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Music in Black American Life, 1945-2020: A University of Illinois Press Anthology
University of Illinois Press, 2022
Paper: 978-0-252-08666-3 | Cloth: 978-0-252-04458-8 | eISBN: 978-0-252-05359-7
ABOUT THIS BOOK | AUTHOR BIOGRAPHY
ABOUT THIS BOOK
This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu that folded many forms of black expressive culture into rap; and explain Hamilton's massive success as part of the "tanning" of American culture that began when Black music entered the mainstream. Part sourcebook and part survey of historic music scholarship, Music in Black American Life, 1945–2020 collects groundbreaking work that redefines our view of Black music and its place in American music history. Contributors: Nelson George, Wayne Everett Goins, Claudrena N. Harold, Eileen M. Hayes, Loren Kajikawa, Robin D. G. Kelley, Tammy L. Kernodle, Cheryl L. Keyes, Gwendolyn Pough, Bernice Johnson Reagon, Mark Tucker, and Sherrie Tucker See other books on: Harold, Claudrena N. | Hayes, Eileen M. | Kelley, Robin D. G. | Tucker, Sherrie | University See other titles from University of Illinois Press |
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Music in Black American Life, 1945-2020: A University of Illinois Press Anthology
ABOUT THIS BOOK | AUTHOR BIOGRAPHY
University of Illinois Press, 2022
Paper: 978-0-252-08666-3
Cloth: 978-0-252-04458-8
eISBN: 978-0-252-05359-7
Paper: 978-0-252-08666-3
Cloth: 978-0-252-04458-8
eISBN: 978-0-252-05359-7
This second volume of Music in Black American Life offers research and analysis that originally appeared in the journals American Music and Black Music Research Journal, and in two book series published by the University of Illinois Press: Music in American Life, and African American Music in Global Perspective. In this collection, a group of predominately Black scholars explores a variety of topics with works that pioneered new methodologies and modes of inquiry for hearing and studying Black music. These extracts and articles examine the World War II jazz scene; look at female artists like gospel star Shirley Caesar and jazz musician-arranger Melba Liston; illuminate the South Bronx milieu that folded many forms of black expressive culture into rap; and explain Hamilton's massive success as part of the "tanning" of American culture that began when Black music entered the mainstream.
Part sourcebook and part survey of historic music scholarship, Music in Black American Life, 1945–2020 collects groundbreaking work that redefines our view of Black music and its place in American music history.
Contributors: Nelson George, Wayne Everett Goins, Claudrena N. Harold, Eileen M. Hayes, Loren Kajikawa, Robin D. G. Kelley, Tammy L. Kernodle, Cheryl L. Keyes, Gwendolyn Pough, Bernice Johnson Reagon, Mark Tucker, and Sherrie Tucker
ABOUT THIS BOOK | AUTHOR BIOGRAPHY
