A SCHOLARLY BOOK REPOSITORY113 start with B start with B
While baseball is traditionally perceived as a game to be played, enjoyed, and reported from a masculine perspective, it has long been beloved among women—more so than any other spectator sport. Breaking into Baseball: Women and the National Pastime upends baseball’s accepted history to at last reveal just how involved women are, and have always been, in the American game.
Through provocative interviews and deft research, Jean Hastings Ardell devotes a detailed chapter to each of the seven ways women participate in the game—from the stands as fans, on the field as professionals or as amateur players, behind the plate as umpires, in the front office as executives, in the press box as sportswriters and reporters, or in the shadows as Baseball Annies. From these revelatory vantage points, Ardell invites overdue appreciation for the affinity and talent women bring to baseball at all levels and shows us our national game anew.
From its ancient origins in spring fertility rituals through contemporary marketing efforts geared toward an ever-increasing female fan base, baseball has always had a feminine side, and generations of women have sought—and been sought after—to participate in the sport, even when doing so meant challenging the cultural mores of their era. In that regard, women have been breaking into baseball from the very beginning. But recent decades have witnessed great strides in legitimizing women’s roles on the diamond as players and umpires as well as in vital management and media roles. In her thoughtfully organized and engagingly written survey, Ardell offers a chance for sports enthusiasts and historians of both genders to better appreciate the storied and complex relationship women have so long shared with the game and to glimpse the future of women in baseball.
Breaking into Baseball is augmented by twenty-four illustrations and a foreword from Ila Borders, the first woman to play more than three seasons of men’s professional baseball.
Breaking Into the Current is a story of romance between women and a place. Each woman tells a part of every Canyon boatwoman's story: when Marilyn Sayre talks about leaving the Canyon, when Ellen Tibbets speaks of crew camaraderie, or when Martha Clark recalls the thrill of white water, each tells how all were involved in the same romance.
All the boatwomen have stories to tell of how they first came to the Canyon and why they stayed. Some speak of how they balanced their passion for being in the Canyon against the frustration of working in a traditionally male-oriented occupation, where today women account for about fifteen percent of the Canyon's commercial river guides.
As river guides in love with the Canyon and their work, these women have followed their hearts. "I've done a lot," says Becca Lawton, "but there's been nothing like holding those oars in my hands and putting my boat exactly where I wanted it. Nothing."
A history of the activism that made public spaces in American cities more accessible to women.
From the closing years of the nineteenth century, women received subtle—and not so subtle—messages that they shouldn’t be in public. Or, if they were, that they were not safe. Breaking the Gender Code tells the story of both this danger narrative and the resistance to it.
Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.
Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a woman’s first and second journeys into motherhood. Giménez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book.
Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, Giménez Smith interrogates everything involved in becoming and being a mother for both the first and second times. She wonders what her children will one day know about her own “secret life,” meditates on the physical effects of pregnancy, and questions the myths about, nostalgia for, and glorification of motherhood.
While Giménez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means.
This collection of plays, fiction, and journalistic essays by Sophie Treadwell provides an engaging portrait of one of America’s most innovative yet neglected feminists. Broadway’s Bravest Woman: Selected Writings of Sophie Treadwell is the first critical compilation of her prose and drama and highlights the most significant and formerly unavailable pieces of her work. Editors Jerry Dickey and Miriam López-Rodriguez place Treadwell within the context of the early twentieth century and outline four themes that infused her feminist ideology: the social positioning of women, ethnic identity in the United States, tensions between modern progressivism and conservatism, and the individual’s role in the face of social justice.
Treadwell’s critical reputation as a dramatist is largely based on the success of the 1928 expressionist drama Machinal, but little is known about her other dramas, much less her fiction and journalism. Drawing largely upon unpublished manuscripts, this volume documents the breadth of Treadwell’s work, from an investigative newspaper serial written in 1914 to selections from an autobiographical novel completed during World War II, which chronicled her development as a feminist.
In the introduction, Dickey and López-Rodriguez present a detailed portrait of Treadwell’s sensational but critically neglected journalistic career, from her 1915 serial on social welfare for prostitutes in San Francisco to her 1921 ground-breaking story on the Mexican revolutionary leader Pancho Villa. They also outline the personal and social factors that helped shape Treadwell’s feminist ideals.
Expanding the awareness of the feminist writer’s accomplishments, Broadway’s Bravest Woman is critical resource for students, scholars, and theatre artists. The collection, enhanced by six illustrations, not only offers the most complete portrait of Treadwell to date as a significant feminist voice in modern America but also provides a glimpse into the social life and international relations of the United States in the interwar period of the twentieth century.
In these 20 interviews with women writers of fiction, Jordan, who teaches at Hampton University in Virginia, attempts to plumb the relations between black and white women in fiction and in life, and to explore the creative process. Although the book suffers from lengthy discussions of somewhat obscure work, the interviewees, most of whom have portrayed female characters of a race other than their own, offer intriguing, often conflicting observations about the primacy of race, gender or class. Kaye Gibbons ( Ellen Foster ) suggests that rural locations offer commonality to black and white Southern women; Marita Golden ( Long Distance Life ) observes that white writers emphasize female beauty while black writers focus on character. This book may be a useful supplement to literature courses.
