ABOUT THIS BOOK

Three scholars of religion explore literature and the literary as sites of critical transformation.

We are living in a time of radical uncertainty, faced with serious political, ecological, economic, epidemiological, and social problems. Scholars of religion Constance M. Furey, Sarah Hammerschlag, and Amy Hollywood come together in this volume with a shared conviction that what and how we read opens new ways of imagining our political futures and our lives.

Each essay in this book suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible—and the impossible—transport the reader, enabling new forms of thought, habits of mind, and ways of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion and their critical and creative import but also a powerful enactment of devotion itself.

AUTHOR BIOGRAPHY

Constance M. Furey is professor of religious studies at Indiana University Bloomington. She is the author of Erasmus, Contarini, and the Religious Republic of Letters and Poetic Relations. Sarah Hammerschlag is professor of religion and literature in the Divinity School at the University of Chicago. She is the author of The Figural Jew and Broken Tablets. Amy Hollywood is Elizabeth H. Monrad Chair of Christian Studies at the Harvard Divinity School. She is the author of The Soul as Virgin Wife, Sensible Ecstasy, and Acute Melancholia and Other Essays.

REVIEWS

“Devotion marvelously reveals the continuing entanglement of religious and aesthetic modes of reading. Even better, Furey, Hammerschlag, and Hollywood also offer new, cogent reflections on the politics of reading; they flag how very urgent an engagement with such politics is at a moment when liberalism and the liberal notion of the political subject seem exhausted and in crisis.”

— Deidre Shauna Lynch, Harvard University

“Thanks to the kind of rigor and patience that fidelity to complexity and ambiguity demand, this volume offers up a strikingly fruitful inquiry into religion, literature, and the nature of reading. Devotion is sure to make an influential and important contribution to the recent renewal of the religion and literature subfield as well as to the philosophy of religion.”

— Thomas A. Carlson, University of California—Santa Barbara

“In Devotion, the authors probe the limits of knowledge and knowability in a way that does not devolve into a hermeneutics of suspicion. In an age of the collapse of shared narrative and conspiracy theories ripping at coexistence, this approach might appear politically dangerous. But Devotion instead seeks to turn our inquisitive imaginaries into a way to supplement democracy . . . With its faith in literature, politics, and religion, and the imagination that they require and fuel, Devotion is a promise well kept.”

— Journal of the American Academy of Religion

"The book argues that the ways in which we negotiate freedom and authority between a text and its reader impact how we interact with the world intellectually and politically. The book’s originality lies in its novel conceptualization of devotion. Furey, Hammerschlag, and Hollywood use the term to characterize a way of reading that is liberating in creating a safe space for intellectual, existential, and political experimentation . . . an act of reading that demands both fidelity and suspicion. Thus, objects of devotion are extended beyond religious texts to other genres of writing, including literature and philosophy."

— Political Theology

TABLE OF CONTENTS

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