People, Plants, and Landscapes showcases the potential of modern paleoethnobotany, an interdisciplinary field that explores the interactions between human beings and plants by examining archaeological evidence. Using different methods and theoretical approaches, the essays in this work apply botanical knowledge to studies of archaeological plant remains and apply paleoethnobotany to nonarchaeological sources of evidence. The resulting techniques often lie beyond the traditional boundaries of either archaeology or botany.
With this ground-breaking work, the technically and methodologically enhanced paleoethnobotany of the 1990s has joined forces with ecological and evolutionary theory to forge explanations of changing relationships between human and plant populations.
Contents and Contributors:
The Shaping of Modern Paleoethnobotany, Patty Jo Watson
New Perspectives on the Paleoethnobotany of the Newt Kash Shelter, Kristen J. Gremillion
A 3,000-Year-Old Cache of Crop Seeds from Marble Bluff, Arkansas, Gayle J. Fritz
Evolutionary Changes Associated with the Domestication of Cucurbita pepo: Evidence from Eastern Kentucky, C. Wesley Cowan
Anthropogenesis in Prehistoric Northeastern Japan, Gary W. Crawford
Between Farmstead and Center: The Natural and Social Landscape of Moundville, C. Margaret Scarry and Vincas P. Steponaitis
An Evolutionary Ecology Perspective on Diet Choice, Risk, and Plant Domestication, Bruce Winterhalder and Carol Goland
The Ecological Structure and Behavioral Implications of Mast Exploitation Strategies, Paul S. Gardner
Changing Strategies of Indian Field Location in the Early Historic Southeast, Gregory A. Waselkov
Interregional Patterns of Land Use and Plant Management in Native North America, Julia E. Hammett
Contributors. James R. Barrett, Joshua Brown, Leon Fink, Dana Frank, John French, James Green, Julie Greene, Gregory Kealey, Kristen Hill Maher, Steve Meyer
Public Performances offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—this volume provides rich and comprehensive insight into public performance as an assertion of political power.
Contributors consider how public genres of performance express not only celebration but also dissent, grief, and remembrance; examine the permeability of the boundaries between genres; and analyze the approval or regulation of such events by municipalities and other institutions. Where the particular use of public space is not sanctioned or where that use meets with hostility from institutions or represents a critique of them, performers are effectively reclaiming public space to make public statements on their own terms—an act of popular sovereignty.
Through these concepts, Public Performances distinguishes the sometimes overlapping dimensions of public symbolic display. Carnival, and thus the carnivalesque, is understood to possess tacit social permission for unconventional or even deviant performance, on the grounds that normal social order will resume when the performance concludes. Ritual, and the ritualesque, leverages a deeper symbolic sensibility, one believed—or at least intended—by the participants to effect transformative, longer-term change.
Contributors: Roger D. Abrahams, John Borgonovo, Laurent Sébastien Fournier, Lisa Gilman, Barbara Graham, David Harnish, Samuel Kinser, Scott Magelssen, Elena Martinez, Pamela Moro, Beverly J. Stoeltje, Daniel Wojcik, Dorothy L. Zinn
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