From Library Journal
The message derived from the candid and articulate women interviewed here is, as Belva Plain states, "you learn as you live together." Editor Jordan (Hampton Univ., Virginia) has opened a dialog on writing and race relations by publishing these interviews with 20 significant contemporary black and white women writers, from Alice Childress and Joyce Carol Oates to Mildred Pitts Walker. The substance of these writers' thoughts is that the commonality of women's experience informs the genuine portrayal of a character as much as does the writer's understanding of her blackness or whiteness. This special book, so different from others that examine the writing process, is likely to stimulate dialog among women and to provoke serious study of many excellent women writers working today. Recommended for all collections supporting the study of literature, women's studies, and race relations.
Brooke shares vignettes of her early life—California in the Great Depression, college at Stanford, law school in Colorado during World War II, and the 1946 opening of her Cheyenne law office, a precedent for women in law. She vividly describes memorable and amusing experiences with clients, witnesses, lawyers, juries, and judges and explains some significant cases. She recounts important and dynamic events from her twelve years as Denver’s chief appellate deputy district attorney, an era during which she was an inestimable mentor to many young lawyers who became prominent in the private and public sectors.
Brooke passionately believed “the law has been and will continue to be civilization’s hope.” In her book’s final part, she demystifies many legal terms and procedures and describes the parts of a civil jury trial—including information for jurors and witnesses—and provides an enthusiastic and clear refresher on the US Constitution and Bill of Rights.
Brooke at the Bar is a unique and historically important contribution that will be of interest to general readers, scholars, and students interested in US law, political science, government, women’s history, twentieth-century western history, civil rights, and legal communities, including those in Wyoming and Colorado, where Brooke was “at the Bar.”
By the last two decades of the twentieth century, Ohio women had held positions as university presidents, chief executive officers, judges, superintendents of schools, and lieutenant governor. They had won Pulitzer Prizes and, in one case, the Nobel Prize for Literature.
But these women stood on the shoulders of those who came before: the pioneering women who helped tame the Ohio frontier, who filled the breach, who worked for reform, and who struggled for their own rights as citizens of one of the most prosperous states in the Union.
Buckeye Women is an accessible and comprehensive account of the role Ohio women have assumed in the history of the state and a narrative of their hardships and of the victories that have been won in the past two hundred years.
In this timely contribution to the Ohio Bicentennial Series, Professor Stephane Booth has written a rich and well-researched volume, providing for the first time a record of the vast and pivotal accomplishments shared by the women of Ohio over the last two centuries and documenting their contribution to the state’s remarkable heritage.
In the late 1800s, as Japanese leaders mulled over the usefulness of religion in modernizing their country, they chose to invite Unitarian missionaries to Japan. This book spotlights one facet of debates sparked by the subsequent encounter between Unitarianism and Buddhism—an intersection that has been largely neglected in the scholarly literature. Focusing on the cascade of events triggered by the missionary presence of the American Unitarian Association on Japanese soil between 1887 and 1922, Michel Mohr’s study sheds new light on this formative time in Japanese religious and intellectual history.
Drawing on the wealth of information contained in correspondence sent and received by Unitarian missionaries in Japan, as well as periodicals, archival materials, and Japanese sources, Mohr shows how this missionary presence elicited unprecedented debates on “universality” and how the ambiguous idea of “universal truth” was utilized by missionaries to promote their own cultural and ethnocentric agendas. At the turn of the twentieth century this notion was appropriated and reformulated by Japanese intellectuals and religious leaders, often to suit new political and nationalistic ambitions.
Curiously, little of the research on domestic violence has sought to either fully understand the impact of financial abuse or to determine which intervention strategies are most effective for the financial empowerment of survivors. Building Financial Empowerment for Survivors of Domestic Violence aims to address this critical knowledge gap by providing those who work with survivors of domestic violence with practical knowledge on how to empower the financial well-being and stability of survivors. Specifically, every practitioner, human service provider, criminal justice practitioner, financial manager, and corporate supervisor should be screening the women they encounter for economic abuse, and when such abuse is found, they should work with the women toward developing financial safety plans and refer survivors to financial empowerment programs to assist survivors to become free from abuse.
In the nineteenth century, Woman's Exchanges formed a vast national network that created economic alternatives for financially vulnerable women in a world that permitted few respectable employment options. Many remain in business.
Kathleen Waters Sander delves into the history of Woman's Exchanges and looks at the women who led the organizations—and those who used them to stave off poverty. One of the nation's oldest continuously operating voluntary movements, Exchanges like the Philadelphia Ladies' Depository and the Dorcas Society were fashionable, popular shops where women who had fallen on hard times could sustain themselves. By selling their handiwork on consignment, they not only earned money but avoided the stigma of seeking public employment. As Sander shows, Exchanges evolved into an important forum for entrepreneurial growth. They also provide an example of how women used the voluntary sector, which had so successfully served as a conduit for their political and social reforms, to advance opportunities for economic independence.
"There was never a moment in our lives that we were not reminded that our father was the finest, bravest, most gallant, and best-looking man who ever lived and that he was destined for unimaginable glory. This we took for granted. Being our father’s children was a special influence in all our lives, but the greatest, most pervasive, and most interesting influence in my life was Ma."
The Button Box is the loving memoir of Beatrice Ayer Patton (1886–1953), the wife of one of the greatest military figures in history, General George S. Patton, Jr. Written by the Pattons’ daughter, Ruth Ellen, the book covers Beatrice’s life from her youth in a wealthy New England family until her death, with an emphasis on her years of marriage to George Patton. A supportive and loving wife, Beatrice was accomplished in her own right as an equestrian, musician, lecturer, sailor, and internationally published author. Courageous and adventurous, Beatrice played a significant role in her husband’s life. Without her, General Patton might never have reached his own level of success.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press