“Ruins weren’t always valued primarily as objects of mood and pleasure. But they’ve long held some form of aesthetic interest in the West. This history, culminating in the Romantic period, is the subject of Stewart’s peripatetic study, an idiosyncratic expedition through the centuries. . . . As motivations, methods, and means vary across geography and history, what remains constant is this: ruins captivate, and ruins provoke a response.”

“Stewart’s new book details the long history of Western fascination of contemplating what Shakespeare describes (in Sonnet 55) as ‘unswept stone besmear’d with sluttish time.’ . . . Stewart contends that the immediate emotional impact of looking at a ruin is a reminder of our own deaths, since, unlike a heap of rubble, a ruin bears some traces of what it once was before its fall. . . . . Stewart expects much of her readers, but her writing is also forceful and clear.”

"Susan Stewart’s new book has a finely wrought section on the Romantics, but the special interest of this book is its transhistorical scope and imaginative amplitude. For forty years now, [Stewart] has been one of our most admired poet-critics. . . . This latest title arrives as an elegiac, crowning monument on the perennial entanglement between les mots et les choses of European civilization. This is simply the best work on the aesthetics of ruins out there."