Cover
Title page
Contents
Preface
One Hundred Years of Latin American Music Scholarship: An Overview - Helena Simonett (and Michael Marcuzzi)
Part One. Academic Lineages, Disciplinary Canons, and Historiographies
1. Music Research in South America
2. Between Folklore and Ethnomusicology: Sixty Years of Folk and Vernacular Music Studies in Colombia
3. Popular Musicology in Latin America: Synthesis of Its Accomplishments, Problems, and Challenges
4. The Construction of History: The Charango in the Collective Memory of Mestizo Ayacucho
5. Decline or Progress? Eighteenth-Century Music and Nineteenth-Century Nationalism
6. The Bambuco, Hybrid Knowledges, and the Academy: A Historical Analysis of the Persistence of Coloniality in Latin America Musical Studies
Part Two. Popular Music, Style, and the Social Construction of Genre
7. Notes for a Prehistory of Mambo
8. “I Got Phrasing”: Changes in Samba’s Melodic Rhythm, 1917–1933
9. Singing Difference: Violeta Parra and Chilean Song
10. The Nuevo Cancionero Movement: A Change of Paradigm in Argentine Folklore
11. Timba, Rumba, and “Appropriation from the Inside”
12. Gender and Brazilian Popular Music: A Study of Female Bands
Part Three. Alternate Genealogies, Marginal Ontologies, and Applied Ethnomusicology Javier F. Le
13. Myth, Music, and Dance: The Chicomexochitl
14. Indigenous Music and Identity: Musical Spaces of Urban Mapuche Communities
15. Brazilian Ethnomusicology as Participatory Ethnomusicology: Anxieties Regarding Brazilian Musics
16. Applied Ethnomusicology: A Critical History of Indigenous Music Studies in Mexico
17. Metamorphosis of Afro-Brazilian Performance Traditions: From Cultural Heritage to the Entertainment Industry
Contributors
Index