Since before the turn of the twentieth century, baseball greats have captivated audiences both on the diamond and the stage. Gracing the world of melodrama with their theatrical presence during the offseason, their forays into professional theater opened a portal between two distinct worlds of performance and entertainment that would shape the future of both.

In Ballplayers on Stage, Travis Stern explores the relationship between professional baseball and professional theater in the late nineteenth and early twentieth centuries. In particular, he argues that examining theater from this era helps us better understand baseball’s development and its transformation from a strictly working-class attraction to an entertainment that attracted interest from America’s emerging middle class. Baseball players’ theatrical productions drew audiences from the baseball world, and in turn their performances on the diamond began to attract middle-class crowds. But how did the on-field persona of those players as heroes or villains contribute to their image in the theater, and vice versa?

To explore these questions, Stern examines case studies of five representative players from baseball’s pre–Babe Ruth “deadball” era: Cap Anson, Mike “King” Kelly, Christy Mathewson, Ty Cobb, and Rube Waddell, with a concluding study of Babe Ruth himself. While one draw of theatrical performance was the additional profit it promised the players during the off-season, the stage also offered these men an opportunity to take a more active role in shaping their public image. Thus, Ballplayers on Stage not only offers a historical study of baseball, theater, and the relationship between the two; it also shares insight into the creation of celebrity in early twentieth-century America. This unique book will interest American history scholars, baseball fans, and theater enthusiasts alike.

Rather than as a Falstaffian figure of limited intellect, Edmund Wehrle reveals Babe Ruth as an ambitious, independent operator, one not afraid to challenge baseball’s draconian labor system. To the baseball establishment, Ruth’s immense popularity represented opportunity, but his rebelliousness and potential to overturn the status quo presented a threat. After a decades-long campaign waged by baseball to contain and discredit him, the Babe, frustrated and struggling with injuries and illness, grew more acquiescent, but the image of Ruth that baseball perpetuated still informs how many people remember Babe Ruth to this day. This new perspective, approaching Ruth more seriously and placing his life in fuller context, is long overdue.

The Wonder Team describes in detail the year 1927, when the New York Yankees became the Wonder Team—probably baseball’s best team ever. That club included Babe Ruth, Lou Gehrig, Waite Hoyt, Tony Lazzeri, Earle Combs, Herb Pennock, Bob Meusel, and Wilcy Moore. Also part of the narrative are recollections by owner Colonel Jacob Ruppert, manager Miller Huggins, business manager Ed Barrow, and scout Paul Krichell. No participant of that great team is omitted.
    In detailing the events leading to the 1927 World Series, Leo Trachtenberg weaves players’ profiles and histories along with those of the Yankee owner, management, coaches, scouts, trainer, and batboy/mascot. Also included are 1927 statistics and photos from Yankee archives.