“Monson’s book is a treasure hunt through the archives, uncovering hoards of gold: stories and characters from convent history, sad, bad, mad, and scandalous enough to make a novelist’s mouth water.”
— Sarah Dunant, author of Sacred Hearts: A Novel
“For centuries, more than three-quarters of upper-class women in Italy were immured in convents, willingly or not. From the Vatican Secret Archive, Craig Monson has worked like a detective to uncover the secrets of this closed world, revealing the yearnings and frustrations of women who were ‘dead to the world.’ This beautifully written, gripping book tells the stories of nuns who sought escape. Some just sang forbidden polyphony, one slipped out in disguise to catch the latest opera, and an entire convent burned down their cloister so they could all go home.”
— Edward Muir, Northwestern University
“A very original take on remarkable material. Monson’s thorough and impeccable research into convents of Bologna yielded many cases of imaginative insubordination, and he tells the stories with evident surprise and amusement, imposing a light touch on subjects that were in their historical period and setting quite serious. Cleverly written.”
— Elissa B. Weaver, University of Chicago
“Drawn from proceedings before the papal Congregation of Bishops and Regulars held in the Vatican Archive, the five true stories Craig Monson tells reveal much about the constrictions of convent life in Italy from the late sixteenth to the early eighteenth centuries. As the subtitle makes clear, these are not titillating tales of sexual peccadilloes but accounts of nuns attempting in various ways to challenge the oppressive regimen imposed by their masculine superiors. Written in vivid informal prose by a seasoned researcher who knows his subject intimately, this masterpiece will amuse and inform a wide range of readers both within and beyond academic circles.”
— Anne Jacobson Schutte, University of Virginia
“Fantastic stories of arson, magic, and nights at the opera—Monson presents a veritable Canterbury Tales detailing convent life in early modern Italy as seen through the adventures of unruly nuns. But unlike Chaucer’s classic work, all of these stories are true. Meticulously researched and carefully crafted, this book is a brilliant tour de force in its erudition. At the same time, it is a riveting page-turner that will interest scholars and general readers alike and also serve as an important resource for courses in gender studies, history, and music.”—Jane A. Bernstein, Tufts University
— Jane A. Bernstein, Tufts University
“Nuns Behaving Badly wears its learning with a smile, but it throws a sharp light into dark Roman Catholic corners.”
— The Economist
“Don’t miss ‘Spinsters, Silkworms, and a Flight in Flagrante,’ or any of the other lurid tales. Beautifully produced, exquisitely designed, mint copies of this are likely to become collectors’ items. Copies signed by the author, even better.”
— Laurence Vittes, The Huffington Post
“Forget the catchy title: Craig A Monson has produced a scholarly gem, commemorating some of the feisty women lurking behind convent walls in 16th and 17th-century Italy.”
— Telegraph
“[A] rollicking good read.”
— Robert Curry, Parergon
“In a brilliantly packaged piece of ‘nun-sploitation,’ author Craig A. Monson has woven together five separate tales of convent mystery into a fascinating examination of the female religious community in sixteenth- and seventeenth-century Italy. . . . Arsonists, escape artists, lovers, and dabblers in the occult—Monson unveils them all in this brilliant work.”
— Erik W. Goldstrom, Journal of the Association of Anglican Musicians
“Impeccably researched and extremely accessible, Monson’s book opens up a whole new world of convent and church politics in sixteenth- and seventeenth-century Italy.”
— Larissa Tracy, Longwood University, Sixteenth Century Journal
“All of the stories are engaging, and all triggered crises that might have disrupted convent life for generations. . . . If readers discover that they have purchased something quite richer in texture and historical content than the mildly humorous exposé of naughty nuns that they might have been expecting, so much the better.”
— Historian
“Monson . . . goes to great lengths to reimagine the past in the liveliest of terms, in scenes and dialogue pulled from the dusty envelopes of material that he poured over in the Vatican Archive. Few of the nuns who exist in that archive had a voice. Monson, at long last, makes a valiant stride toward giving them one.”
— Jenny Spinner, Saint Joseph's University, Journal of Medieval Religous Cultures
“Monson is a graceful writer who frequently goes beyond historic contextualization to create a distinct atmosphere. . . . This is book is as learned as it is delightful. It should command a wide audience, from specialists in early modern Italy, religion, and gender studies, to the general reader.”
— Dyan Elliott, Northwestern University, History of Religions