BiblioVault - Books about Sixteenth

The Florentine Codex

An Encyclopedia of the Nahua World in Sixteenth-Century Mexico

Edited by Jeanette Favrot Peterson and Kevin Terraciano

University of Texas Press, 2019

Honorable Mention, 2021 LASA Mexico Humanities Book Prize, Latin American Studies Association, Mexico Section

In the sixteenth century, the Franciscan friar Bernardino de Sahagún and a team of indigenous grammarians, scribes, and painters completed decades of work on an extraordinary encyclopedic project titled General History of the Things of New Spain, known as the Florentine Codex (1575–1577). Now housed in the Biblioteca Medicea Laurenziana in Florence and bound in three lavishly illustrated volumes, the codex is a remarkable product of cultural exchange in the early Americas.

In this edited volume, experts from multiple disciplines analyze the manuscript’s bilingual texts and more than 2,000 painted images and offer fascinating, new insights on its twelve books. The contributors examine the “three texts” of the codex—the original Nahuatl, its translation into Spanish, and its painted images. Together, these constitute complementary, as well as conflicting, voices of an extended dialogue that occurred in and around Mexico City. The volume chapters address a range of subjects, from Nahua sacred beliefs, moral discourse, and natural history to the Florentine artists’ models and the manuscript’s reception in Europe. The Florentine Codex ultimately yields new perspectives on the Nahua world several decades after the fall of the Aztec empire.

[more]

The Origins of Mexican Catholicism

Nahua Rituals and Christian Sacraments in Sixteenth-Century Mexico

Osvaldo F. Pardo

University of Michigan Press, 2004

"Pardo's study provides a persuasive criticism of the widespread assumption that the process of Christianization in Mexico can be conceived as the imposition of a complete and fool-proof system that did not accept doubts or compromises. The Origins of Mexican Catholicism will become an invaluable tool for future researchers and enrich future debates on the subject."
---Fernando Cervantes, Bristol University, UK

"Pardo does an excellent job of balancing and contrasting sixteenth-century Catholic theology with Nahua thought and belief."
---John F. Schwaller, University of Minnesota

At first glance, religious conversion may appear to be only a one-way street. When studying sixteenth-century Mexico, one might assume that colonial coercion was the driving force behind the religious conversion of the native population. But The Origins of Mexican Catholicism shows how Spanish missionaries instead drew on existing native ceremonies in order to make Christianity more accessible to the Nahua population whom they were trying to convert.

Osvaldo F. Pardo explains that religious figures not only shaped native thought, but that indigenous rituals had an impact on the religion itself. This work illustrates the complex negotiations that took place in the process of making the Christian sacraments available to the native peoples, and at the same time, forced the missionaries to reexamine the meaning of their sacraments through the eyes of an alien culture.

For Spanish missionaries, ritual not only became a focus of evangelical concern but also opened a window to the social world of the Nahuas. Missionaries were able to delve into the Nahua's notions of self, emotions, and social and cosmic order. By better understanding the sociological aspects of Nahua culture, Christians learned ways to adequately convey their religion through mutual understanding instead of merely colonial oppression.

Given its interdisciplinary approach, this book will be of interest to specialists in Latin American intellectual and literary history, the history of religion, and anthropology, and to anyone interested in cross-cultural processes.

[more]

The Paradise Garden Murals of Malinalco

Utopia and Empire in Sixteenth-Century Mexico

By Jeanette Favrot Peterson

University of Texas Press, 1993

Winner, Charles Rufus Morey Award, 1993

The valley of Malinalco, Mexico, long renowned for its monolithic Aztec temples, is a microcosm of the historical changes that occurred in the centuries preceding and following the Spanish conquest in the sixteenth century. In particular, the garden frescoes uncovered in 1974 at the Augustinian monastery of Malinalco document the collision of the European search for Utopia with the reality of colonial life.

In this study, Jeanette F. Peterson examines the murals within the dual heritage of pre-Hispanic and European muralism to reveal how the wall paintings promoted the political and religious agendas of the Spanish conquerors while preserving a record of pre-Columbian rituals and imagery. She finds that the utopian themes portrayed at Malinalco and other Augustinian monasteries were integrated into a religious and political ideology that, in part, camouflaged the harsh realities of colonial policies toward the native population.

That the murals were ultimately whitewashed at the end of the sixteenth century suggests that the "spiritual conquest" failed. Peterson argues that the incorporation of native features ultimately worked to undermine the orthodoxy of the Christian message. She places the murals' imagery within the pre-Columbian tlacuilo (scribe-painter) tradition, traces a "Sahagún connection" between the Malinalco muralists and the native artists working at the Franciscan school of Tlatelolco, and explores mural painting as an artistic response to acculturation.

The book is beautifully illustrated with 137 black-and-white figures, including photographs and line drawings. For everyone interested in the encounter between European and Native American cultures, it will be essential reading.

[more]