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Piero Della Francesca: The Flagellation
University of Chicago Press, 1990 Paper: 978-0-226-46958-4 Library of Congress Classification ND623.P548F555 1990 Dewey Decimal Classification 759.5
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ABOUT THIS BOOK
"Lavin's study of the Pierro della Francesca "Flagellation" at Urbino, as befits this exquisite masterpiece, is a model of lucid and precise exposition as well as being an exciting exercise of scholarship. Informed with the intellectual rigour of Scholastic exegesis, it deserves to be placed with the classic readings of fifteenth and sixteenth century works by Erwin Panofsky and Edgar Wind."—Spectator "[Lavin] leaves the picture more wondrous than before, a simultaneous triumph of the theological and biographical, as well as pictorial, imagination."—Rackstraw Downes, New York Times Book Review TABLE OF CONTENTS
Preface Historical Table 1. Introduction 2. Physical History of the Painting 3. The Sources of the Composition 4. The Setting 5. The Portraits 6. The Subject 7. Art Historical Context Notes Bibliography List of Illustrations Index
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If you are a student who has a disability that prevents you from using this book in printed form, BiblioVault may be able to supply you with an electronic file for alternative access. Please have the disability coordinator at your school fill out this form. It can take 2-3 weeks for requests to be filled. See other books on: 1416?-1492 | della Francesca | Flagellation | Individual Artists | Piero, della Francesca See other titles from University of Chicago Press |
Piero Della Francesca: The Flagellation
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
University of Chicago Press, 1990
Paper: 978-0-226-46958-4
Paper: 978-0-226-46958-4
"Lavin's study of the Pierro della Francesca "Flagellation" at Urbino, as befits this exquisite masterpiece, is a model of lucid and precise exposition as well as being an exciting exercise of scholarship. Informed with the intellectual rigour of Scholastic exegesis, it deserves to be placed with the classic readings of fifteenth and sixteenth century works by Erwin Panofsky and Edgar Wind."—Spectator
"[Lavin] leaves the picture more wondrous than before, a simultaneous triumph of the theological and biographical, as well as pictorial, imagination."—Rackstraw Downes, New York Times Book Review
"[Lavin] leaves the picture more wondrous than before, a simultaneous triumph of the theological and biographical, as well as pictorial, imagination."—Rackstraw Downes, New York Times Book Review
TABLE OF CONTENTS
Preface
Historical Table
1. Introduction
2. Physical History of the Painting
3. The Sources of the Composition
4. The Setting
5. The Portraits
6. The Subject
7. Art Historical Context
Notes
Bibliography
List of Illustrations
Index
Historical Table
1. Introduction
2. Physical History of the Painting
3. The Sources of the Composition
4. The Setting
5. The Portraits
6. The Subject
7. Art Historical Context
Notes
Bibliography
List of Illustrations
Index
REQUEST ACCESSIBLE FILE
If you are a student who has a disability that prevents you from using this book in printed form, BiblioVault may be able to supply you with an electronic file for alternative access.
Please have the disability coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
