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Emotion and Meaning in Music
University of Chicago Press, 1961 Cloth: 978-0-226-52138-1 | Paper: 978-0-226-52139-8 | eISBN: 978-0-226-52137-4 Library of Congress Classification ML3800.M63 Dewey Decimal Classification 780.1
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory
"This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review See other books on: Emotion | Instruction & Study | Meaning | Meyer, Leonard B. | Philosophy and aesthetics See other titles from University of Chicago Press |
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Nearby on shelf for Literature on music / Philosophical and societal aspects of music. Physics and / General works:
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Emotion and Meaning in Music
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
University of Chicago Press, 1961
Cloth: 978-0-226-52138-1
Paper: 978-0-226-52139-8
eISBN: 978-0-226-52137-4
Cloth: 978-0-226-52138-1
Paper: 978-0-226-52139-8
eISBN: 978-0-226-52137-4
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory
"This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor
"It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist
"A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
"It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist
"A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
