“Poole's contribution . . . offers a rhetorical lens through which to view our conceptualization of scientific practice, informed by the non-discursive symbolism of Susanne Langer. By drawing from interviews with scholars in the field, it provides an accessible reading of several examples of this style of research. For scholars of rhetoric, especially the rhetoric of science, the book should be read as a critique of the limitations of foundational scholarship that locates the meaning of scientific research primarily in the paradigms of its discourse.”
— Quarterly Journal of Speech
“Listening to Beauty offers readers insights into how attunement to nature’s punctum shapes scientific knowledge- making. This beautiful book also opens up broader multisensory methods that can lead to a world of punctive and rhetorical possibilities.”
— Rhetoric Society Quarterly
“Poole’s work is a powerful reminder that we still need books: longform, carefully inflected material that can make us feel differently at the end. Listening to Beauty is not just a timely argument or a new way forward methodologically—though it is those things as well. It is an event that redistributes the very sensorium it studies.”
— Daniel M. Gross, University of California, Irvine
“Poole’s writing brings her method of embodied listening with scientists and whale song vividly to life, where the rhythms of these relations become deeply felt and shared. She transports the reader into her conversations with scientists as they describe their practices of ‘punctive listening’ and their aesthetic relations with the earth and with whales. In this way, Listening to Beauty expands both the practices and the sense of possibilities for what listening and science are, and what they can become.”
— Bridie McGreavy, University of Maine