A fully revised and updated edition of Gary Nichols’ widely used guide to river running in Utah. Major changes have occurred on Big and Little Cottonwood Creeks, which have many new drops with dangerous hydraulics. This edition accounts for these and other alterations in the state’s waterways over the past fifteen years. Also, several of the original river access points are now on private land. Alternative access points are presented and users are alerted to the necessity of requesting permission. All this and much more will once again make A River Runners’ Guide to Utah and Adjacent Areas the one source for vital and reliable information on more than ninety river trips for beginner and expert alike. It includes:
-Over 90 river trips with descriptions and maps
-Location of access and take-out points
-Instructions for all skill levels
-Ratings of all waterways by levels of difficulty
-Identification of danger areas and obstacles
Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah’s abundant prehistoric rock art offers glimpses of a lost world.
The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a fascinating, comprehensive tour of this unique legacy.
From the Uinta Mountains through the central canyonlands to the Virgin River, Utah’s abundant prehistoric rock art offers glimpses of a lost world. Over many centuries, the Fremont and Anasazi peoples left an artistic record in which distinctive styles are readily identifiable.
The opposing forces of conservation and development have shaped and will continue to shape the natural environment and scenic beauty of the American West. Perhaps nowhere are their opposite effects more visible than in the neighboring states of Colorado and Utah, so alike in their spectacular mountain environments, yet so different in their approaches to land conservation. This study explores why Colorado has over twenty-five land trusts, while Utah has only one.
John Wright traces the success of voluntary land conservation in Colorado to the state’s history as a region of secular commerce. As environmental consciousness has grown in Colorado, people there have embraced the businesslike approach of land trusts as simply a new, more responsible way of conducting the real estate business.
In Utah, by contrast, Wright finds that Mormon millennialism and the belief that growth equals success have created a public climate opposed to the formation of land trusts. As Wright puts it, "environmentalism seems to thrive in the Centennial state within the spiritual vacuum which is filled by Mormonism in Utah." These findings remind conservationists of the power of underlying cultural values that affect their efforts to preserve private lands.
Roots and Wings recounts Virginia Tanner’s remarkable career as a dancer, artist, and educator. From her early experiences assisting at Evelyn Davis’s dance school in Washington, DC, to the creation of the Tanner Dance Program at the University of Utah, her influence on the field was pervasive. She channeled children’s energy, sharpened their senses, and encouraged youthful, authentic dance expression.
Manley’s extensive archival research and personal interviews depict Virginia Tanner as an innovative dance artist and ambitious leader in the field of modern dance. While exploring Tanner’s story, Roots and Wings emphasizes the value of unique instructional methodologies for teaching dance to young children and the vital role the arts play in children’s lives. Tanner’s work endures, continuing to echo with sensitivity and spirit in young dancers throughout the United States and abroad.
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