In Visible Touch: Modernism and Masculinity
edited by Terry Smith
University of Chicago Press, 1997
Cloth: 978-0-226-76411-5 | Paper: 978-0-226-76412-2
Library of Congress Classification N8222.M38I5 1997
Dewey Decimal Classification 701.03

ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
In this collection, outstanding historians and theorists explore the representation of heterosexual masculinity embodied in modernist art.

Examining such major European modernists as Cézanne, Caillebotte, Matisse, Wyndham Lewis, and Boccioni, these writings offer a history of how artists sought to shape their sexuality in their work. In turn, the essays also show how the artists were shaped by the historical shifts in the gender order and by the exchanges between sexualities occurring in their social worlds. For example, the piece on Wyndham Lewis shows how he subscribed to an exaggerated masculinism, while the essays on Boccioni and Matisse bring out the efforts by these men to understand feminine sexuality.

In the theoretical essays, Bernard Smith questions modernism itself as a style category. And Richard Shiff and W.J.T. Mitchell trace the consequences for art theory of recognizing the physical presence of modernist artworks and the agency of imagery in our encounter with contemporary art.

See other books on: Art, Modern | Criticism & Theory | Masculinity | Modernism | Modernism (Art)
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