays deal with such topics as the poetic process and the relationship of poetry to politics, culture, the traditions of the past, and the demands of the present.

Sidney Monas's lively introduction to the work and life of Mandelstam combines the virtues of both the critical essay and detached scholarship. Keeping biographical detail to a minimum, Monas concentrates on the pattern that runs through the essays and lends them that coherence often noted in Mandelstam's poetry.

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Other Animals
Beyond the Human in Russian Culture and History
Jane Costlow
University of Pittsburgh Press, 2010
The lives of animals in Russia are intrinsically linked to cultural, political and psychological transformations of the Imperial, Soviet, and post-Soviet eras. Other Animals examines the interaction of animals and humans in Russian literature, art, and life from the eighteenth century until the present. The chapters probe a range of human-animal relationships through tales of cruelty, interspecies communion and compassion, and efforts to either overcome or establish the human-animal divide. These essays also explore the unique nature of the Russian experience in this regard.  

Four themes run through the volume: the prevalence of animals in utopian visions; the ways in which Russians have both incorporated and sometimes challenged Western sensibilities and practices, such as the humane treatment of animals and the inclusion of animals in urban domestic life; the quest to identify and at times exploit the physiological basis of human and animal behavior and the ideological implications of these practices; and the breakdown of traditional human-animal hierarchies and categories during times of revolutionary upheaval, social transformation, or disintegration.

From failed Soviet attempts to transplant the semi-nomadic Sami and their reindeer herds onto collective farms, to performance artist Oleg Kulik’s scandalous portrayal of Pavlov’s dogs as a parody of the Soviet “new man,” to novelist Tatyana Tolstaya’s post-cataclysmic future world of hybrid animal species and their disaffection from the past, Other Animals presents a completely new perspective on Russian and Soviet history. It also offers a fascinating look into the Russian psyche as seen through human interactions with animals.
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