ABOUT THIS BOOK

Singing master Durham Hills created The Cashaway Psalmody to give as a wedding present in 1770. A collection of tenor melody parts for 152 tunes and sixty-three texts, the Psalmody is the only surviving tunebook from the colonial-era South and one of the oldest sacred music manuscripts from the Carolinas. It is all the more remarkable for its sophistication: no similar document of the period matches Hills's level of musical expertise, reportorial reach, and calligraphic skill.

Stephen A. Marini, discoverer of The Cashaway Psalmody, offers the fascinating story of the tunebook and its many meanings. From its musical, literary, and religious origins in England, he moves on to the life of Durham Hills; how Carolina communities used the book; and the Psalmody's significance in understanding how ritual song—transmitted via transatlantic music, lyrics, and sacred singing—shaped the era's development. Marini also uses close musical and textual analyses to provide a critical study that offers music historians and musicologists valuable insights on the Pslamody and its period.

Meticulous in presentation and interdisciplinary in scope, The Cashaway Psalmody unlocks an important source for understanding life in the Lower South in the eighteenth century.

AUTHOR BIOGRAPHY

Stephen A. Marini is the Elisabeth Luce Moore Professor of Christian Studies and a professor of American religion and ethics at Wellesley College. He is the author of Sacred Song in America: Religion, Music, and Public Culture and contributing editor for sacred music for The Grove Dictionary of American Music, second edition, and singing-master of Norumbega Harmony, a choral ensemble specializing in eighteenth-century Anglo-American psalmody.

REVIEWS

"Offering a microhistory of meticulous precision, Marini forges through it a study of broad interdisciplinary scope, a rare synthesizing perspective on the musical, religious, commercial, and educational cultures of the eighteenth-century colonies. I know of no one else in the field who could have pulled off this feat the way Marini has—an exceptional combination of indefatigable archival research with practiced musical expertise."--Leigh Eric Schmidt, author of Restless Souls: The Making of American Spirituality

"Stephen Marini's careful research into an extraordinary eighteenth-century tunemaster and the extraordinary collection of texts and music he gathered into the Cashaway psalter has resulted in an extraordinary book. Tight focus on this one manuscript-musical object yields a rich harvest of insight on transatlantic cultural exchange, unexpected cooperation among churches, the economics of artistic production, and (most of all) the absolutely central place of singing in early American history. It is a rich and rewarding study."--Mark Noll, author of A History of Christianity in the United States and Canada, second edition

TABLE OF CONTENTS

Cover

Title

Copyright

Contents

Acknowledgments

Prologue

Part I. Newcastle upon Tyne

1 All Saints

2 “A Schoolmaster in Sandgate”

3 Religious Newcastle

4 Trial and Transportation

Part II. The Cheraws

5 Cheraw Hill

6 Itinerant Anglicans and Literary Evangelicals

7 The Welsh Tract Baptists

8 Ministers and Missions

9 Saint David’s

10 To the Cashaway Neck Singing School

Part III. The Cashaway Psalmody

11 A Country Psalmody Tunebook

12 Musical Theology, Theory, and Practice

13 Common Tunes

14 Particular Psalms

15 Occasional Hymns I: Festival Hymns

16 Occasional Hymns II: A Saint’s Life

Part IV. After Cashaway

17 Beginnings and Endings

Epilogue The Cashaway Psalmody: Religion and Music in Colonial Anglo-America

Appendix A The Durham Family Genealogy

Appendix B The Hills Family Genealogy

Appendix C The Religious, Cultural, and Familial Networks of The Cashaway Psalmody

Appendix D Census of Tunes and Texts in The Cashaway Psalmody

Notes

Bibliography

General Index

Index of Tunes and First Lines

Back cover