Title
Copyright
Contents
Acknowledgments
1 Engaged Opera
2 Black Opera across the Atlantic: Writing Black Music History and Opera’s Unusual Place
3 Haunted Legacies: Interracial Secrets From the Diary of Sally Hemings
4 Contextualizing Race and Gender in Gershwin’s Porgy and Bess
5 Carmen: From Nineteenth-Century France to Settings in the United States and South Africa in the
6 Winnie, Opera, and South African Artistic Nationhood
Conclusion: Engaged Musicology, Political Action, and Social Justice
Notes
Bibliography
Index