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Ancient Records of Egypt
Vol. 3: The Nineteenth Dynasty
Translated and Edited by James Henry Breasted
University of Illinois Press, 2001
Volume 3 of Ancient Records of Egypt opens on the chaotic aftermath of King Akhenaten's religious revolution. Breasted chronicles the precarious reigns of Akhenaten's successors and the political and legal reforms of King Horemheb, who succeeded to the throne after the passing of the last members of the royal family. This volume contains the important edict of Horemheb, intended to prevent the oppressive abuses connected with the collection of taxes from the common people, and the inscriptions of Roy, high priest of Amon, showing the first transmission from father to son of the office of the high priest.
 
In the context of a long history of mutilating and altering reliefs for political purposes, Breasted discusses the insertion into a relief of the figure of Ramesses II in order to reinforce his claim to the throne. This volume also includes the treaty of alliance that sealed peace with the Hittites under Ramesses II; a series of documents that record the invasion of Libyans and Mediterranean Sea people during the reign of Merneptah; and the Great Temple of Abu Simbel, the most remarkable of the rock-cut temples of Egypt.
 
This first complete paperback edition of Breasted's five-volume Ancient Records of Egypt makes available to a new audience a milestone in Egyptology and in the compilation of documentary histories. Clearly annotated for the lay reader, the documents provide copious evidence of trade relations, construction activities, diplomatic envoys, foreign expeditions, and other aspects of a vigorous, highly organized, and centrally controlled society. Breasted's commentary is both rigorously documented and accessible, suffused with a contagious fascination for the events, the personalities, the cultural practices, and the sophistication these records indicate
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front cover of Confederate Generals in the Western Theater, Vol. 3
Confederate Generals in the Western Theater, Vol. 3
Essays on America’s Civil War
Lawrence L. Hewitt and Arthur W. Bergeron Jr.
University of Tennessee Press, 2011

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The American Civil War was won and lost on its western battlefields, but accounts of triumphant Union generals such as Grant and Sherman leave half of the story untold. In the third volume of Confederate Generals in the Western Theater, editors Lawrence Hewitt and Arthur Bergeron bring together ten more never-before-published essays filled with new, penetrating insights into the key question of why the Rebel high command in the West could not match the performance of Robert E. Lee in the East.

            Showcasing the work of such gifted historians as Wiley Sword, Timothy B. Smith, Rory T. Cornish, and M. Jane Johansson, this book is a compelling addition to an ongoing, collective portrait of generals who occasionally displayed brilliance but were more often handicapped by both geography and their own shortcomings. While the vast, varied terrain of the Western Theater slowed communications and troop transfers and led to the creation of too many military departments that hampered cooperation among commands, even more damaging were the personal qualities of many of the generals. All too frequently, incompetence, egotism, and insubordination were the rule rather than the exception. Some of these men were undone by alcoholism and womanizing, others by politics and nepotism. A few outlived their usefulness; others were killed before they could demonstrate their potential. Together, they destroyed what chance the Confederacy had of winning its independence.

             Whether adding fresh fuel to the debate over the respective roles of Albert Sidney Johnston and P. G. T. Beauregard at Shiloh or bringing to light such lesser known figures as Joseph Finegan and Hiram Bronson Granbury, this volume, like the ones preceding it, is an exemplary contribution to Civil War scholarship.

Lawrence Lee Hewitt is professor of history emeritus at Southeastern Louisiana University. A recipient of SLU’s President’s Award for Excellence in Research and the Charles L. Dufour Award for “outstanding achievements in preserving the heritage of the American Civil War,” he is a former managing editor of North & South. His publications include Port Hudson: Confederate Bastion on the Mississippi.

The late Arthur W. Bergeron Jr. was a reference historian with the United States Army Military History Institute and a past president of the Louisiana Historical Association. Among his earlier books were Confederate Mobile and A Thrilling Narrative: The Memoir of a Southern Unionist.

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front cover of Theatre History Studies 1983, Vol. 3
Theatre History Studies 1983, Vol. 3
Ron Engle
University of Alabama Press, 1983

front cover of Theatre Symposium, Vol. 3
Theatre Symposium, Vol. 3
Voice of the Dramaturg
Paul Castagno
University of Alabama Press, 1995
As both a verb and a noun, the word voice has many meanings and functions on multiple levels, a phenomenon that is remarkably analogous to the practice of dramaturgy. Thus, the topic title Voice of the Dramaturg allows for the requisite flexibility and provides a unifying theme for the third volume of Theatre Symposium. This volume of the proceedings from the June 1994 joint meeting of the Southeastern Theatre Conference and the Literary Managers and Dramaturgs in Atlanta, Georgia, addresses the question, What is Dramaturgy? Part I includes the contributions of the six symposium participants and concludes with the roundtable discussion by panelists. Part II is composed of refereed papers. These papers range from the highly theoretical to the practical and pedagogical. They reflect the diversity of what dramaturgy means in contemporary theatre.
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front cover of Words for Students of English, Vol. 3
Words for Students of English, Vol. 3
A Vocabulary Series for ESL
Holly Deemer Rogerson, Suzanne T. Hershelman, Carol Jasnow, and Carol Moltz
University of Michigan Press, 1992


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