“A major landmark in ethnomusicology. These books represent decades of systematic and highly focused research by one of the most astute, tenacious, perceptive, respected, and inspiring scholars in the field. There is a wealth of information here, systematically organized and presented, with few precedents in music scholarship.”

“Stunning. I can think of no other work like it in the history of ethnomusicology, and very few that approach it in contemporary humanistic or musical scholarship. Its contribution transcends the author’s disciplinary affiliations in magisterial ways. There is, simply, nothing else like this in the literature. It owns its own category. It creates a new category of musical ethnography. And might I say, there is no example in the ethnomusicological literature of collaborative research on this level, either. I came away with a concrete understanding of the stunning complexity of the aural texture of mbira music, the playfulness of its performance practices, the seriousness of its pedagogical traditions, and the obviousness of the claim that Magaya is an artist on the level of a Charlie Parker or a Ravi Shankar—one of the world’s great musicians, a living treasure for the Shona people, and someone who has contributed enormously to ethnomusicology through his long collaboration with Berliner. This is a unique, powerful, singular work. Berliner is a master of ethnomusicological scholarship in exactly the same sense that Magaya is a master of the mbira. To have such a document of his career’s work is astounding. It shows what our discipline could be, and what we could achieve. It’s a real magnum opus.”

"Berliner and Magaya have been working on this project since the 1990s, and it is unlikely that the world will ever see a deeper dive into the beauties and mysterious nuances of mbira. These volumes mark an extraordinary collaboration between meticulous scholarship and virtuoso musicianship, and also, the fruit of a profound and enduring friendship."